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Tom Feelings (1933–2003)

Autor(a) de Soul Looks Back in Wonder

9+ Works 660 Membros 34 Críticas 1 Favorited

About the Author

Obras por Tom Feelings

Soul Looks Back in Wonder (1993) — Editor — 204 exemplares
Daydreamers (1981) 198 exemplares
I Saw Your Face (2004) 46 exemplares
Black pilgrimage (1972) 10 exemplares
Something on my mind 5 exemplares
The Tuesday elephant (1970) 1 exemplar
Samba 1 exemplar

Associated Works

To Be a Slave (1968) — Ilustrador — 1,580 exemplares
Tikvah: Children's Book Creators Reflect on Human Rights (2001) — Contribuidor — 61 exemplares
When the Stones Were Soft (1968) — Ilustrador — 17 exemplares
Song of the Empty Bottles (1968) — Ilustrador — 9 exemplares
Tales of Temba: Traditional African Stories (1969) — Ilustrador, algumas edições4 exemplares
Golden Legacy: Illustrated History Magazine (1988) — Contribuidor — 4 exemplares

Etiquetado

Conhecimento Comum

Data de nascimento
1933
Data de falecimento
2003
Sexo
male
Nacionalidade
USA

Membros

Críticas

DAYDREAMERS offers beautiful paintings and drawings paired with sweet memorable poetry
 
Assinalado
m.belljackson | 5 outras críticas | Sep 17, 2022 |
It goes without saying that the slaves weren’t seen as equals, or as having any rights at all—look through the book if you want to know what ‘at all’ means—or even as being fully human, but really I would go so far as to say that you shouldn’t treat horses like this. I mean it. Horses.

After all a slave isn’t an ordinary worker. The whites looked at the Blacks like they were a bit like horses, sure, but they weren’t the sort of horses that you liked or even managed rationally. They treated them like they were /bad/, like they were part-demon. I feel a little unhesitant to even put this theory into words, that the Blacks were seen as half-horse, half-demon—and aside from the introductions there are no words in the book, no language—because I think it’s easy for that to continue. Some Black guy makes it onto the news—well of course, he’s half-horse, half-demon. The slave trader is not Economic Man, you know, not rational. It’s not the sort of book a Scottish economist would read by the fire.

I actually don’t think you should even treat a demon like this, and I think that the argument is pretty sound, too. (You don’t try to.... merge.... with a demon, right.)

Things did get better for Black people, though: sometimes during American slavery they were treated like horses that you could like, and even the KKK says that you shouldn’t try to.... merge.... with them, because after all they’re demons!

.... Anyway, I don’t mean to wail on the Indian (South Asian) way of looking at the world and the question of evil, but looking at the rats gnawing on the dead bodies makes me think there is something to the Jewish idea of tsimtsum (divine contraction), that we are permitted to do things that are not the divine will, the I guess Arminian thing where sin and such exist because we are given the freedom to choose. Of course, maybe that’s too much name dropping, and clearly we’re still left with the stark and even disgusting, revolting nature of evil.... I just feel like we could do so much better, you know, not that we’ve accumulated such a great track record so far, right.

.........................

Re: India vs Tsimtsum

So Alan Watts gave this great talk once about how he or somebody was in World War Two and they had this spiritual experience where everything was well with the world, regardless of whether the bombs fell on their house or not. It’s a beautiful thought, but I’m not sure you’d get the same feel if the suffering was not just filled with dread but ugliness, and disgustingness—if you’re a prisoner on a slave ship and rats are munching on your neighbors, (as well as strangers from other tribes), what do you do with that? Do you get to the awful but beautiful dread of God from there?

The thing about the divine contraction is that it could be the devil with delegated powers to run the show for now, and God is just taking notes to see how people react when they’re not afraid of him—when he’s not around, when people are afraid of everybody else except him.
… (mais)
 
Assinalado
goosecap | 16 outras críticas | Nov 17, 2020 |
One artist, multiple poets. Illustrated well for each different poet and poem. Theme of pride and being proud of your heritage, who you are, and where you're going. Black lives matter.
 
Assinalado
EMiMIB | 4 outras críticas | Jul 14, 2019 |

Prémios

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Estatísticas

Obras
9
Also by
6
Membros
660
Popularidade
#38,228
Avaliação
4.1
Críticas
34
ISBN
22
Línguas
1
Marcado como favorito
1

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