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How Far We Go and How Fast por Nora Decter
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How Far We Go and How Fast (edição 2018)

por Nora Decter (Autor)

MembrosCríticasPopularidadeAvaliação médiaDiscussões
2312990,819 (3.7)Nenhum(a)
Sixteen-year-old Jolene, named after the girl in the Dolly Parton song, is from a long line of lowlifes, but at least they're musical lowlifes. Her mother is a tanning-salon manager who believes she can channel her karaoke habit into a professional singing career. Jolene's dad, a failed bass player, has gone back to the family demolition business and lives by the company motto: "We do not build things; we only tear them down." But Jolene and her big brother, Matt, are true musicians, writing songs together that make everything Jo hates about their lives matter less. When Matt up and leaves in the middle of the night, Jo loses her only friend, her support system and the one person who made her feel cool. As it becomes clear that Matt is never coming back, Jo must use music to navigate her loss.… (mais)
Membro:SaschaD
Título:How Far We Go and How Fast
Autores:Nora Decter (Autor)
Informação:Orca Book Publishers (2018), 264 pages
Coleções:A sua biblioteca
Avaliação:*****
Etiquetas:Nenhum(a)

Informação Sobre a Obra

How Far We Go and How Fast por Nora Decter

Adicionado recentemente pormportley, agatazm, pphs, Faith_Murri, arcadia123, bebonee, l-mo, rpribula
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Mostrando 1-5 de 12 (seguinte | mostrar todos)
I received this eARC from Orca Books via NetGalley in exchange for an honest review.

Around here anything can happen, and it very often does.

Obligatory Summary

Jolene is struggling with the sudden absence of her brother while trying to go to school, eat, walk her dog, hang out with friends, and deal with her absent parents. The only thing that gets her through is her music. But when does a coping mechanism become a crutch, and when does the problem become too much to ignore? How will long until she can't stay in her hometown? How long until she joins Matt?

This is a story about sadness and loss and avoidance through action and inaction. It's a mystery and a coming-of-age and a drama. It's about the grieving process, and how it takes time to be okay, and how you'll never be the same again, but you can learn to love what you have and what you've lost too.

I don’t know if I believe in time. I mean, I don’t believe it works for me the same way it works for other people. Other people can count on today turning into tomorrow and tomorrow turning into the day after that. But I can’t count on it at all.

The Writing and Characters

I really enjoyed the writing in this book. It read it in mostly one sitting. It really just flowed well and drew me in deep rather quickly. I loved the plot and the pacing. The whole thing gave me some strong Forgive Me, Leonard Peacock feels with a dash of Sadie thrown in for good measure.

A unique aspect was the music and concerts Jo goes to. I love music and I honestly related to that part of the story so much (minus the drugs and alcohol)

All the characters felt so real. I know people like them. I love them. I hate them. I am them.

Jolene: She was so relatable it scares me a little. She's an overthinker to the extreme (hello, that's me), she avoids conflict (thanks for calling me out, Nora Decter), and she dresses like a hobo with some money stashed away (help me). She's self-deprecating and sarcastic, and I just want her to have good things (I want to have good things too).

Her relationship with Matt, her brother, was definitely one of the most interesting parts of the book. It just so happens that one of my WIPs is basically the same plot (but I a sci-fi setting) so to see it so wonderfully executed was both exhilarating and frightening.

Maggie: She's such a great character. She's awful, but also awfully human. She's not bad but not good and you have to love what she gives you

The Squad: Graham, Drew, and manicpixiedreamgirl were fun characters, and really liked them, but they were definitely the least interesting part of the book, though they did help move the plot along.

Ms Groves: She's honestly the Herr Silverman of this book and I loved her. She's sassy and unconventional and freaking loves tea.

I can’t tell him how I’ve slowly stopped going to school, at first because everybody looked at me and now because they don’t look at me at all and it turns out maybe it’s worse that way. It’s what I wanted, but it’s worse. I can’t tell him that sometimes when I come over and we hang out, it’s been a day or two since I’ve said much out loud, and my voice sounds strange to my ears. I can’t tell him how much I want to leave or how I’m afraid I might someday, like tomorrow or the day after that. And how I’m afraid leaving might be like other things I thought I wanted and then, after I got them, it turned out I didn’t. I don’t tell him how afraid I am. Of everything. How I see danger everywhere. How sometimes when I try to sleep at night I see a roof collapsing on him at work, or the floor caving in, or I see him falling. How I see Maggie plowing the car into a tree or the river or something else that seems harmless until it’s not. I don’t tell him how sometimes I think I’m right when I’m wrong. Really right when I’m really, really wrong. And so it’s not just that I don’t trust other people. I don’t trust myself.

I don’t tell him these things so that he won’t say they’re amazing. Because Jim thinks everything is amazing. And everything is not.

Conclusion

I really appreciate this book. It's short and intense and will make you cry. Also, it's got a psuedo-psychic dog named Howl for goodness sake! Read it! ( )
  Faith_Murri | Dec 9, 2019 |
Esta crítica foi escrita no âmbito dos Primeiros Críticos do LibraryThing.
Decter's 'How Far We go and How Fast' is a compulsively readable book about a 16 year old coming to terms with losing her brother. Decter's writing of Jolene, the main character, is sympathetic, putting the reader into her head and painting a vivid picture of why she makes self destructive choices, and also why they are understandable at the time.
  arcadia123 | Apr 20, 2019 |
Esta crítica foi escrita no âmbito dos Primeiros Críticos do LibraryThing.
Jolene, a 16 year old in Winnipeg, struggles to cope with life after her brother leaves on an anywhere but here kind of trip. Her mother Maggie is no model mother and Jolene retreats into herself and uses music to cope with her loss.

Much of the book seemed to just be an angsty teen being angsty without actually moving the book along, but if you stay with it, it kind of works because of it. ( )
  l-mo | Feb 6, 2019 |
Esta crítica foi escrita no âmbito dos Primeiros Críticos do LibraryThing.
I'm not really sure if this was the book for me, since it was just a hard read for me to get through. The writing is splendid, but the story is just... there. I didn't really feel like Jolene really got anywhere in terms of character development. I feel like her mom improved more, with the help of Louis (and apparent therapy), but it's funny because she practically hates her throughout the book (which, to be fair, I can see why) but that seems to be on the road to resolution when her mom helps her get something back that was meaningful to Jolene. Groves seemed to be the only promising thing in this book to me.

It took me a bit of time to get through this book, since I just constantly wanted to put it down, but at the same time hate adding DNF books to my list. ( )
  thursbest | Jan 23, 2019 |
I received this eARC from Orca Books via NetGalley in exchange for an honest review.

Around here anything can happen, and it very often does.

Obligatory Summary

Jolene is struggling with the sudden absence of her brother while trying to go to school, eat, walk her dog, hang out with friends, and deal with her absent parents. The only thing that gets her through is her music. But when does a coping mechanism become a crutch, and when does the problem become too much to ignore? How will long until she can't stay in her hometown? How long until she joins Matt?

This is a story about sadness and loss and avoidance through action and inaction. It's a mystery and a coming-of-age and a drama. It's about the grieving process, and how it takes time to be okay, and how you'll never be the same again, but you can learn to love what you have and what you've lost too.

I don’t know if I believe in time. I mean, I don’t believe it works for me the same way it works for other people. Other people can count on today turning into tomorrow and tomorrow turning into the day after that. But I can’t count on it at all.

The Writing and Characters

I really enjoyed the writing in this book. It read it in mostly one sitting. It really just flowed well and drew me in deep rather quickly. I loved the plot and the pacing. The whole thing gave me some strong Forgive Me, Leonard Peacock feels with a dash of Sadie thrown in for good measure.

A unique aspect was the music and concerts Jo goes to. I love music and I honestly related to that part of the story so much (minus the drugs and alcohol)

All the characters felt so real. I know people like them. I love them. I hate them. I am them.

Jolene: She was so relatable it scares me a little. She's an overthinker to the extreme (hello, that's me), she avoids conflict (thanks for calling me out, Nora Decter), and she dresses like a hobo with some money stashed away (help me). She's self-deprecating and sarcastic, and I just want her to have good things (I want to have good things too).

Her relationship with Matt, her brother, was definitely one of the most interesting parts of the book. It just so happens that one of my WIPs is basically the same plot (but I a sci-fi setting) so to see it so wonderfully executed was both exhilarating and frightening.

Maggie: She's such a great character. She's awful, but also awfully human. She's not bad but not good and you have to love what she gives you

The Squad: Graham, Drew, and manicpixiedreamgirl were fun characters, and really liked them, but they were definitely the least interesting part of the book, though they did help move the plot along.

Ms Groves: She's honestly the Herr Silverman of this book and I loved her. She's sassy and unconventional and freaking loves tea.

I can’t tell him how I’ve slowly stopped going to school, at first because everybody looked at me and now because they don’t look at me at all and it turns out maybe it’s worse that way. It’s what I wanted, but it’s worse. I can’t tell him that sometimes when I come over and we hang out, it’s been a day or two since I’ve said much out loud, and my voice sounds strange to my ears. I can’t tell him how much I want to leave or how I’m afraid I might someday, like tomorrow or the day after that. And how I’m afraid leaving might be like other things I thought I wanted and then, after I got them, it turned out I didn’t. I don’t tell him how afraid I am. Of everything. How I see danger everywhere. How sometimes when I try to sleep at night I see a roof collapsing on him at work, or the floor caving in, or I see him falling. How I see Maggie plowing the car into a tree or the river or something else that seems harmless until it’s not. I don’t tell him how sometimes I think I’m right when I’m wrong. Really right when I’m really, really wrong. And so it’s not just that I don’t trust other people. I don’t trust myself.

I don’t tell him these things so that he won’t say they’re amazing. Because Jim thinks everything is amazing. And everything is not.

Conclusion

I really appreciate this book. It's short and intense and will make you cry. Also, it's got a psuedo-psychic dog named Howl for goodness sake! Read it! ( )
  Faith_Murri | Jan 5, 2019 |
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Sixteen-year-old Jolene, named after the girl in the Dolly Parton song, is from a long line of lowlifes, but at least they're musical lowlifes. Her mother is a tanning-salon manager who believes she can channel her karaoke habit into a professional singing career. Jolene's dad, a failed bass player, has gone back to the family demolition business and lives by the company motto: "We do not build things; we only tear them down." But Jolene and her big brother, Matt, are true musicians, writing songs together that make everything Jo hates about their lives matter less. When Matt up and leaves in the middle of the night, Jo loses her only friend, her support system and the one person who made her feel cool. As it becomes clear that Matt is never coming back, Jo must use music to navigate her loss.

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