Hilary Fitzgerald Campbell

The art style really did not work for me - not only is it not to my taste aesthetically, I found it very confusing that Hilary, her mom, and many other female characters were practically identical to one another. It looks messy and rushed and like she couldn't be bothered to make any of the lines straight. It isn't always clear which order the text should be read in, and at times the handwritten text itself is hard to read. The storytelling is disjointed and jumps around a lot without clear transitions between topics. I thought that I might like this book because I like true crime, but my previous knowledge of true crime meant I really didn't need to be told about Ted Bundy yet again. This book might be better suited to people who aren't into true crime themselves and want to understand the appeal. I did appreciate the exploration of why people, especially women, are interested in true crime, and the acknowledgement of how messed up it is that people care more when the victims are pretty white girls, but she could have gone a lot deeper on those topics.… (mais)

Thank you to Netgalley, Animal Media Group LLC, and Hilary Fitzgerald Campbell for the chance to read and review this ARC;

This book was a rip-roaring and heart-paining rollercoaster from the word go. You'll find yourself laughing and wincing as you turn every page, delighted in the art and finding yourself kith and kin to the people in the stories. I found myself thinking of my own breakups and seeing my own choices in those on the pages, both confessions of how people had broken up with others and how they had been dumped by others.

I definitely will purchase a copy of this when it comes out and I hope there are more stories that still get submitted from the contact info at the end of the book, so that there will be even more pieces to read once it is published.… (mais)

In this graphic novel, comedian and New Yorker cartoonist Hilary Fitzgerald Campbell attempts to do several things:

- Explore the roots of her true crime obsession (and why others, particularly women, share her obsession)
- Provide overviews of some of the murder stories (Zodiac killer, Ted Bundy, etc.) that got her interested in true crime
- Look at the history of the true crime genre, loosely organized by format, including books, movies, TV series, and podcasts. This also touches on true crime-adjacent stuff like crime dramas and police procedurals

One thing she isn't interested in spending much time on is addressing the problematic aspects of true crime obsession, in part because she seems to think that, if she recognizes it as problematic, she'd have to back off from it (page 294 - I'm aware she's at least partly joking, but still). Instead, she very briefly highlights the ways in which true crime storytelling has progressed in the way both victims and perpetrators are written about.

I've been drawn to a lot of nonfiction and autobiographical graphic novels lately. This one caught my eye because the person I supervise at work listens to a lot of true crime podcasts, and we've occasionally chatted about it. I told her a little about this graphic novel while I was reading it, and she'd said she'd like to give it a shot herself. I'm interested to hear what she thinks about it.

This graphic novel was at its most coherent when Campbell was writing about murders. As someone who reads murder mysteries and has watched a lot of police procedurals but who hasn't gotten into true crime (I listened to most of the Serial podcast and that's about it), I learned a bit, even though most of the killers Campbell wrote about were well-known. That said, the tone was a bit too light and flippant for me, and Campbell's efforts to humanize the victims generally boiled down to giving them each a slightly more realistically drawn portrait and listing two or three of their "likes." The one story that centered the victim more was the murder of Anne Marie Fahey, possibly because Campbell more closely identified with the victim.

When it came to writing about true crime as a genre and the roots of her own interest in it, this book was much more scattered - the author poked fun at herself several times for this, but it really was true. It was kind of a mess. In terms of its format, it also wasn't the easiest graphic novel to read, and I say that as a long-time reader of graphic novels. There are quite a few "wall of text" pages, but the worst were the pages with lots of text crammed into badly arranged panels. I couldn't always figure out the order in which I was expected to read the text.

I thought the exploration of why Campbell and others enjoy true crime stories was interesting, although I doubt her conclusions were earth-shattering, and I wouldn't be surprised if they were laid out and examined better in other works. Like I said, this graphic novel was pretty rough at times, both in terms of organization and physical readability.

(Original review posted on A Library Girl's Familiar Diversions.)… (mais)