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Loading... Down and Out in Paris and Londonpor George Orwell
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adorará Adira ao LibraryThing para descobrir se gostará deste livro. Great journalism, great writing, great man I love that Anthony Bourdain loves this book too. This book is a must for anyone who works or has worked in a kitchen. This is one I can re-read and never tire of it. Much of the book reveals the tragedies of the poor but Orwell is also a master at tragi-comedy. This is the April 2009 title for the book club on the New Yorker's book blog, The Book Bench. Interesting topics and comments. Check it out: http://www.newyorker.com/online/blogs... What remains with me about this book is how it takes one to a place that is not terribly pleasant but gritty and real. sem resenhas | adicionar uma resenha
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In Paris, Orwell lived in verminous rooms and washed dishes at the overpriced "Hotel X," in a remarkably filthy, 110-degree kitchen. He met "eccentric people--people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent." Though Orwell's tone is that of an outraged reformer, it's surprising how entertaining many of his adventures are: gnawing poverty only enlivens the imagination, and the wild characters he met often swindled each other and themselves. The wackiest tale involves a miser who ate cats, wore newspapers for underwear, invested 6,000 francs in cocaine, and hid it in a face-powder tin when the cops raided. They had to free him, because the apparently controlled substance turned out to be face powder instead of cocaine.
In London, Orwell studied begging with a crippled expert named Bozo, a great storyteller and philosopher. Orwell devotes a chapter to the fine points of London guttersnipe slang. Years later, he would put his lexical bent to work by inventing Newspeak, and draw on his down-and-out experience to evoke the plight of the Proles in 1984. Though marred by hints of unexamined anti-Semitism, Orwell's debut remains, as The Nation put it, "the most lucid portrait of poverty in the English language." --Tim Appelo
(retirado da Amazon Fri, 24 Apr 2009 07:58:19 -0400)
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Do not expect nice accounts of the places, but the realism is there - if you feel like, try to find the streets mentioned in both cities, and you will have a feel of what was life for him. The characters are realist, acerbic and quite colourful, and reminds me of Joyce's Ulysses, but without the complexity of language.
This is a definite read for a taste of 1920-1930s realism, with a taste of the backstreets, pimps and slums of the two capitals between the wars, but without being overly negative in its viewpoint. This is recommended for anyone interested in social realism, sociology and can be read in conjunction with Zola's 'L'assommoir'. (