Michael Fried (1) (1939–)
Autor(a) de Art and Objecthood: Essays and Reviews
Para outros autores com o nome Michael Fried, ver a página de desambiguação.
About the Author
Michael Fried is J.R. Herbert Boone Professor of Humanities and director of the Humanities Center at the Johns Hopkins University.
Obras por Michael Fried
Associated Works
Anthony Caro: [catalogue of an exhibition held at the] Hayward Gallery [24 January to 9 March 1969 (1969) — algumas edições — 8 exemplares
Etiquetado
Conhecimento Comum
- Nome canónico
- Fried, Michael
- Nome legal
- Fried, Michael Martin
- Data de nascimento
- 1939-04-12
- Sexo
- male
- Nacionalidade
- USA
- Local de nascimento
- New York, New York, USA
- Educação
- Harvard University (Ph.D|1969)
Princeton University (BA|1959)
Oxford University (Merton College)
University College, London - Ocupações
- professor
art historian
poet
critic - Organizações
- Johns Hopkins University
Harvard University - Prémios e menções honrosas
- American Academy of Arts and Letters Academy Award (Literature ∙ 2006)
Rhodes Scholar (1959-1961)
American Philosophical Society (2003)
Mellon Distinguished Achievement Award (2004)
American Academy of Arts & Sciences (1985)
Corresponding Fellow, British Academy (2006) (mostrar todos 11)
Chevalier de l'Ordre des Arts et des Lettres (2014)
Louis Gottschalk Prize (1980)
Charles C. Eldredge Prize (1990)
Prix Littéraire Etats-Unis/France (2000)
PROSE Award (2010)
Membros
Críticas
Why Photography Matters as Art as Never Before por Michael Fried
Basically a very long digression on an essay Fried previously wrote. The chapter on portraiture is terrific, self-contained and led me to want to take up portraiture. But the rest, what I read of it, makes the case for photography's importance on the very criteria that I hate the other visual arts, namely that a handful of contemporary photographers are making self-referential work that plumbs the depth of what art is. Which makes for pretty boring art, if that's the way you're going to look at it.… (mais)
Psychoanalytic reading of Thomas Eakins and Stephen Crane, playing with their unconscious thematization of their chosen media (painting, writing) in major works of the post-Civil War US. Fascinating and important book for American art historiography. Fried is one of the most interesting writers in art and literary criticism of the past 40 years. However, I feel some elements of this book haven't aged that well.
Prémios
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Associated Authors
Estatísticas
- Obras
- 32
- Also by
- 2
- Membros
- 614
- Popularidade
- #40,946
- Avaliação
- 3.6
- Críticas
- 2
- ISBN
- 61
- Línguas
- 4