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Chinua Achebe (1930–2013)

Autor(a) de Things Fall Apart

51+ Works 27,821 Membros 569 Críticas 44 Favorited
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About the Author

Albert Chinualumogu Achebe was born on November 16, 1930 in Ogidi, Nigeria. He studied English, history and theology at University College in Ibadan from 1948 to 1953. After receiving a second-class degree, he taught for a while before joining the Nigeria Broadcasting Service in 1954. He was mostrar mais working as a broadcaster when he wrote his first two novels, and then quit working to devote himself to writing full time. Unfortunately his literary career was cut short by the Nigerian Civil War. During this time he supported the ill-fated Biafrian cause and served abroad as a diplomat. He and his family narrowly escaped assassination. After the civil war, he abandoned fiction for a period in favor of essays, short stories, and poetry. His works include Things Fall Apart, Arrow of God, No Longer at Ease, A Man of the People, Anthills of the Savannah, and There Was a Country. He also wrote four children's books including Chike and the River and How the Leopard Got His Claws. In 2007, he won the Man Booker International Prize for his "overall contribution to fiction on the world stage." He also worked as a professor of literature in Nigeria and the United States. He died following a brief illness on March 21, 2013 at the age of 82. (Bowker Author Biography) mostrar menos
Image credit: Photograph by Stuart C. Shapiro; used by permission

Séries

Obras por Chinua Achebe

Things Fall Apart (1958) 20,159 exemplares
No Longer at Ease (1960) 1,472 exemplares
Arrow of God (1964) 1,247 exemplares
Anthills of the Savannah (1987) 1,090 exemplares
A Man of the People (1966) 845 exemplares
Girls at War (1972) 268 exemplares
Home and Exile (2001) 212 exemplares
African Short Stories (1985) — Editor; Contribuidor — 143 exemplares
Chike and the River (1966) 135 exemplares
Africas Tarnished Name (2018) 112 exemplares
Collected Poems (1969) 94 exemplares
How the Leopard Got His Claws (1972) 79 exemplares
The Trouble with Nigeria (1984) 62 exemplares
Heinemann Book of Contemporary African Short Stories (1992) — Editor — 55 exemplares
Beware Soul Brother (1971) 49 exemplares
OCR GCSE Story Collection (2002) 20 exemplares
The Drum (1977) 13 exemplares
The Flute: A Children's Story (1977) 8 exemplares
Dead Men's Path 4 exemplares
Civil Peace 2 exemplares
Vengeful Creditor [short story] (2016) 2 exemplares
The world of the Ogbanje (1986) 2 exemplares
Human Mine Sweeper 1 exemplar
Už nikdy klid 1 exemplar

Associated Works

The Story and Its Writer: An Introduction to Short Fiction (1983) — Contribuidor — 1,115 exemplares
Africa: Altered States, Ordinary Miracles (2008) — Prefácio — 343 exemplares
Telling Tales (2004) — Contribuidor — 341 exemplares
The Art of the Tale: An International Anthology of Short Stories (1986) — Contribuidor — 333 exemplares
The World's Greatest Short Stories (2006) — Contribuidor — 260 exemplares
Under African Skies: Modern African Stories (1997) — Contribuidor — 89 exemplares
Rotten English: A Literary Anthology (2007) — Contribuidor — 73 exemplares
The Anchor Book of Modern African Stories (2002) — Prefácio — 51 exemplares
African Literature: an anthology of criticism and theory (2007) — Contribuidor — 23 exemplares
One World of Literature (1992) — Contribuidor — 23 exemplares
Currents in Fiction (1974) — Contribuidor — 20 exemplares
AQA Anthology (2002) — Autor, algumas edições19 exemplares
Wonders: Writings and Drawings for the Child in Us All (1980) — Contribuidor — 18 exemplares
An African Quilt: 24 Modern African Stories (2012) — Contribuidor — 16 exemplares
African Rhapsody: Short Stories of the Contemporary African Experience (1994) — Prefácio, algumas edições16 exemplares
Masters of British Literature, Volume B (2007) — Contribuidor — 16 exemplares

Etiquetado

Conhecimento Comum

Nome legal
Achebe, Albert Chinụalụmọgụ
Data de nascimento
1930-11-16
Data de falecimento
2013-03-21
Localização do túmulo
Ogidi, Anambra State, Nigeria
Sexo
male
Nacionalidade
Nigeria
Local de nascimento
Ogidi, Anambra State, Nigeria Protectorate
Local de falecimento
Boston, Massachusetts, USA
Locais de residência
Ogidi, Nigeria
Nekede, Nigeria
Umuahia, Abia State, Nigeria
Oba, Nigeria
Lagos, Nigeria
Enugu, Nigeria (mostrar todos 12)
Aba, Biafra
Nsukku, Nigeria
Nneobi, Nigeria
Annandale, New York, USA
Massachusetts, USA
Providence, Rhode Island, USA
Educação
University College, Ibadan, Nigeria
University of London
Ocupações
broadcaster
professor
novelist
short-story writer
poet
school teacher
Relações
Okigbo, Christopher (friend)
Organizações
Anambra State University of Technology
Bard College
Brown University
Nigerian Broadcasting Corporation
Prémios e menções honrosas
Booker Prize (2007)
Visiting professorship (University of Massachusetts-Amherst ∙ University of Connecticut ∙ UCLA)
Friedenspreis des Deutschen Buchhandels (2002)
American Academy and Institute of Arts and Letters. Honorary Fellowship.
Nigerian National Merit Award

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Chinua Achebe was born in Nigeria in 1930. He was raised in the large village of Ogidi, one of the first centers of Anglican missionary work in Eastern Nigeria, and was a graduate of University College, Ibadan.

His early career in radio ended abruptly in 1966, when he left his post as Director of External Broadcasting in Nigeria during the national upheaval that led to the Biafran War. He was appointed Senior Research Fellow at the University of Nigeria, Nsukka, and began lecturing widely abroad.

From 1972 to 1976, and again in 1987 to 1988, Mr. Achebe was Professor of English at the University of Massachusetts, Amherst, and also for one year at the University of Connecticut, Storrs.

Cited in the London Sunday Times as one of the "1,000 Makers of the Twentieth Century" for defining "a modern African literature that was truly African" and thereby making "a major contribution to world literature," Chinua Achebe published novels, short stories, essays and children's books. [adapted from Things Fall Apart, c1959, 1994 printing Anchor Books Ed.]

Mr. Achebe received numerous honors from around the world including more than twenty honorary doctorates from universities in England, Scotland, the United States, Canada, and Nigeria.

Latterly Mr. Achebe lived with his wife in Annandale, New York, where they both taught at Bard College. They had four children.

Membros

Discussions

AFRICAN NOVEL CHALLENGE JULY 2023 - ACHEBE / OKRI em 75 Books Challenge for 2023 (Agosto 4)
Things Fall Apart Chapters 18-25/END em Geeks who love the Classics (Fevereiro 2022)
Things Fall Apart Chapters 9-17 em Geeks who love the Classics (Fevereiro 2022)
Things Fall Apart Chapters 1-8 em Geeks who love the Classics (Janeiro 2022)
Things Fall Apart Jan-March 2022 Housekeeping Items em Geeks who love the Classics (Janeiro 2022)
November 2020: Chinua Achebe em Monthly Author Reads (Dezembro 2020)

Críticas

Non credo di aver mai letto un libro come questo sul colonialismo in Africa: a fine lettura mi è ben chiaro come mai sia considerato un classico sul tema e un testo imprescindibile. Infatti, gran parte dei testi sull’argomento presentano un’impostazione manichea: colonialistз cattivз e colonizzatз buonз. Non che sia sbagliato: non c’è molto di positivo da dire su un gruppo di persone che saccheggia la terra altrui e mette su un sistema volto a discriminare le persone indigene.

Però come sempre le visione manichee eliminano i dettagli che ci aiutano a farci un’idea più chiara della complessità delle situazioni: Achebe inizia mostrandoci il funzionamento della società ibo attraverso uno dei suoi membri più in vista e rispettati, Okonkwo, un uomo molto ambizioso che gode della stima del suo villaggio, conquistata a fatica a partire da una condizione familiare di svantaggio.

Okonkwo, però, non è il tipico personaggio positivo per cui ci viene spontaneo fare il tifo: affogato nel suo bisogno di affermare la sua mascolinità a tutti i costi per smarcarsi dall’ombra del padre, un uomo lontano dell’ideale guerriero ibo, è difficile provare simpatia per lui mentre maltratta il figlio, che vorrebbe più simile a lui, e picchia le mogli.

Achebe lo ha reso un esempio perfetto della società ibo nel momento i cui l’uomo bianco è arrivato: una società niente affatto idilliaca e non una mitica età dell’oro precoloniale alla quale aspirare a tornare, ma una società come tante altre, con i suoi pregi e i suoi difetti. Sicuramente una società bisognosa di un cambiamento, un bisogno che diviene drammaticamente evidente a tuttз nel momento in cui la religione cristiana manifesta tutta la sua attrattiva sullз abitanti del villaggio.

La tesi di Achebe è che entrambe le culture si siano dimostrate rigide e si siano rifiutate di lasciarsi contaminare l’una dall’altra, vedendo nella contaminazione solo la corruzione della propria purezza e non una preziosa evoluzione. Alla fine la cultura inglese è diventata quella colonizzatrice (e distruttrice) solo perché la sua potenza offensiva in quel contesto era maggiore, non perché fosse culturalmente superiore: non c’è nessuna superiorità morale nell’essere solo il bullo più forte.
… (mais)
 
Assinalado
lasiepedimore | 425 outras críticas | Dec 3, 2023 |
Depressing story, opens with the ending and it's depressing and then the rest of the book only rarely lets up. About the difference between "old" and "new" society in Nigeria in the time around independence and the contradictions opened up between the newly educated and the older generation excluded from the "new society" (kind of) But even the main character doesn't know how to properly move through the new official world, despite his English education. Covers a lot of ground and is interesting but yeah it's sad

It ends kind of abruptly but I guess it makes sense that once he's lost pretty much everything that gives him meaning there's no point in delaying the inevitable

Also this is the second in the trilogy, I didn't read the first yet but it's not a huge deal if you read them out of order I think but I want to mention that the Penguin modern classics version claims it's the final part of the trilogy. Shoddy
… (mais)
 
Assinalado
tombomp | 23 outras críticas | Oct 31, 2023 |
The ending paragraph is absolutely incredible and sort of reflects on how the book treats colonialism. Like, treating this as fiction you have a normal story for 70% of it and then suddenly English people arrive and the story completely changes. Okonkwo stops being an active subject and becomes an acted-upon object. It's someone else's story now, one he is not allowed to understand. The final paragraph says this very explicitly, becoming a (small) part of the district commissioner's book. It's a clever metafictional device that provides a different way of looking at the impact of colonialism on the human psyche, by sort of changing the rules for the reader. There's a running theme of stories and using them to understand our lives - there are quite a lot of folktale type stories mentioned.

Before that point the story is of Okonkwo - he's hardly a sympathetic character, being abusive to his wives and children and seeing violence and physical strength as the answer to everything, but it's also clearly shown how it comes from struggling to place himself in a society where he understands the rules but striving to be the best at them means suppressing parts of himself. He can only understand life in terms of becoming the most recognised in his village/clan without ever softening. The depiction of life in the village is strong and evocative.

"Don't you see the pot is full of yams?" Ekwefi asked. "And you know how leaves become smaller after cooking."

"Yes," said Ezinma, "that was why the snake-lizard killed his mother."

"Very true," said Ekwefi.

"He gave his mother seven baskets of vegetables to cook and in the end there were only three. And so he killed her," said Ezinma.

"That is not the end of the story."

"Oho," said Ezinma. "I remember now. He brought another seven baskets and cooked them himself. And there were again only three. So he killed himself too."
… (mais)
 
Assinalado
tombomp | 425 outras críticas | Oct 31, 2023 |
 
Assinalado
Stefuto | 8 outras críticas | Oct 31, 2023 |

Listas

1950s (1)
Read (1)
Africa (2)
My TBR (2)
AP Lit (1)

Prémios

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Ezekiel Mphahlele Contributor
Dambudzo Marechera Contributor
Leonard Kibera Contributor
Jomo Kenyatta Contributor
Bessie Head Contributor
Mafika Gwala Contributor
Ahmed Essop Contributor
Ama Ata Aidoo Contributor
Odun Balogun Contributor
Ba'bila Mutia Contributor
Tijan M. Sallah Contributor
Okey Chigbo Contributor
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Steve Chimombo Contributor
Mia Couto Contributor
Njabulo S. Ndebele Contributor
MG Vassanji Contributor
Assia Djebar Contributor
Kyalo Mativo Contributor
EB Dongala Contributor
Daniel Mandishona Contributor
Jamal Mahjoub Contributor
Lindiwe Mabuza Contributor
Kojo Laing Contributor
Jan Dicker Translator
Edel Rodriguez Cover designer, Cover artist
Kwame Anthony Appiah Foreword, Introduction
Jaap Dicker Translator
Ian Serraillier Introduction
Uche Okeke Illustrator
Biyi Bandele Introduction
Bruce Onobrakpeya Illustrator
Peter Edwards Cover artist
Charles Keeping Cover artist
Gudrun Honke Translator
Maya Jaggi Introduction
Robert Dorsman Translator
Karl Maier Introduction
John Dyke Cover artist
Don Hemerman Photographer
Victor Ekpuk Cover artist
George Mogaka Illustrator
Mary Grandpre Illustrator
Shyam Varma Cover designer

Estatísticas

Obras
51
Also by
18
Membros
27,821
Popularidade
#732
Avaliação
3.8
Críticas
569
ISBN
410
Línguas
25
Marcado como favorito
44

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