Picture of author.

Lynne Cooke

Autor(a) de Dia, the Collection in Beacon

56+ Works 866 Membros 7 Críticas

Obras por Lynne Cooke

Dia, the Collection in Beacon (2003) 101 exemplares
Roni Horn (2000) 67 exemplares
Agnes Martin (Dia Foundation) (2011) 55 exemplares
Richard Serra: Torqued Ellipses (1997) 39 exemplares
Bridget Riley (2001) 29 exemplares
Ann Hamilton: Tropos (1994) 28 exemplares
Carnegie International 1991 (1992) 23 exemplares
Julian Opie (1994) 20 exemplares
Rosemarie Trockel: A Cosmos (2012) 17 exemplares
Rosa Barba: White Is an Image (2011) 13 exemplares
Robert Gober [exhibition] 1993 (1993) 12 exemplares
Tracey Moffatt: Free-Falling (1998) 12 exemplares
Juan Munoz: A Place Called Abroad (2000) 10 exemplares
At Home and in the World (2000) 10 exemplares
James Castle: Show and Store (2011) 9 exemplares
Knots Surfaces (2002) 8 exemplares
Thomas Schutte (2001) 6 exemplares
Cristina Iglesias: Metonymy (2013) 6 exemplares
Francis Alÿs: Fabiola (2011) 5 exemplares
Tony Oursler : works 1997-2007 (2008) 5 exemplares
Richard Serra Drawings (1992) 5 exemplares
Terra Incognita (1998) 3 exemplares
Reorienting: Looking East (1990) 3 exemplares
Maja Bajevic (2008) 3 exemplares
Rosemarie Trockel (2012) 2 exemplares
Donald Judd (1989) 1 exemplar
Guillermo Kuitca 1 exemplar
Joseph Beuys 1 exemplar
Richard Serra 1 exemplar

Associated Works

Louise Bourgeois (2008) — Contribuidor — 76 exemplares
Willem de Kooning: From the Hirshhorn Museum Collection (1993) — Contribuidor — 63 exemplares
William Kentridge (1999) 26 exemplares

Etiquetado

Conhecimento Comum

Sexo
female

Membros

Críticas

Love her work — “coolly” conceptual while being intriguing, sensorially stimulating and affectively provocative. The prints were of high quality, so a good, enjoyable read.
 
Assinalado
yuef3i | 1 outra crítica | Sep 19, 2021 |
This catalogue is published on the occasion of the exhibition, 12 March - 28 August 2011, of Francis Alys: Fabiola, organised by Schaulager at Haus zum Kirschgarten, an extravagant Basel museum of domestic life. For the exhibition, Francis Alys, born 1959 in Belgium, has installed his collection of over 370 amateur paintings and images of Saint Fabiola, found in flea markets and antique shops. The portraits are astonishingly similar, a wealth of copies all based on the same original painting from 1885 by the French realist Jean-Jacques Henner. They have been embedded in rooms which epitomize the living environment of the 19th-century, protestant haut-bourgeoisie. In this location, the swarm of Fabiola images represents a subversive yet subtle intervention in the museum's structure and play on the atmosphere the historic rooms seek to bring to life. The large-format photo-spread includes views of the exhibition at Haus zum Kirschgarten, providing a visual tour. Essays by the exhibition's curator, Lynne Cooke (New York/Madrid) and Dario Gamboni (Geneva), a renowned expert on Francis Alys' work, describe the nature of the installation at Haus zum Kirschgarten and discuss Alys' creative strategy. The catalogue also includes a comprehensive bibliography.… (mais)
 
Assinalado
petervanbeveren | Jun 15, 2021 |
Catalogue for a permanent installation in Stykkisholmur (Iceland) starting in 2007.

‘"Vatnasafn/Library of Water," commissioned by Artangel and created by New York artist Roni Horn incorporates a very unique take on the local geography, geology, climate and culture. In place of the former library’s book collection, Horn has installed 24 vertical glass columns, stretching from floor to ceiling, each filled with water collected from Iceland’s rapidly receding glaciers. The resulting collection is a metaphysical archive of Iceland’s geological history, together with an arresting effect of refracted and reflected light in the open space.'

(Abstract source: http://www.wallpaper.com)
… (mais)
 
Assinalado
Centre_A | 1 outra crítica | Nov 27, 2020 |
Gorgeously quiet in color and composition, Agnes Martin’s paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce—until now. This important new anthology brings together the most current scholarship on Martin’s paintings by twelve multidisciplinary essayists who consider various aspects of the artist’s four-decade career.… (mais)
 
Assinalado
petervanbeveren | Nov 19, 2018 |

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Associated Authors

Estatísticas

Obras
56
Also by
5
Membros
866
Popularidade
#29,561
Avaliação
½ 4.3
Críticas
7
ISBN
64
Línguas
2

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