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Willem Frederik Hermans (1921–1995)

Autor(a) de The Darkroom of Damocles

158+ Works 8,228 Membros 150 Críticas 61 Favorited

About the Author

Image credit: Roland Gerrits / Anefo

Séries

Obras por Willem Frederik Hermans

The Darkroom of Damocles (1958) 1,135 exemplares
Beyond Sleep (1966) 1,115 exemplares
Onder professoren (1975) — Autor; Posfácio — 575 exemplares
Au pair (1989) 493 exemplares
An Untouched House (1951) 359 exemplares
A Guardian Angel Recalls (1971) 322 exemplares
De tranen der acacia's (1949) 216 exemplares
Uit talloos veel miljoenen : roman (1981) 208 exemplares
Ik heb altijd gelijk (1951) 167 exemplares
De laatste roker (1991) 162 exemplares
Een wonderkind of een total loss (1967) 149 exemplares
Paranoia (1953) 112 exemplares
Ruisend gruis : roman (1995) 112 exemplares
Het sadistische universum 1 (1964) 100 exemplares
Boze brieven van Bijkaart (1977) 93 exemplares
De god denkbaar denkbaar de god (1956) 78 exemplares
Moedwil en misverstand : novellen (1948) 73 exemplares
Filip's sonatine (1980) 67 exemplares
De zegelring (1984) 64 exemplares
Ik draag geen helm met vederbos (1979) 60 exemplares
De liefde tussen mens en kat (1985) 60 exemplares
Homme's hoest (1980) 58 exemplares
Door gevaarlijke gekken omringd (1988) 51 exemplares
Wittgenstein (1990) 50 exemplares
Mandarijnen op zwavelzuur (1963) 48 exemplares
Drie melodrama's (1957) 44 exemplares
Klaas kwam niet (1983) 41 exemplares
Het evangelie van O. Dapper Dapper (1973) — pseudonym — 38 exemplares
Dinky Toys (1988) 35 exemplares
De raadselachtige Multatuli (1976) 34 exemplares
Geyerstein's dynamiek (1982) 32 exemplares
Conserve (1947) 31 exemplares
Waarom schrijven? (1984) 27 exemplares
Het sadistische universum 1 & 2 (1964) 23 exemplares
Drie drama's (1967) 23 exemplares
Volledige werken / 13 (2009) 22 exemplares
Volledige werken 4 (2012) 20 exemplares
Volledige werken 5 (2005) 19 exemplares
Volledige Werken / 9 - Gedichten (2005) 18 exemplares
Naar Magnitogorsk (1990) 17 exemplares
Vincent literator (1990) 16 exemplares
Fotobiografie (2003) 15 exemplares
Volledige werken 15 (2005) 15 exemplares
Volledige werken 6 (2005) 14 exemplares
Volledige werken 16 (2005) 14 exemplares
Volledige werken 18 (2005) 13 exemplares
Vier novellen (1993) 13 exemplares
Volledige werken 8 (2005) 13 exemplares
Het boek der boeken, bij uitstek (1986) 11 exemplares
Periander (1974) 11 exemplares
Overgebleven gedichten (1982) 11 exemplares
Ongebundeld werk 1934-1952 (2020) 11 exemplares
Volledige werken 19 (2019) 10 exemplares
Volledige werken deel 10 (2005) 10 exemplares
Koningin Eenoog (1986) 9 exemplares
Volledige werken - deel 23 (2022) 9 exemplares
Volledige werken 17 (2005) 8 exemplares
Hollywood 7 exemplares
Annum veritatis 6 exemplares
Een foto uit eigen doos (1994) 5 exemplares
Hypnodrome 5 exemplares
Reizigers (1994) 5 exemplares
La maison préservée (2023) 4 exemplares
Gitaarvissen en banjoklokken (1991) 4 exemplares
De aardappel van de dood (1993) 4 exemplares
Bijzondere tekens 3 exemplares
Erosie 3 exemplares
Tirade 2 exemplares
Een anekdote 2 exemplares
De Mandarijnenpers 2 exemplares
Suidafrikaantjies! 1 exemplar
Nema više sna (2022) 1 exemplar
Wat eraan voorafging (2023) 1 exemplar
Mayerling 1 exemplar
Pang 1 exemplar
Openbaar leven 1 exemplar
Dutch comfort 1 exemplar
Een toerist 1 exemplar
De demon van ivoor 1 exemplar

Associated Works

Tractatus Logico-Philosophicus (1921) — Tradutor, algumas edições4,156 exemplares
De Nederlandse poëzie van de negentiende en twintigste eeuw in duizend en enige gedichten (1979) — Contribuidor, algumas edições193 exemplares
De Nederlandse en Vlaamse literatuur vanaf 1880 in 250 verhalen (2005) — Contribuidor — 74 exemplares
Voor wie dit leest : proza en poëzie van 1920 tot heden (1959) — Contribuidor — 25 exemplares
The Sorrows of a Fat Man (1922) — Tradutor, algumas edições25 exemplares
Voor wie dit leest : proza en poëzie van 1950 tot heden (1959) — Contribuidor — 20 exemplares
Griezelverhalen (1982) — Prefácio — 18 exemplares
De fruitkar (1984) — Introdução, algumas edições18 exemplares
De beste korte verhalen van De Bezige Bij (1977) — Contribuidor — 13 exemplares
De schilderkunst in een kritiek stadium (1950) — Contribuidor, algumas edições6 exemplares
De zeven hoofdzonden — Autor, algumas edições5 exemplares
Engelen stuifmeel uit de hemel (2002) — Contribuidor — 4 exemplares
15 verhalen uit noordelijke oorden (1987) — Contribuidor — 3 exemplares
Over Multatuli — Contribuidor — 3 exemplares
Focquenbroch — Introdução, algumas edições3 exemplares
Lezen & Schrijvers: foto's van lezende schrijvers (1992) — Prefácio — 2 exemplares
Literaire rechtspraak — Contribuidor, algumas edições1 exemplar

Etiquetado

Conhecimento Comum

Nome legal
Hermans, Willem Frederik
Hermans, W.F.
Outros nomes
Prudhomme s.j., Pater Anastase
Schrijver Dezes
Bijkaart, Age
Klondyke, Fjodor
Wissel, Sita van de
Cimatarra, Luis (mostrar todos 8)
Zomerplaag, B.J.O.
Boefjes O.F.M., Pater Frater B.I.M.
Data de nascimento
1921-09-01
Data de falecimento
1995-04-27
Localização do túmulo
Gecremeerd
Sexo
male
Nacionalidade
Nederland
País (no mapa)
Nederland
Local de nascimento
Amsterdam, Noord-Holland, Nederland
Local de falecimento
Utrecht, Utrecht, Nederland
Locais de residência
Groningen, Groningen, Nederland
Parijs, Île-de-France, France
Brussel, Brussels Hoofdstedelijk Gewest, België
Educação
Universiteit van Amsterdam (fysische geografie)
Ocupações
auteur
geoloog
lector in de fysische geografie
vertaler Duits-Nederlands
Prémios e menções honrosas
P.C. Hooft-prijs (1971)
Prijs der Nederlandse Letteren (1977)

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Willem Frederik Hermans was a Dutch author of poetry, novels, short stories, plays, as well as booklength studies, essays, and literary criticism. His most famous works are The House of Refuge (novella, 1952), The Darkroom of Damocles (novel, 1958), and Beyond Sleep (novel, 1966).

After World War II, Hermans tried to live off his writing exclusively, but as his country was just recovering from the Occupation, he had no opportunity to sustain himself. He published three important collections of short stories from 1948 to 1957, chief among them the novella The House of Refuge (1952), and in 1958 became lecturer in physical geography at Groningen University, a position he retained until his move to Paris, France, in 1973. The same year 1958 he broke to a wide audience with The Darkroom of Damocles. In the seventies Hermans played an important role in the unmasking of Friedrich Weinreb as a cheater of Jews in the war. Hermans refused to accept the P.C. Hooftprijs for 1971. In 1977 he received the Prijs der Nederlandse Letteren, the most prestigious literary award available for writers in the language, handed out every three years alternately by the reigning Dutch and Belgian monarchs to a writer of the other country, the Belgian king Baudouin handing the prize to Hermans. Hermans is considered one of the three most important authors in the Netherlands in the postwar period, along with Harry Mulisch and Gerard Reve.
[Wikipedia]

Membros

Críticas

Rating: 4* of five

The Publisher Says: In this dark, unnerving work of wartime fiction, W. F. Hermans exposes humanity’s essential savagery, barely concealed by its mores and morals. The year is 1944, and a Dutch partisan chances on an abandoned estate, where he decides to take refuge during a lull in the hostilities. The house seems untouched by the war, a kind of haven, its ornament and grandeur intact (not to mention its walls), clothes and sheets to spare, a kitchen stocked with food and drink. He settles in, and begins to consider himself the owner. When the Nazis recapture the village and come knocking, they similarly assume the house to be his; they assume, also, its spare rooms, which they outfit as barracks.

It is all and well until the true owner and his wife return to their estate. Horrified at the thought of being caught in his subterfuge, our protagonist finds himself drawn into further deceit—and swept up in the violence that ensues.

Civilization comes face-to-face with brutality, truth meets the duplicity that has upended and challenged its certainty—Hermans’ prose searches for an order to the chaos and nihilism of war and life. What he cannot find is as telling as what he uncovers.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: Novellas are, by definition, brief and gestural as opposed to the novel in its deeper dives, its wider emotional landscape. These general observations are, of course, not true of every novel or novella. They serve to define nothing but an expectation of the reasonably experienced reader when picking up one or the other.

I went into this read, then, expecting to get a glancing blow to my interest in the topic of what the Second World War was like for those who lived it, who were involved in the conflict and not observing events from afar. That was an expectation met...but exceeded, at least as the read settled into my brain. The prose, as translated, was not showy or terribly Writerly; the story itself was simple enough, really more suited to a short story than a novella; but as I sat stunned after finishing the read, I realized why the author chose this length of telling for a story this uncomplicated.

Without the novella’s-worth of buildup, the ending would feel artificial and out of proportion to the story itself. As it is, the ending is a shocker. It arrives without fanfare and smacks the complacent, even slightly bored, reader in their readerly chops. At the end of a trip through one devious survivor’s opportunistic manipulations of everyone around him, all in service of maximizing his immediate personal comfort, the situation he has created from his selfish, self-serving and utterly believable actions comes to a loud, permanent conclusion.

The issue I had been nursing against this overgrown short story exploded in the events of the ending. There is a reason for the length the author chose to tell his simple tale. I was not ready for the impact of the ending, which to be clear would always have been powerful. The novella before it, however, was exactly right to create its seismic shifting of my emotional response. An entire novel with this ending would, honestly, have vitiated its power to stun; a short story, even a long one, would make the ending feel artificial and tacked on.

This read is an excellent example of what a novella can do best, when used to best advantage: satisfy the reader’s hunger for a powerful emotional experience in a one-sitting package. So why only four stars? In the end, the manner of telling the story, the simple unfussy writing, works against the needed investment in the story being told. It gets to the stage of thinking, "Really? is this IT?" before the truly impactful payoff occurs. That I soldiered on, finishing the read, was not assured by the manner of storytelling the author used. At times I was ready to jump ship just to be done with this really dislikable man, this solipsistic selfish creep. I am glad that I persevered, but also a little surprised that I did with the truly staggering number of reads I already have lined up.

So, to all who start this read, I say: Do stick it out for the whole distance. It *is* worth your time. But because I feel the need to say that, I can only in honesty rate it four of five stars.
… (mais)
 
Assinalado
richardderus | 7 outras críticas | Feb 24, 2024 |
Dit deel bevat de werken die door Hermans zijn vertaald. Focquenbroch en Wittgenstein konden mij wat minder boeien, maar Priestley, Tazieff en Béraud vind ik toch goede schrijvers. het was mijn eerste kennismaking met deze auteurs. Over de vertaling kan ik niet veel zeggen, naar mijn idee heeft Hermans zijn werk goed gedaan.
 
Assinalado
Pieter_Goldhoorn | Feb 22, 2024 |

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Estatísticas

Obras
158
Also by
22
Membros
8,228
Popularidade
#2,938
Avaliação
½ 3.7
Críticas
150
ISBN
329
Línguas
13
Marcado como favorito
61

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