16-year-old Grady was violently attacked, abducted, raped and dumped on the side of the road by two men in van. He distances himself from his old friends, never telling them what happened, and his parents enable his self-imposed isolation by enrolling him in a different school. Grady, who thinks of himself as a "target," wants only to retreat from the world around him, but some of his new classmates - particularly a talkative and assertive boy named Jess - are determined to get past his shell.

Well, I read this book in a day so I guess that means I enjoyed it. On the other hand, Target is a far from perfect book. Michael Cart's review for Booklist nails many of the same issues that bothered me:

- It is hard to believe that Grady would be functioning in school at all, given his near-catatonic state.
- Why is Jess so invested in Grady? Based on Jess's depiction in the novel, it would be just as believable and probably more in character if he distanced himself from or even turned on Grady after finding out about the rape. (Jess isn't the most tolerant of individuals, viz. his contemptuous ongoing monologues about whites, women and gay people. Yes, he has his likable qualities but he has his own fears and insecurities about those who are different.) It's *nice* that he becomes Grady's champion, but one has to ask oneself, as Cart does, if Jess is really a "plausible [agent] of his recovery." Might be more credible if we got more of the why and wherefore behind Jess himself, perhaps if Grady or someone else were to put that same question to him...
- What's the deal with Gwendolyn, the snotty pretty girl who wants to turn Grady, or "the raped guy" as she calls him, into a headline for the school paper? I can see why Jess pisses her off - hell, he'd piss off anybody - but why this malicious undercurrent toward Grady?
- The bird metaphor/conceit is egregious and has to be read to be believed:
"Birds flew screaming at him out of the sky, Grady had to duck, dodge, they would tear his eyes out, rip his skin open - why couldn't anyone else see them? They were starving, looking for flesh, looking for meat, looking for blood - "
"'They' - he forced the words - 'hurt me.' A bird cried, it was hungry, searching for food."
"But for some reason, he didn't care. In the distance, a bird cried again, tired and hungry. Grady was tired, too. He wanted to live."

Some things Cart didn't remark on: I found the book painfully slow, drawing out and detailing scenes in the same laborious way that Grady's fingers constantly wander over various surfaces - imitative fallacy? - and the final chapter was irritating in a "three weeks later," "everything resolved or on its way to being resolved" kind of way.

This books also demands inevitable comparison with "When Jeff Comes Home" by Catherine Atkins.

While other teen novels have explored rape, in this one the victim is a male. As in Speak, the main character (Grady) doesn't talk much, but there's a lot going on inside of his head. The incident has made him question everything about himself, and he's not sure of the answers. While the story is not told first person, readers get this character and these issues, and will understand why Grady hangs on the outside of his own life. There are some fun secondary characters, but this is the story about a kid going through life on the light side who gets attacked and his life turns into a dark ride. Review originally appeared in Novelist. ( )

Grady slowly comes to terms with having been raped as he starts attending a new school. ( )