David Gilmour (2) (1952–)
Autor(a) de The Pursuit of Italy: A History of a Land, Its Regions, and Their Peoples
Para outros autores com o nome David Gilmour, ver a página de desambiguação.
About the Author
David Gilmour's wonderfully readable exploration or Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled with the great figures of the Italian past-from Cicero and Virgil to Dante and the Medicis, from Garibaldi and Cavour to the mostrar mais controversial politicians of the twentieth century. Gilmour's wise account of the Risorgimento, the pivotal epoch in modern Italian history, debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. The country's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation. mostrar menos
Obras por David Gilmour
Associated Works
Etiquetado
Conhecimento Comum
- Nome legal
- Gilmour, The Honourable Sir David Robert Gilmour, 4th Baronet
- Data de nascimento
- 1952-11-14
- Sexo
- male
- Nacionalidade
- UK
- Educação
- Eton College
University of Oxford (Balliol College) - Ocupações
- author
historical writer
biographer - Relações
- Gilmour, Ian (father)
- Prémios e menções honrosas
- Fellow of the Royal Society of Literature
Membros
Críticas
Listas
Prémios
You May Also Like
Associated Authors
Estatísticas
- Obras
- 11
- Also by
- 5
- Membros
- 1,258
- Popularidade
- #20,397
- Avaliação
- 4.1
- Críticas
- 28
- ISBN
- 156
- Línguas
- 12
- Marcado como favorito
- 1
Our present thinking about politics, in terms of the almost automatic acceptance of the concept of the nation-state, conditions us - especially in Britain - to see the unification of Italy in 1861 as the high-point of Italian history, the thing everything else was leading up to. Gilmour's thesis is rather different; Italian unity was the result of a particular power-grab by Piedmontese politicians, and there remain great divides in Italian life and politics today because of it. Attempts to build national identity in the years following the Risorgimento resulted in the growth of belligerence in the years running up to the First World War; and following it, to the rise of Fascism. Gilmour also shows the rise of Communism in Italy in the post-war era as an attempt to rehabilitate the country that would not otherwise have been achieved because of the nation's change of direction with the ousting of Mussolini.
Many feel that this book is too critical, though I find the idea that Italy is a land of regional cultures and the civilisation primarily of cities on a human scale quite appealing. Gilmour also does not neglect the culture of Italy and its achievements in the arts, although near the end he does divert into a detailed discussion of Bertolucci's film Novecento which takes over the book for more than two whole pages, far more than is devoted to any other single work. That discussion is also more than a little biased - perhaps the one point in the whole book where I found the author's own biases showing.
Critical blurbs on the cover of my edition talked at length about the author's "witty" writing. I wondered when this was going to start; but as the story progresses from medieval times into more contemporary ones, the wit quotient increases, probably because we have access to more contemporary accounts of the players, not only their deeds but their personalities.
Also, Gilmour deserves a demerit for levelling accusations against Italian railways for being slow and employing old engines and rolling stock, when the first high-speed line opened in 1977 between Milan and Turin and similar lines have been developed as an ongoing project.
So: a useful book as long as it doesn't step too hard on your preconceptions.… (mais)