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Loading... Oryx and Crakepor Margaret Atwood
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adorará Adira ao LibraryThing para descobrir se gostará deste livro. Stupid me, I read this after I read Year of the Flood. The two stand alone well enough that this doesn't seem to be an unforgiveable sin, however. The YOTF focuses on life 25 years after the waterless flood, OAC focuses on the event itself. Both books incorporate some of the same characters. A brilliant genetic engineer designs a pill to increase sexual pleasure, which has the unadvertised side effect of sterility. He sees that the population is seriously challenging the earth's resouces so decides to do something about it. The other unadvertised side effect, though, is a grisley death. His secret project is to design a new version of human without the pesky human characteristics that have doomed it. ( )The premise: from Amazon.com: In Oryx and Crake, a science fiction novel that is more Swift than Heinlein, more cautionary tale than "fictional science" (no flying cars here), Margaret Atwood depicts a near-future world that turns from the merely horrible to the horrific, from a fool's paradise to a bio-wasteland. Snowman (a man once known as Jimmy) sleeps in a tree and just might be the only human left on our devastated planet. He is not entirely alone, however, as he considers himself the shepherd of a group of experimental, human-like creatures called the Children of Crake. As he scavenges and tends to his insect bites, Snowman recalls in flashbacks how the world fell apart. My Rating Give It Away: this is an odd rating, because in LibraryThing, I gave it four stars (which I'll probably change, actually). I'm glad I've read the book, and I'll likely pick up the companion/sequel The Year of the Flood, but I'm so ambivalent about Oryx and Crake that I don't see myself picking it up again. In fact, it's the kind of book I'll probably forget I've read, because it never impacted me the way it probably would a reader who isn't as familiar with science fiction. I think fans of Atwood will enjoy this, and readers who aren't SF-literate in terms of tropes and conventions may find this book to be a diamond in the rough. Certainly, Atwood has a different take on the apocalypse than Cormac McCarthy's The Road, and it's interesting, though it lacks the direction and resolution that McCarthy's novel had. But hey, I'm glad I read it. I just wish I'd read it sooner than I did, before I was as familiar with SF tropes as I am now. If you're an SF fan, I'd only recommend this book to you if you don't mind reading the lit-fic takes on the genre, if you don't mind the fact you're not going to find something wholly original. I read this because I'm a sucker for lit-fic SF, and after The Handmaid's Tale, I wanted to see what else Atwood would do with the genre. The Handmaid's Tale is a much stronger book, but this one was interesting at least, even though it was a little unsatisfying. Review style: spoilers ahead. Considering the pace and style of the book, the spoilers aren't exactly Earth-shattering, but here's the warning anyway. SPOILERS. :) If such things bother you, there's no need to click the link below, which takes you to my LJ. However, if you're interested, the more discussion the merrier! As always, comments and discussion are most welcome. :) REVIEW: Margaret Atwood's ORYX AND CRAKE Happy Reading! I read it again after reading 'Year of the Flood'. Still very enjoyable and fun to have the followup. It now seems like there will be a third? I hope. Atwood is my favorite author and I didn't expect anything less. I really enjoyed Atwood's perspective on what could happen to our world if we keep moving forward the way we do. The theme of science being let to get out of control is very pertinent to today's society. I am thankful for technological/scientific advancements but I am also thankful that there are rules and regulations for some things. I give this book 4.5 stars out of 5 I heard a radio interview with Margaret Atwood, promoting her latest book The Year of the Flood. She mentioned that some characters and the speculative scenario were common to this earlier novel. In preparation for reading the new one I went down to the local library and checked out Oryx and Crake. Atwood describes Oryx and Crake as "speculative fiction," as opposed to science fiction, by which she means there are no space ships or aliens in the book. I think that Atwood is trying to differentiate herself from the pulp science fiction that some of us so dearly love, myself included. I would call the book a Vulcan mind meld between science fiction and literary fiction. The book begins in the middle with a protagonist named Snowman who lives in a tree house and wraps himself in a dirty sheet as if he never quite made it home from a toga party. His neighbors are a group of innocent naked vegetarians that look up to him as some sort of prophet or high priest. It's not at all clear what is going on at first - or second, or third. As the novel progresses Snowman's past is revealed bit by bit and Atwood's science fiction speculative scenario unfolds. By the time I reached two thirds of the way through the book it began to become clear to me what was going on. Atwood takes contemporary issues and asks "what if." This is what really good science fiction does. Like Walter Miller's A Canticle for Leibowitz and Nevil Shute's On the Beach. Atwood gives us a post apocalyptic world. In this case, it is our current obsession, climate change and another contemporary issue, genetic engineering, that cause the apocalypse, and not nuclear war, the favored end times scenario of the 1950s and 60s, when these books were written. What if the Earth warmed up to the point that Canada had a tropical climate? What if corporations had their own cities, gated communities writ large, that separated their privileged employees from the dangerous unlawful, disease ridden "plebe lands" occupied by the rest of humanity? What if plants, animals and microbes, customized for commercial purposes, escaped into the wild and were able to survive and reproduce? As might be expected one of those diseases, a raging airborne hemorrhagic, breaks loose and kills almost everyone. The naked people, a group of genetically engineered, disease resistant and socially manipulated post-humans, created in one of those corporate compounds as an experiment, that Snowman is living among are one exception. The genetically engineered "pigoons," wolvogs," "snats" and "rakunks," all animals created with the combined genes of different species, are the survivors, along with Snowman, for reasons not apparent until near the end of the book. It is hard to write about Oryx and Crake without letting out some spoilers. Even knowing what you now know will take away some of the initial confusion, but perhaps also the frustration, of reading the first chapter or two. Atwood wants the reader to wonder what is going on with Snowman and who these friendly naked people are. It seemed as though he were a stranded Robinson Crusoe figure on one of Ursula LeGuin's planets, among her hermaphroditic humanoids. No aliens, indeed. 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While the story begins with a rather ponderous set-up of what has become a clichéd landscape of the human endgame, littered with smashed computers and abandoned buildings, it takes on life when Snowman recalls his boyhood meeting with his best friend Crake: "Crake had a thing about him even then.... He generated awe ... in his dark laconic clothing." A dangerous genius, Crake is the book's most intriguing character. Crake and Jimmy live with all the other smart, rich people in the Compounds--gated company towns owned by biotech corporations. (Ordinary folks are kept outside the gates in the chaotic "pleeblands.") Meanwhile, beautiful Oryx, raised as a child prostitute in Southeast Asia, finds her way to the West and meets Crake and Jimmy, setting up an inevitable love triangle. Eventually Crake's experiments in bioengineering cause humanity's shockingly quick demise (with uncanny echoes of SARS, ebola, and mad cow disease), leaving Snowman to try to pick up the pieces. There are a few speed bumps along the way, including some clunky dialogue and heavy-handed symbols such as Snowman's broken watch, but once the bleak narrative gets moving, as Snowman sets out in search of the laboratory that seeded the world's destruction, it clips along at a good pace, with a healthy dose of wry humor. --Mark Frutkin, Amazon.ca
(retirado da Amazon Fri, 24 Apr 2009 07:58:19 -0400)
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