Bruce Sterling
Autor(a) de The Difference Engine
About the Author
Bruce Sterling is a recent winner of the Nebula Award and the author of the nonfiction book "The Hacker Crackdown" as well as novels and short story collections. He co-authored, with William Gibson, the critically acclaimed novel "The Difference Engine." He lives in Austin, Texas, with his wife and mostrar mais daughter. (Publisher Provided) mostrar menos
Image credit: Photographed at BookPeople in Austin, Texas by Frank Arnold
Séries
Obras por Bruce Sterling
Twelve Tomorrows: Visionary stories of the near future inspired by today's technologies (all new 2016 edition) (2015) — Editor; Contribuidor — 28 exemplares
Bicycle Repairman {novelette} 18 exemplares
Maneki Neko {short story} 16 exemplares
Dinner in Audoghast 8 exemplares
Flowers of Edo [short fiction] 7 exemplares
The Denial 7 exemplares
Our Neural Chernobyl [short fiction] 6 exemplares
The Beautiful and the Sublime 6 exemplares
The Exterminator's Want Ad 6 exemplares
Green Days in Brunei 6 exemplares
Sacred Cow [short fiction] 5 exemplares
In Paradise 5 exemplares
Mozart in Mirrorshades [short fiction] 5 exemplares
The Dead Media Notebook 4 exemplares
The Lustration 4 exemplares
Homo Sapiens Declared Extinct 3 exemplares
Bulletins of The Serving Library #1 3 exemplares
Ivory Tower 3 exemplares
The Little Magic Shop 3 exemplares
A Plain Tale from Our Hills 3 exemplares
White Fungus 3 exemplares
Spook 2 exemplares
Slipstream {essay} 2 exemplares
The Master of the Aviary (Short Story) 2 exemplares
Deep Eddy 2 exemplares
Join The Navy And See The Worlds 2 exemplares
Esoteric City 2 exemplares
Luciferase [short story] 2 exemplares
Hormiga Canyon [short fiction] — Autor — 2 exemplares
My Rihla 1 exemplar
Utopia pirata - URANIA Raccnti 1 exemplar
[Zeitgeist] [by: Bruce Sterling] 1 exemplar
Asimov's Science Fiction, January 2003 1 exemplar
The Queen Of Rhode Island 1 exemplar
L'amore è strano 1 exemplar
Neo-Academism in Saint Petersburg 1 exemplar
Elephant on Table {short story} 1 exemplar
Utopia pirata: i *racconti di Bruno Argento 1 exemplar
Instead of Work 1 exemplar
The Latter Days Of The Law 1 exemplar
Mai più senza Torino. Due extracomunitari molto speciali alla scoperta della città (2012) — Autor — 1 exemplar
User-Centric (short story) 1 exemplar
Tall Tower 1 exemplar
Executive Solutions 1 exemplar
When Blobjects Rule the Earth 1 exemplar
The Littlest Jackal 1 exemplar
The Interoperation 1 exemplar
Telliamed 1 exemplar
The Growthing 1 exemplar
Colliding Branes 1 exemplar
The Hypersurface Of the Decade 1 exemplar
The Paranoid Critical Method 1 exemplar
The Unthinkable 1 exemplar
The Onset Of A Paranormal Romance 1 exemplar
Return to the Rue Jules Verne [short story] 1 exemplar
Loco 1 exemplar
Goddess of Mercy 1 exemplar
The Shores of Bohemia {novelette} 1 exemplar
The Sword of Damocles {short story} 1 exemplar
Associated Works
The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and… (2011) — Contribuidor — 668 exemplares
The Year's Best Science Fiction: Twenty-Third Annual Collection (2006) — Contribuidor — 528 exemplares
The Year's Best Science Fiction: Twenty-Fifth Annual Collection (2008) — Contribuidor — 475 exemplares
The Year's Best Science Fiction: Fourteenth Annual Collection (1997) — Contribuidor — 417 exemplares
The Best of the Best: 20 Years of the Year's Best Science Fiction (2005) — Contribuidor — 367 exemplares
The New Space Opera 2: All-New Stories of Science Fiction Adventure (2009) — Contribuidor — 322 exemplares
The Norton Book of Science Fiction: North American Science Fiction, 1960-1990 (1993) — Contribuidor — 315 exemplares
The Year's Best Science Fiction: Twenty-Seventh Annual Collection (2010) — Contribuidor — 283 exemplares
The Locus Awards: Thirty Years of the Best in Science Fiction and Fantasy (2004) — Contribuidor — 270 exemplares
Storming the Reality Studio: A Casebook of Cyberpunk and Postmodern Science Fiction (1991) — Contribuidor — 248 exemplares
The Year's Best Fantasy and Horror: Nineteenth Annual Collection (2006) — Contribuidor — 235 exemplares
The Best Science Fiction and Fantasy of the Year Volume Six (2012) — Contribuidor, algumas edições — 138 exemplares
The Best From Fantasy and Science Fiction: The Fiftieth Anniversary Anthology (1999) — Contribuidor — 118 exemplares
The Year's Best Science Fiction: Thirty-Fifth Annual Collection (2018) — Contribuidor — 118 exemplares
Three Messages and a Warning: Contemporary Mexican Short Stories of the Fantastic (2012) — Introdução — 110 exemplares
Paragons: Twelve Master Science Fiction Writers Ply Their Crafts (1996) — Contribuidor — 81 exemplares
Cyberpunk: Stories of Hardware, Software, Wetware, Evolution, and Revolution (1995) — Contribuidor — 75 exemplares
Significant Objects: 100 Extraordinary Stories about Ordinary Things (2012) — Contribuidor — 57 exemplares
2001: An Odyssey in Words: Celebrating the Centenary of Arthur C. Clarke's Birth (2018) — Contribuidor — 53 exemplares
Nebula Awards 27: SFWA's Choices for the Best Science Fiction and Fantasy of the Year (1993) — Contribuidor — 53 exemplares
In the Shadow of the Towers: Speculative Fiction in a Post-9/11 World (2015) — Contribuidor — 36 exemplares
The Magazine of Fantasy and Science Fiction October/November 1994, Vol. 87, No. 4 & 5 (1994) — Contribuidor — 27 exemplares
The Magazine of Fantasy and Science Fiction August/September 2009, Vol. 117, Nos. 1 & 2 (2009) — Contribuidor — 19 exemplares
The Magazine of Fantasy and Science Fiction October 1990, Vol. 79, No. 4 (1990) — Contribuidor — 18 exemplares
The Magazine of Fantasy and Science Fiction May 1994, Vol. 86, No. 5 (1994) — Contribuidor — 17 exemplares
The Magazine of Fantasy and Science Fiction October/November 1993, Vol. 85, No. 4 & 5 (1993) — Columnist — 16 exemplares
Isaac Asimov's Science Fiction Magazine: Vol. 9, No. 5 [May 1985] (1985) — Contribuidor — 16 exemplares
Isaac Asimov's Science Fiction Magazine: Vol. 9, No. 10 [October 1985] (1985) — Contribuidor — 14 exemplares
Asimov's Science Fiction: Vol. 20, No. 10 & 11 [October/November 1996] (1996) — Contribuidor — 14 exemplares
The Magazine of Fantasy and Science Fiction November/December 2010, Vol. 119, No. 5 & 6 (2010) — Autor — 12 exemplares
Isaac Asimov's Science Fiction Magazine: Vol. 13, No. 9 [September 1989] (1989) — Contribuidor — 12 exemplares
The Magazine of Fantasy and Science Fiction August 1982, Vol. 63, No. 2 (1982) — Contribuidor — 11 exemplares
The Magazine of Fantasy and Science Fiction April 1983, Vol. 64, No. 4 (1983) — Contribuidor — 11 exemplares
The Magazine of Fantasy and Science Fiction June 1993, Vol. 84, No. 6 (1993) — Contribuidor — 10 exemplares
The Magazine of Fantasy and Science Fiction September 2002, Vol. 103, No. 3 (2002) — Autor — 9 exemplares
Asimov's Science Fiction: Vol. 22, No. 10 & 11 [October/November 1998] (1998) — Autor — 9 exemplares
Subterranean Magazine Winter 2014 — Contribuidor — 6 exemplares
Asimov's Science Fiction: Vol. 47, No. 3 & 4 [March/April 2023] (2018) — Contribuidor — 5 exemplares
Asimov's Science Fiction: Vol. 45, No. 7 & 8 [July/August 2021] (2021) — Contribuidor — 4 exemplares
Science Fiction Eye #07, August 1990 — Contribuidor — 1 exemplar
Science Fiction Eye #10, June 1992 — Contribuidor — 1 exemplar
Science Fiction Eye #08, Winter 1991 — Contribuidor — 1 exemplar
Etiquetado
Conhecimento Comum
- Nome legal
- Sterling, Michael Bruce
- Outros nomes
- Omniaveritas, Vincent
- Data de nascimento
- 1954-04-14
- Sexo
- male
- Nacionalidade
- USA
- Local de nascimento
- Brownsville, Texas, USA
- Locais de residência
- Brownsville, Texas, USA (birth)
Pasadena, California, USA
Belgrade, Serbia
Turin, Italy
Austin, Texas, USA - Educação
- Michigan State University (1974 ∙ Clarion Science Fiction Writers Workshop)
University of Texas at Austin (B.A. Journalism) (1976) - Ocupações
- editor
novelist - Relações
- Tesanovic, Jasmina (wife)
- Organizações
- Turkey City Writer's Workshop
Membros
Críticas
Listas
Prémios
You May Also Like
Associated Authors
Estatísticas
- Obras
- 123
- Also by
- 161
- Membros
- 19,517
- Popularidade
- #1,118
- Avaliação
- 3.8
- Críticas
- 337
- ISBN
- 268
- Línguas
- 19
- Marcado como favorito
- 71
That’s understandable. This is not only a goodbye to international trickster Leggy Startlitz, smuggler and entrepreneur of questionable goods and services, but, as the Science Fiction Encyclopedia’s “Bruce Sterling” entry says “a mocking homage to the forever-disappeared twentieth century”.
With guest cameo references to George Soros, Osama Bin Laden, and Slobodan Milošević, this isn’t even a science fiction novel though it has interludes of magical realism. It’s a vivid and often funny look at the gaps in the global order’s wainscoting that a man like Starlitz thrives in, or, as he puts it, the places where the global order is fraying and he shapes a counternarrative. And the world it describes is one I mostly remember: Russia and the other former countries of the USSR coping with economic and often demographic devastation, Turkey trying to become the leader of the Islamic countries of central Asia, its more secular Islam a counterpoint to Iran, and the bombing of Kosovo in 1999. I didn’t remembered the self-immolation of Kurds to embarrass their old enemy Turkey.
Y2K is a major concern of Starlitz all throughout out this book, and it wasn’t published until October 2000. This is not a book about millennial anxiety that wasn’t published timely like James Gunn’s The Millennium Blues nor was it blindsided by events like Norman Spinrad’s Russian Spring. It starts toward the end of the millennium and in Istanbul. Leggy Starlitz, as part of a bet with genius music producer Makoto — essentially that they can make money out of a girl band – the G-7 – that has interchangeable members and whose music is crap.
Starlitz teams up with a rich Turk, Ozbey, to take the G-7 on a tour of Islamic countries including some that were formerly in the USSR. But, eventually, Starlitz finds out that Ozbey is tied up with the Turkish Deep State that is going to use the band to culturally destabilize those countries and make them more secular and less fundamentalist Islamic countries like Turkey. Not only will Turkey be sort of a leader of a new Caliphate, but Ozby will make some money heroin smuggling too.
Starlitz doesn’t want any of the girls dying before Y2K which is the absolute shutdown of the whole project. When he finds out what Ozbey is up to, Starlitz leaves the group, has some odd experiences in Mexico and America and Hawaii, and returns to confront Ozbey in Turkish Cyprus.
Characters from all the previous Starlitz adventures show up: Khoklov and Tamara (now residing in Hollywood) from “Hollywood Kremlin”, Vanna and ex federal prosecutor Jane O’Houlihan and Leggy’s daugther Zeta from “Are You for 86?”, and, maybe, characters from the “The Littlest Jackal” (no, my blogger due diligence didn’t cover re-reading that story).
The fantastical content enters in the weird interlude when Starlitz and Zeta leave Cyprus for Mexico. There he tosses their passports and ID papers and money. They slip across the border and end up squatting in some abandoned buildings in New Mexico.
It’s all part of a weird ritual to bring Starlitz’s father into existence, so Zeta can meet him before he vanishes for good at the end of the century. Starlitz’s father has a strange, obscure past, but the relevant point is that, when trying to steal some valuable metal around America’s first atomic bomb, he was in the device when it was detonated turning him into a sort of ghost haunting the twentieth century whose central narrative event was that first detonation. He can be evoked by use of old objects and music and dance. And, since the century is coming to an end, Starlitz’s father won’t be showing up again.
There is plenty of humor in the book and bizarre characters and a surprising number of bodies that need disposing of.
Upon finishing it about three weeks ago, it seemed fresh and delightful.
But thinking about it gradually generated annoyance. And that comes from Sterling’s seemingly sincere buy-in of post-modern notions of reality merely being a narrative. As Starlitz tells Zeta, when expressing his respect for French semioticians and structuralists and post-structuralists. It’s impossible to escape the world of language, that “social discourses” creates our reality. Granted, as he tells Zeta, there is a physical reality but then he goes to talk about how only French deconstructionists understood reality and it did them no good. Starlitz sees himself as existing in the places where the master narratives of the world are fraying and coming up against new, counter narratives.
This motif of politics and society as a narrative shows up elsewhere. Ozbey, when he confronts Starlitz towards novels’ end, says his destiny, his narrative, won’t allow him to be killed. Likewise, he has decided not to kill Starlitz since that seems an incongruous part of Starlitz’s narrative. It will be better if Leggy just disappears on New Year’s Day. The whole G-7 affair is an attempt to impose a narrative on Islamic countries.
Turkey is astounded that NATO has let it bomb Christian Serbia. Tim from ECHELON seems to be trying to impose some order, part of the US government’s new concern with international terrorism and the drug traffic. If Sterling was using this version of “narrative” as just a metaphor for making plans or using propaganda or lies we tell ourselves and others, that would be one thing. But the story seems to embrace the idea that things like rock bands can shape reality. “Controlling the narrative” and its variant phrases may have been the stated goal of many a would be politician and bureaucrat throughout the world, but it turns out that mere narratives don’t determine the amount of munitions someone can produce or even the desire to use them.
At novel’s end, Zeta tells her father’s he’s bad,
"totally provisional and completely without morality. You can personify the trends of your day, but you never get ahead of those trends. You never make the world any better."
People aren’t happy to him show up. However, when she grows up (she’s only 11), people are going to be happy to see her since she’ll make sure they get fed, watered, and bathed. (Zeta has been exposed to much squalor and poverty in the trip with her dad in Mexico, and he makes sure to tell that this is how most of the world lives. Her education is complete when she helps her dad bury some bodies in Cyprus.) The twentieth century’s problems, she says, are “crude and lousy”. The new century will have “serious, sophisticated problems”
Nor is she going to emulate her lesbian parents and their friends: “lame hippie crap” and petty criminals high on drugs.
The book seems to imply that hope of the world is NGOs or even a blatantly corrupt UN as Khoklov’s nephew thinks. Perhaps, Sterling foresaw the possibility of a do-good grifter like Chelsea Clinton or a Greta Thunberg. However, you can’t be absolutely sure with Sterling. Starlitz’s new idea, at novel’s end, is helping people with bad consciences spend their money. It sounds a lot like many a NGO scam today with a hardy skimoff for the people managing the NGO. Perhaps Sterling is once again ironically undercutting his seeming moral point.
Of course, few trend lines of the novel continued. Or, shall we say, those narratives couldn’t be imposed on reality. Russia revived. Turkey did not dominate Central Asian Moslems as it hoped. Turns out bombing Serbian Christians didn’t make Moslems any less tractable in their dealings with Europe, and Osama bin Laden introduced a new phase in the (failed) War on Terror. Still, it was an enjoyable book and is genuinely full of humor.… (mais)