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6 Works 348 Membros 5 Críticas 1 Favorited

About the Author

Image credit: Jane Ashelford

Obras por Jane Ashelford

Etiquetado

Conhecimento Comum

Outros nomes
Edwards, Jane Ashelford
Sexo
female
Locais de residência
London, England, UK
Educação
Courtauld Institute of Art (MA|History of Dress)
University College London (History of Art + English Literature)
Ocupações
clothing historian
freelance writer
researcher
lecturer
Organizações
Kingston Art College (Lecturer on Fashion)

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thesis on ‘Elizabethan Emblematic Embroidery’

Membros

Críticas

I usually prefer line drawings of costume: while the merits of showing contemporary drawings are clear, the reader is too often left to attempt to draw conclusions from small picture, frequently in black-and-white, described somewhat vaguely in jargon. "Note the sitter's fumpow ... " the description is likely to say, leaving one to wonder what exactly that is and where it is worn: is it a hat, a sleeve, a shoe? Frequently, even unabridged dictionaries are little help in sorting out the terminology, even if they contain the word. "Kirtle" meant different things at different times.

This series, The Visual History of Costume, uses historic drawings, in an effective manner. The descriptive captions are very clearly written. There is a glossary, with references to plates illustrating the item described. The authors also attempt to place the styles precisely within the century. The picture may show, for example, an elderly sitter and explain that the clothing would not have been in style at the time of the painting, but that it was common for older people to continue wearing styles from their youth. Most of the clothing is middle- and upperclass styles.

A good reference work for someone interested in the fashion of the period.

Those who know the Jane Ashelford did The Sixteenth Century (A Visual History of Costume) may be wondering how this differs. They are alike in that both rely on reproductions of contemporary illustrations, mostly in black-and-white.

As the title suggests, this focuses on the years 1558-1603. In this book, Ashelford goes considerably more in depth in the social significance of the clothing. She considers its relationship to social status, examines the widespread use of allegory, looks at festive costumes and the fashion trade.

I would say that for a person who is interested solely in Elizabethan fashion, the Visual History book would not add much to this. The person with a more general interest in Tudor fashion may want both.
… (mais)
 
Assinalado
PuddinTame | 1 outra crítica | Aug 14, 2009 |
Those who know the Jane Ashelford did The Sixteenth Century (A Visual History of Costume) may be wondering how this differs. They are alike in that both rely on reproductions of contemporary illustrations, mostly in black-and-white.

As the title suggests, this focuses on the years 1558-1603. The first two chapters are somewhat similar to those years in her other book, being costumes of women and costumes of men, although of course these are covered in more depth. Ashelford has chosen to put the descriptions in the text, rather than in the standardized format of the Visual History series.

In this book, Ashelford goes considerably more in depth in the social significance of the clothing. She considers its relationship to social status, examines the widespread use of allegory, looks at festive costumes and the fashion trade.

I am glad to say that she has not used any of her color pictures on representations of Elizabeth I, whose portraits are so widely reproduced, but has presented less familiar portraits. Some of the pictures have not reproduced well at all - the faces are rather ghostly.

I would say that for a person who is interested solely in Elizabethan fashion, the Visual History book would not add much to this. The person with a more general interest in Tudor fashion may want both.

Includes notes, a glossary, a select bibliography and an index.
… (mais)
 
Assinalado
PuddinTame | 2 outras críticas | Jul 24, 2009 |
- A Visual History of Costume : the Sixteenth Century by Jane Ashelford (1983)
- Dress in the Age of Elizabeth by Jane Ashelford (1988)

Both are useful. Though they are both by the same author, they have different pictures in them. The Visual History is part of a series, so conforms to the series format, but the other is a stand-alone, so the author could devote more attention to areas that were not stressed in the Visual History.

In both, most of the illustrations are black-and-white, with a few color plates, but the quality is good. Many of the pictures are large. Both books are 7-1/2" x 10", and about half an inch thick.

The Visual History is arranged chronologically and covers the whole sixteenth century, while "Dress" only covers the reign of Elizabeth.

The Visual History series, which covered the 14th through 20th centuries, was reprinted as one volume, but it does not contain the whole of the component parts.
… (mais)
 
Assinalado
staffordcastle | 1 outra crítica | May 17, 2008 |

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Estatísticas

Obras
6
Membros
348
Popularidade
#68,679
Avaliação
4.2
Críticas
5
ISBN
12
Marcado como favorito
1

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