Katie Bishop

At the age of seventeen, Rachel Evans and her friend Caroline decide to spend the summer months before her final year at school vacationing in the Greek islands. A chance meeting with Alistair an older man under the employ of an affluent businessman, marks the beginning of a torrid affair, with Rachel over the moon with the attention she is receiving from Alistair. Rachel and the other girls she befriends on the island, spend their days working in the bar Alistair manages, attending parties at the mansion of his employer and Rachel begins to dream of a future with Alistair. But the summer ends in tragedy and scandal, with Alistair abandoning her and leaving Rachel shattered.

Rachel, now in her thirties and never having gotten over Alistair, visits the island with her husband Tom where she meets one of the girls from that summer who stayed on, it triggers a sequence of events that has Rachel revisiting the past, trying to determine the truth behind what really happened that summer and dealing with the shocking revelations that come to the surface.

The Girls of Summer by Katie Bishop is an intense read that ventures into dark territory. The pace is on the slower side in the first half of the novel as the narrative moves between past and present detailing both Kate’s state of mind in the present day and the events from that fateful summer. The author is unflinching as she touches upon sensitive topics such as predatory behavior, grooming, and sexual exploitation of vulnerable young women. The author does a wonderful job of setting the scene with vivid descriptions of the island and the upbeat vibe of the young vacationers. Seventeen-year-old Rachel, naïve and easily manipulated and the smooth-talking Alistair with his shady dealings are well-fleshed-out characters though the present-day timeline with mature Rachel and her cluelessness is not convincing and much of what transpires in her life in the present day is difficult to justify. A seventeen-year-old dazzled by an older man and romantic dreams is believable and the long–lasting effects of trauma and betrayal are believable. But adult Rachel’s reactions, her unwillingness more than inability, to see what truly happened all those years ago for what it truly was and her subsequent actions were difficult to digest beyond a point. As the narrative progresses, I found myself unable to sympathize with Rachel and there really isn’t much mystery or suspense that holds the plot together. Overall, I really can’t call this a thriller. The premise of this novel isn’t quite original, and for those who follow the headlines for crimes of this nature, nothing will really surprise you as the story moves toward the ultimate reveal. I will say that the author has promise and I would be eager to read more from her in the future.

Many thanks to St. Martin’s Press and NetGalley for the ARC. All opinions expressed in this review are my own.… (mais)

When Rachel was 17, she and her friend, Caroline, traveled to a remote Greek island. There, they met Alistair, a handsome older man. They began working at the bar where he was, and going to parties his boss threw, despite warnings from others on the island to be careful. Rachel falls in love with Alistair and stays on the island. But, things begin to get strange with the parties and her relationship.
Now, 16 years later, and married, Rachel still pines for Alistair. She tracks him down and rekindles their relationship. Helena, from her past, reaches out to her and gives Rachel some devastating news.
This book reminded me a lot of the Jeffrey Epstein grooming of young women and taking advantage of them. It is a quick read and kept my interest all along. I was curious to find out how Rachel would come to terms with everything.… (mais)

The Girls of Summer is a powerful story of awakening, reconciliation, forgiveness, and healing in order to move forward, told through alternating first-person narratives from Rachel. In one, she details the events of the summer when she was seventeen years old and permitted by her parents to go on a seven-week, island hopping vacation with her best friend, Caroline, before returning home to continue her education. They end up on an idyllic Greek island where they join a group of girls living and working together in a local backpacker bar. Rachel has never been among the most popular girls at school and has no dating experience. Innocent and gullible, like most teenage girls she is insecure about her appearance and desirability. So when the handsome bar manager, Alistair, turns his attention to her, she instantly knows that the moment he asks her name is one she will never forget. She is flattered, enchanted, and secretly satisfied that the attention Alistair showers on her appears to make Caroline jealous, as she “nurses the special secret glow that had taken root when Alistair had touched my arm, his fingers hot against my skin.” In subsequent chapters, Rachel describes her interactions with the twenty years older Alistair, who insists that they keep their relationship a secret to avoid the bar’s owner finding out about Alistair’s fraternization. Alistair’s employer is a mysterious, wealthy businessman for whom Alistair performs a variety of duties, including serving as the caretaker of his large villa to which he invites Rachel for clandestine sexual rendezvous. Rachel quickly falls desperately in love with Alistair and, eventually, decides that she will remain on the island with him rather than return home to resume her studies, believing everything he tells her. And willing to do anything he asks of her.

Rachel’s present-day narrative is brutally emotional and heartbreakingly honest. Now nearing her thirty-fifth birthday, her life appears to all outside observers to be settled. She had no other boyfriends after Alistair until she met Tom, and Rachel just fell into their relationship and marriage, which has proven comfortable and provided her with stability. She enjoys her career. But in actuality, she is deeply unhappy. She has never been able to move on from what she fondly recalls as a magical summer and is, according to debut author Katie Bishop, caught up in her memories of it. There are two painful aspects of it, however, that haunt Rachel, remaining unresolved in her mind and preventing her from moving forward in her life with Tom.

On vacation, Rachel returns to the island with Tom. She seeks out Helena, who was one of the girls with whom she lived and worked during that fateful summer, and now owns and operates the bar. She implores Helena to tell her how to reach Alistair, with whom she has had no contact since the traumatic morning when Rachel woke to find he had fled the island without her. Helena provides the information, along with a stern warning. “You should be careful. I’m just not sure you know quite what you’re getting yourself into.” But Rachel’s “need for him feels primal and urgent.” When Rachel hears that Alistair is, like she and Tom, living in London, she works up the courage to contact him, but is disappointed by his initial reaction: “How did you find me?” Soon, though, she is again ensnared by Alistair’s charisma and their passionate sexual relationship.

Tom is a richly relatable and empathetic character. He loves Rachel deeply and is earnestly committed to the marriage, believing that they are united in their desire to start a family. But Rachel inexplicably rebuffs his suggestion that they seek medical advice when the months tick by and Rachel does not become pregnant. Tom does not know the truth or any of the details about Rachel’s past because she has never shared her experiences with him. He does not know that there is literally nothing he can ever do to make Rachel happy and their marriage a thriving union. He has no idea he is fighting a losing battle because, in Rachel’s mind, no man can or will ever measure up to Alistair . . . as she remembers him and persists in perceiving him once they reconnect. As the story proceeds, it becomes evident that Tom’s heartbreak is inevitable and will be emotionally wrenching.

Bishop’s choice to relate the story through Rachel is highly effective, and her use of the present tense in both narratives heightens understanding of Rachel’s thought processes and journey. Bishop says she wanted to illustrate that “even though Rachel is seventeen years older, and her life is in a very different place, in many ways she is still trapped in that summer, and she’s never really been able to move on. It still feels so present, so visceral to her, even though she is so much older and is in many ways in a different place now.” Indeed, Rachel’s reunion with Alistair opens a proverbial Pandora’s box of memories, emotions, and complications that ultimately lead to Rachel’s reckoning with the truth about that life-changing summer.

When Helena contacts Rachel to say that she is coming to London and would like to meet, Rachel is reluctant. Eventually, she relents but when she arrives at their appointed meeting place, she is met not just by Helena, but also three of the other girls who spent that summer on the island, Priya, Eloise, and Agnes. Rachel wants no part of the conversation Helena has secretly orchestrated. But is curious and persuaded to hear the women out by Helena’s shocking declaration that Alistair “lies. He always did. He still does. To both of us.” That meeting proves to be a milestone moment in Rachel’s life. Priya is now a successful attorney who has been retained to find answers about that summer by the parents of another girl who was there: “Kiera, who never came home.” The women confront Rachel with the truth about the events of that summer and the men who preyed upon them, including Alistair.

Initially disbelieving, Rachel gradually begins to recognize the truth. It is an excruciatingly painful ordeal, realistically portrayed by Bishop. She can no longer delude herself, instead struggling to reconcile her memories and beliefs about what happened with the facts and evidence supplied by Priya and the others. Back then, Rachel lied about a significant incident, but is forced to acknowledge that “perhaps I was protecting the wrong person.” Bishop explains that, in many ways, Rachel is still the seventeen-year-old girl she was all those years ago. She stopped maturing and, in critical ways, has been sleepwalking, mentally checked out of her own present-day life. Now, she starts to recall that summer differently, the filter of innocence, infatuation, and obsession finally torn away. Alistair asked her to keep his secrets, no matter what it cost her. “They feel like parts of the same puzzle, lines from the same song, chapters of the same story. Fragmented things that I had never thought to put together before, feeling suddenly sharp and solidified.” At last, she understands and is forced to accept that Alistair, his boss, and their business associates were predators, and must reconcile the ways in which she and the other girls were lied to, manipulated, and used . . . as well as her own blind culpability. She is forced to choose whether she will help Priya at long last secure justice for Kiera. And must discern how to heal and move forward with the knowledge she has acquired.

Bishop says that through Rachel, she “was trying to capture the experience that many people have with trauma.” A common theme is that they feel “almost stuck in that moment of trauma,” so Rachel is “still feeling those experiences that she had back then.” Victims of trauma also rewrite history, remembering people and events in ways that defy reality. It is a defense mechanism employed by the psyche as a shield from pain. Rachel exhibits both long-term effects of sexual abuse. Bishop credibly depicts the ways in which her vociferous denials eventually give way to realization. Her story is deeply disturbing and infuriating. It is at times tempting to lose patience with Rachel, viewing her as quite stubborn and unlikable, but Bishop conclusively demonstrates that she is merely reacting in a manner consistent with symptoms of Post-Traumatic Stress Disorder.

Ultimately, Rachel’s story is one of survival, redemption, and carving a path toward a happy, healthy future. Bishop’s goal in writing it was to help readers who have experienced trauma feel “less alone in the experience” through the experiences of a character to whom they can and perhaps have not seen represented in literature until now.

The Girls of Summer is a stunning debut. Bishop’s characters are fully developed and multi-dimensional. Her prose is evocative, often chillingly straightforward and lacking surplusage. She keeps the story interesting not just by alternating the two narratives, advancing the action incrementally in each and building the dramatic tension at a steady pace, but also by injecting a compelling mystery involving Kiera’s fate. The story is a contemporary, yet also timeless cautionary tale about innocence, sexuality, awareness, and female empowerment and autonomy. The Girls of Summer is a provocative and absorbing. story that continues to resonate long after reading the last page.

Thanks to NetGalley for an Advance Reader's Copy of the book.… (mais)

The Girls of Summer is a novel that will stick with me. Dark, compulsive and atmospheric, I didn't want to stop reading. I struggle sometimes with coming of age stories that deal with grooming, consent, trauma and other sensitive issues because I feel authors try tend to gravitate to a gratuitous overplay of sexua descriptions to simply shock the reader. I don't need that. I think Katie Bishop does a great job at threading that needle of bringing the reader into that predatory space. I think this novel will make for a great pick for book clubs, a lot to discuss.

Thank you to netgalley and the publisher for an opportunity to read and review honestly an advanced digital copy.… (mais)