The second Aristide Ravel mystery, set in Revolutionary Paris, leads us deeper into the twisty byways of our sleuth's character and, at the same time, deeper into the vanished Paris that was so influential in the creation of the modern world.

I like series mysteries for reasons I've discussed elsewhere...orderly things, mysteries, and the recurring characters make the world feel a little less random than it actually is...but they come with some hazards. Writers under the pressure of deadlines sometimes make us feel as though they're phoning it in, characterization can dwindle to a series of overused tics (like Miss Silver's cough in all those Patricia Wentworth mysteries) or a catchphrase so overused as to make one want to scream blue murder (Hercule Poirot's "little gray cells" oh clam up already).

Alleyn avoids these pitfalls by enriching our understanding of Revolutionary France and its creators as well as our sleuth. This is a spolier, so stop reading if you're spoiler-averse:

**SPOILER**

Aristide, from the last book, is still mourning his childhood chum Mathieu's death at the hands of the National Convention, which judicially murdered a lot of people belonging to an out-of-power political faction. Aristide dreams of this beloved friend's death at the beginning of this book, and we see him relive the horrible ride to the guillotine that Mathieu took, though I'd think that the presence of a friend there, at that moment, would be a comfort to Mathieu...but the kicker is, as we find out in the course of this murder investigation, that Mathieu was actually In Love with Aristide, who until now was blissfully ignorant of this important fact of his friend's life.

**END SPOILER**

So what does Alleyn do with the major revelation that she gives to not one, but two, of the major characters in this book? Does she grandstand a little and make it a huge stonking Brie wheel of a deal? No. She incorporates the revelations into the actual plot, the real mystery to be solved. It's a very nice touch. It's a reason to keep reading in the series, since this isn't the first time she's done this. It's a marker of a careful, considerate writer, one respectful of her readers, and that kind of writer deserves our dollars.

So, in the end, does this book satisfy? Yes. Are there problems? Yeah...none big...a few scanted red herrings, a little bit of background not quite colored in, that's about all. But history, the living breathing thing history, can never fail to satisfy the discerning reader. Be one of Susanne Alleyn's discerning readers, you won't regret it. ( )

A first rate story, difficult to put down. I found the back ground of Paris fascinating. Having spent some holidays in Paris it was most enjoyable to read about the areas that have remained the same and those that have been changed. I shall be getting more of Susanne Alleyn's books when the pension allows. Regrettably our local library does not carry her books and with the financial constraints now imposed they are not willing to add books on request. ( )

Not very interesting. ( )