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Howard Andrew Jones

Autor(a) de The Desert of Souls

44+ Works 845 Membros 35 Críticas 2 Favorited

About the Author


Obras por Howard Andrew Jones

The Desert of Souls (2011) 271 exemplares
For the Killing of Kings (2019) 95 exemplares
The Bones of the Old Ones (2012) 67 exemplares
Plague of Shadows (2011) 66 exemplares
Stalking the Beast (2013) 42 exemplares
Beyond the Pool of Stars (2015) 41 exemplares
Upon the Flight of the Queen (2019) 38 exemplares
Lord of a Shattered Land (2023) 29 exemplares
The Waters of Eternity (2011) 29 exemplares
Tales From The Magician's Skull, No. 1 (2019) — Editor — 11 exemplares
Tales From The Magician's Skull, No. 4 (2020) — Editor — 10 exemplares
Tales From The Magician's Skull, No. 3 (2019) — Editor — 9 exemplares

Associated Works

The Long Tomorrow (1955) — Introdução, algumas edições847 exemplares
Kaiju Rising: Age of Monsters (2014) — Contribuidor — 52 exemplares
Warriors of the Steppes: The Complete Cossack Adventures, Volume 2 (2006) — Editor, algumas edições50 exemplares
Ghost in the Cogs (2015) — Contribuidor — 21 exemplares
Guilds & Glaives (2018) — Contribuidor — 18 exemplares
Galactic Stew (2020) — Contribuidor — 12 exemplares
When Worlds Collide (2021) — Autor — 10 exemplares
Lightspeed Magazine, Issue 132 (May 2021) (2021) — Contribuidor — 3 exemplares


Conhecimento Comum



Unfortunately, The Desert of Souls, by Howard Andrew Jones is told in the first person. Asim, our protagonist, is Captain of guards to a wealthy magistrate in a sword and sorcery caliphate. This magistrate is an intimate of the Caliph. You might expect such a powerful person to employee a guard Captain who is strong, mature, skilled, and perhaps cunning; or a least a bright... OK, maybe just perceptive. Nope, Asim, while not a simpleton, seems a bit young, at 24, and a bit dull-witted to manage his important post. I’m afraid that I have very little tolerance for a dumb protagonist, particularly when told in a first person narrative. Periodically, I find myself wanting to tap him on the shoulder and say "Duh-uh!" I think the author missed an opportunity in not telling the story from the view point of, Sabirah, the magistrate’s niece and ward, who is deemed so clever that she is permitted to pursue her education rather than be married off for political gain. A clearly daring girl, her exploits are only mentioned to explain her presence as a stowaway on Asim’s mission to retrieve two stolen magical items. Even so, I gave this book a chance and read through to the midst of chapter 9. This "Arabian Nights" setting is a welcome departure for me from the Urban-paranormal-romance deluging the fantasy genre at the moment and the author's writing is quite engaging. It’s even likely that Asim may develop a clue by the end of his adventures. However, I lost all patience and gave up at page 126, after yet another a pivotal turn in the plot was driven by the protagonist simply making another inappropriately dumb move. (Which situation amounts to: “We’re in trouble. The scholar who got us out of trouble before has a plan; let’s follow it!” “Plan? We don’t need no stinking plan!” With the epic examples of Scheherazade and Sinbad the Sailor, (whose caliphate worlds of magic and adventure the author tries to emulate), would that Jones had followed these examples more closely and chosen a reasonably clever protagonist. To this book’s credit it may well cause me to re-read One Thousand and One Nights or Judith Tarr’s Alamut (preceded by the The Hound and the Falcon series), for a reminder of what Arabian sword & sorcery looks like when it’s done right.… (mais)
djambruso | 15 outras críticas | Feb 23, 2024 |
This second volume of the chronicles of Hanuvar, with short episodes of plots, dark magic, and battles, knit together with explanatory notes, as though written by a historian and editor of some ancient texts. Hanuvar is too clever at solving mysteries, too indestructible in battle, and too noble to be a convincing character. The stories always have a dread magical element, and usually a maiden in danger. The action moves along, but I find the dialogue and explanatory writing sometimes less than elegant. I became tired of the series, after 607 pages of text on the Kindle… (mais)
neurodrew | Jan 19, 2024 |
The author was very committed to using the voice and style of someone from eighth-century Baghdad translated into nineteenth-century English. Many authors slip into inconsistencies or anachronisms when they attempt such a feat, but Jones succeeded as far as I can tell.
soulforged | 15 outras críticas | Jan 7, 2024 |
The aftermath of the Punic wars retold in a fantasy world
Hanuvar is modeled on Hannibal, and this novel imagines him in the aftermath of the fall of Carthage, seeking to free his enslaved and scattered people from the Dervans. Each chapter could be read as a short story, as Hanuvar and his playwright companion Sosilos encounter black magic, demons, and evil Dervan generals. The narrative moves along with Hanuvar, as he crosses an Alpine mountain chain, to enter the Dervan empire. The Dervans are Roman legionnaires in all but the exact name, with centurions, optios, a first spear, and tribunes. This was a good escape.… (mais)
neurodrew | Dec 28, 2023 |



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Terry Olson Contributor
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Adrian Cole Contributor
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Aeryn Rudel Contributor
Chris Willrich Contributor
Ian Miller Illustrator
Bill Ward Contributor
Justine Jones Illustrator
Matthew Ray Illustrator
Chuck Whelan Illustrator
Sanjulian Cover artist
Sarah Newton Contributor
William King Contributor
Setsu Uzume Contributor
Scott J. Couturier Contributor
Cliff Kurowski Illustrator
Clint Werner Contributor
Diesel LaForce Cover artist
Mike Curtis Contributor
Randy Broecker Illustrator
D. J. Tyrer Contributor
Adrian Simmons Contributor
Chris Arneson Illustrator
Peter Mullen Illustrator
Ken Kelly Cover artist
Mark Rigney Contributor
Dave Gross Contributor
Greg Mele Contributor
Nathan Meyer Contributor
Ali Short Contributor
P.J. Atwater Contributor
D. M. Ritzlin Contributor
KEN LIZZI Contributor
Phillip Brian Hall Contributor
Tais Teng Contributor
Simon Kewin Contributor
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Didier Nornand Cover artist
Lori Prince Narrator
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