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Long Day's Journey into Night por Eugene O'Neill
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Long Day's Journey into Night

por Eugene O'Neill

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1,37882,647 (4.15)27
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Yale University Press (2002), Edition: 2nd, Paperback, 192 pages

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Mostrando 1-5 de 8 (seguinte | mostrar todas)
I really like the structure of this play - how the story unfolds in the tiniest bits and pieces, edging along so that you never quite know what's entirely going on until the end of the play. Mary's addiction was heartbreaking, as were her confessions about what she felt drove her to them, and each of the other character's stories really broke my heart. It felt like they all hated the decisions they had made in the past, but couldn't repent them or change their direction - Tyrone would always be a tightwad, James wouldn't change his self-destructive nature, Edmund couldn't do anything for himself and didn't even try to. ( )
  ZanKnits | Dec 17, 2009 |
Very powerful portrait of the destructive force of dysfunctional family relationships. ( )
  tgamble54 | Oct 29, 2009 |
The Tyrones - mother, father, and two sons - spend a day more or less together in the country. Within the course of that day, we see all sorts of nasty little secrets that were only suggested in the first act.

This is the first O'Neill play I have read, and I have to say that I found it excellent. Not much fun, but really well done. The theme, to me, was that of excuses, excuses. The entire family has someone - someone else, that is - to blame for being the way they are. Mary blames her husband, her dead son, Edmund, life in general, not having her own house, her circumstances. Tyrone senior blames his difficult childhood, his lost chances. Both sons blame their parents. But in the end, every character admits the truth of why they are the way they are.

Every character except Mary. Despite many chances to admit the truth - she is a drug addict - she denies to the very end. And it is the difference between the men in the play, with their ultimate honesty, and Mary's self-deception that makes me angry with her and feel empathy for the others.

There is a chance, a small one, but still a chance, that Edmund will get well, that Tyrone will stop drinking, that Jamie will branch out on his own. But Mary is stuck where she is, dreaming and lying through her life.

Like I said, this wasn't exactly a fun play, but it was extremely realistic. Very well done and highly recommended. ( )
1 vote cmbohn | Jun 16, 2009 |
This is an amazing play and is an excellent example of the era of realism in American drama. I highly recommend the TV biography of Eugene O'Neill put out by PBS American Exerience. It gives the backstory to the play. ( )
  Carolfoasia | Feb 28, 2009 |
Read this in an afternoon in the bathtub, what a great play to read at the exact point I had chosen to quit a bad habit or two. Damn, oh well. ( )
  mcolville2 | Dec 20, 2008 |
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Wikipédia em inglês (2)

Long Day's Journey into Night

New London, Connecticut

Descrição do livro

Amazon.com (ISBN 0300046014, Paperback)

This work is interesting enough for its history. Completed in 1940, Long Day's Journey Into Night is an autobiographical play Eugene O'Neill wrote that--because of the highly personal writing about his family--was not to be released until 25 years after his death, which occurred in 1953. But since O'Neill's immediate family had died in the early 1920s, his wife allowed publication of the play in 1956. Besides the history alone, the play is fascinating in its own right. It tells of the "Tyrones"--a fictional name for what is clearly the O'Neills. Theirs is not a happy tale: The youngest son (Edmond) is sent to a sanitarium to recover from tuberculosis; he despises his father for sending him; his mother is wrecked by narcotics; and his older brother by drink. In real-life these factors conspired to turn O'Neill into who he was--a tormented individual and a brilliant playwright.

(retirado da Amazon Fri, 24 Apr 2009 07:58:24 -0400)

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