Gwendolyn Brooks (1917–2000)

A novella composed of short, lyrical vignettes, Maud Martha follows the eponymous protagonist over some 20 years, from childhood through to marriage and motherhood from the '20s through to the end of WW2. Maud is bright and sentimental and imaginative, stuck in an unsatisfying marriage and a run-down apartment in a racist city, but perpetually full of day dreams and hope for the future. Gwendolyn Brooks' prose makes the everyday beautiful and conjures up vividly what life must have been like in a mid-century, predominantly Black and working-class community in Chicago. Definitely recommended.… (mais)

PDFBRO | 1 Poem | “We Real Cool” is a poem by Gwendolyn Brooks, first published in her 1960 collection The Bean Eaters. The poem describes a group of teenagers hanging out outside of a pool hall. It imagines these teenagers as rebels who proudly defy convention and authority—and who will likely pay for their behavior with their lives. “We Real Cool” directly links the pool players' delinquent behavior to the likelihood of their dying young. Hence, the poem's troubling final sentence: “We / Die soon” (lines 7–8). By contributing to the early deaths of the pool players, the pool hall reveals the deeper significance of its name. “We Real Cool” directly links the pool players' delinquent behavior to the likelihood of their dying young. Hence, the poem's troubling final sentence: “We / Die soon” (lines 7–8). By contributing to the early deaths of the pool players, the pool hall reveals the deeper significance of its name. | Selected Poems is the classic volume by the distinguished and celebrated poet Gwendolyn Brooks, winner of the 1950 Pulitzer Prize, and recipient of the National Book Foundation Medal for Distinguished Contribution to American Letters. This compelling collection showcases Brooks's technical mastery, her warm humanity, and her compassionate and illuminating response to a complex world. This edition also includes a special PS section with insights, interviews, and more—including a short piece by Nikki Giovanni entitled "Remembering Gwen."

By 1963 the civil rights movement was in full swing across the United States, and more and more African American writers were increasingly outspoken in attacking American racism and insisting on full political, economic, and social equality for all. In that memorable year of the March on Washington, Harper & Row released Brooks’s Selected Poems, which incorporated poems from her first three collections, as well as a selection of new poems.

This edition of Selected Poems includes A Street in Bronzeville, Brooks's first published volume of poetry for which she became nationally known and which led to successive Guggenheim fellowships; Annie Allen, published one year before she became the first African American author to win the Pulitzer Prize in any category; and The Bean Eaters, her fifth publication which expanded her focus from studies of the lives of mainly poor urban black Americans to the heroism of early civil rights workers and events of particular outrage—including the 1955 Emmett Till lynching and the 1957 school desegregation crisis in Little Rock, Arkansas. |… (mais)

At age 7, Maud Martha wants to be "cherished,"
at age 18, she wants "to caress."

Not sure that she attained both of these in this marriage to her first husband,
his infidelities because she was not "pretty," and their grey apartment...
her early life with a real home - with sweet potato pie -was missed by both her and likely many readers.

She loved the Dandelions, the Snow and saved the Mouse!

The short, short chapters deliver gentle terse descriptions of both people and rooms
as she "kept herself to herself."… (mais)

Maud Martha, first published in 1953, is the only novel by the celebrated poet Gwendolyn Brooks. Like the author, the eponymous protagonist “was born in 1917” and grew up in Chicago. The novel describes her daily experiences as a black woman over two decades, from childhood to marriage and motherhood. And while it is always dangerous to mistake the author for a character in a book, in this case Brooks herself observed (in her 1972 memoir Report from Part One):

"Much in the “story” was taken out of my own life, and twisted, highlighted, or dulled, dressed up or down…"

The novel highlights the pervasive racism and sexism in American society. It is written in the third person, but often (albeit not always) from the perspective of the protagonist. Through her eyes we cannot but note that even when black and white people nominally “interact”, there is the weight of condescending glances, hurtful comments (whether intended or not), a sense of ‘difference’, even in the most banal of contexts, such as when Santa Claus snubs Maud Martha’s daughter Paulette. Maud Martha is no outspoken hero and generally keeps her views to herself. Yet, the novel brims with subtle, quiet fury and occasional outbursts of joy. In the final pages, we meet a pregnant Maud Martha, accompanied by her daughter Paulette, out to celebrate the end of the Second World War. Despite everything, life is still full of hope.

When a poet writes prose, the tritest observation is that the result is “poetic” and “lyrical”. For once, however, such a comment is hardly out of place. This slim novel – perhaps more of a novella – is made up of thirty-four brief chapters capturing specific events, episodes or observations. There are no wasted words and the impressionistic vignettes often surprise the reader with arresting images – dandelions are “yellow jewels for everyday, studding the patched green dress of [the] back yard”, snowflakes are “the very finest bits of white powder coming down with an almost comical little ethereal hauteur, to add themselves to the really important, piled-up masses of their kind”.

It is surprising that this novel has never been published in the UK before. Faber & Faber now address this lacuna with their new edition, introduced by Margo Jefferson as part of the “Faber Editions” series.

https://endsoftheword.blogspot.com/2022/04/maud-martha-by-gwendolyn-brooks.html… (mais)