Prue Batten

Prue Batten is enchanted by miniature books. I first heard of The Stumpwork Robe through the blog of Pat Sweet at Bo Press, a creator and publisher of tiny books, who published a short and small book by Prue Batten. The plot of The Stumpwork Robe involves, not surprisingly, a great deal of embroidery, but also many exceedingly tiny books made to be concealed within the three-dimensional embroidered motifs.

I read this book with enjoyment. One of the reviewers on Amazon (four star) commented upon numerous instances of infelicitous or questionable, or just wrong usage by the author (e.g. fulsome to mean plentiful); these one-offs didn't bother me for long, but I was somewhat put off by the author's continual use of the word journeyman to mean, not a successful apprentice launched upon the next stage of his career, but a member of a caste or tribe of travellers. There were many mentions of journeymen, and it jarred me every time. I continued to the sequel and still like both.… (mais)

When you first meet him astride his steed and with his proud demeanour, he feels compassion, not pity, for Lady Ysabel. He is Gisborne, her father’s steward come to escort her home from Aquitaine after her mother’s death. With his black hair, his blue eyes and his visceral voice, he immediately fascinates you and, like Ysabel of Moncrieff, you want to know more about this man.
It is not Guy of Gisborne from Child Ballad (#118), the big man “clad in his capull-hyde topp and tayll and mayne” who Robin Hood easily dispatches, but a rewritten gripping hero. The author was inspired by the character from the BBC Robin Hood (2006/2009) and with the sensitive contribution of Richard Armitage but there the similarity ends.
No Robin Hood nor merry men exist in Prue Batten’s tale set in the final years of the 12th century, the years of Henry II’s sons, Prince Richard and Prince John, both aspiring to the throne of England. And Gisborne is not the Sheriff’s second-in-command. A dark character, maybe. A complex round figure definitely. You can find echoes of the Gisborne you’ve seen in the BBC series, fighting for status and power, with his conflicting attempts to redeem himself for love, with a temptestous temper and a troubled soul, vulnerable but strongly proud at the same time. But he lives again in the pages of a totally new story with a different background and an utterly new heroine to love – Ysabel of Moncrieff.

New look for BBC Gisborne (2009)
Gisborne and Ysabel will be side by side in a long journey, an unfolding ride through Aquitaine and England, filled with unwanted self discovery and unwilling bonding with each other. Theirs is not a smooth, easy relationship. It will be taunted by her prejudices and lack of trust in him and his unwillingness to open to her. However, they will not be able to loose that strong, instinctive tie made of lust, passion and empathy. She will have to face her mother’s death, her father’s financial ruin, the marriage to a brutal man, and she must grow up while trying to drown her memories of Gisborne in a sea of misunderstanding, rage and mistrust. She is sure he sold her to Benedict De Courcey, the man who ruined her father. She should only hate Gisborne but it will not be as simple as that.

If a flaw is to be found, I have one: Ysabel is more than once hosted by nuns in her journey. They help her, protect her, sympathize with her in a profusion of loving care and solidarity. Their monasteries are idyllic places and they are the perfect embodiment of Christian love. The idea I have of medieval monasteries is much influenced by my previous readings (18th century Gothic novels, Umberto Eco's The Name of the Rose or Alessandro Manzoni's Nun of Monza; a historical character he included in his Betrothed). The idyllic picture Batten paints doesn't correspond with anything I've read in historical fiction.

Nuns apart, GISBORNE is a new page-turner by Australian author Prue Batten. No mesmers this time, nor Færan living in Eirie, no companies of djinns, afrits and siofras as we met in A Thousand Glass Flowers. Stepping far from fantasy, she is launching her first historical fiction/historical romance.

But she can really create magic with words. Her rich, refined prose creates an embroidered picture full of little delightful details, stitch after stitch. This is not any fan-fiction attempt, but a historical novel, carefully and thoroughly researched (medieval legend, poetry, ancient Irish myths, historical figures like Eleanor of Aquitaine, Richard and John Plantagenet, detailed description of medieval life) as well as preciously crafted.
If it is to be called fan-fiction at all, it is front-rank, de luxe.… (mais)