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Frank Kermode (1919–2010)

Autor(a) de The Literary Guide to the Bible

68+ Works 4,404 Membros 31 Críticas 3 Favorited

About the Author

Sir John Frank Kermode, November 29, 1919 - August 17, 2010 John Kermode was a British literary critic best known for his work The Sense of an Ending: Studies in the Theory of Fiction, published in 1967 (revised 2000), and for his extensive book-reviewing and editing. He was the Lord Northcliffe mostrar mais Professor of Modern English Literature at University College London and the King Edward VII Professor of English Literature at Cambridge University. Kermode served during World War II with the Royal Navy. After the war, Kermode held positions at Manchester University, Bristol University, University College of London, and Cambridge University, all in England, and at Columbia University in New York City. He was Charles E. Norton Professor at Harvard University in 1977-78 and Henry Luce Professor at Yale University in 1994. Kermode wrote several books on literary figures, including D.H. Lawrence and Wallace Stevens. His works of criticism include An Appetite for Poetry and The Art of Telling. Kermode was also the editor of the cultural journal, Encounter and his memoir, Not Entitled, was published in 1995. Kermode serves on the editorial board of the London Review of Books and Common Knowledge and has acted as judge for the Booker Prize. He was knighted for his service to English literature and he was named a Foreign Honorary Member of the American Academy of Arts and Letters in 1999. He died in Cambridge on August 17, 2010. (Bowker Author Biography) Frank Kermode has written & edited many works, among them "Forms of Attention" & a memoir, "Not Entitled" (FSG, 1995). He lives in Cambridge, England, & has frequently taught in the United States. (Publisher Provided) mostrar menos

Obras por Frank Kermode

The Literary Guide to the Bible (1987) — Editor; Contribuidor — 736 exemplares
Shakespeare's Language (2000) 657 exemplares
The Age of Shakespeare (2004) 324 exemplares
The Oxford Book of Letters (1995) — Editor — 160 exemplares
Romantic Image (1957) 124 exemplares
The Poems of John Donne (Kermode ed.) (1968) — Editor — 87 exemplares
Not Entitled: A Memoir (1995) 74 exemplares
Concerning E M Forster (2009) 73 exemplares
Lawrence (1973) — Autor; Editor — 63 exemplares
King Lear (Casebooks series) (1969) 56 exemplares
Four Centuries of Shakespearian Criticism (1965)algumas edições43 exemplares
Wallace Stevens (1960) 41 exemplares
An Appetite for Poetry (1989) 41 exemplares
History and Value (1988) 39 exemplares
The Uses of Error (1990) 30 exemplares
Shakespeare, Spenser, Donne (1971) 30 exemplares
The Oxford anthology of English literature — Editor — 27 exemplares
Modern Essays (1971) 21 exemplares
Essays on fiction 1971-82 (1983) 19 exemplares
The Metaphysical Poets (1969) 18 exemplares
Poetry, narrative, history (1990) 16 exemplares
Continuities (1968) 15 exemplares
John Donne (1961) 11 exemplares
The Oxford Reader: Varieties of Contemporary Discourse (1971) — Editor — 10 exemplares
Discussions of John Donne (1962) 9 exemplares
The Way We Live Now 3 exemplares
LRB Selections: Frank Kermode (2019) 2 exemplares
Mi a modern? : Tanulmányok (1980) 1 exemplar

Associated Works

Middlemarch (1871) — Posfácio, algumas edições17,874 exemplares
The Tempest (1610) — Editor, algumas edições13,915 exemplares
Brideshead Revisited (1945) — Introdução, algumas edições12,660 exemplares
Tom Jones (1749) — Posfácio, algumas edições8,187 exemplares
The Winter's Tale (1623) — Editor, algumas edições4,813 exemplares
Aspects of the Novel (1927) — Introdução, algumas edições2,310 exemplares
Paradise Lost [Norton Critical Edition] (1667) — Contribuidor, algumas edições2,221 exemplares
He Knew He Was Right (1869) — Introdução, algumas edições991 exemplares
Wallace Stevens : Collected Poetry and Prose (1997) — Editor — 673 exemplares
Selected Prose of T.S. Eliot (1975) — Editor — 547 exemplares
Chomsky (1970) — Editor — 425 exemplares
Heidegger (1978) — Editor — 407 exemplares
The Romantic Agony (1930) — Prefácio, algumas edições348 exemplares
Popper (1973) — Editor — 341 exemplares
Lévi-Strauss (1970) — Editor — 321 exemplares
Wittgenstein (1971) — Editor — 313 exemplares
Five Women (1911)algumas edições253 exemplares
Marx (1975) — Designer — 205 exemplares
Saussure (1976) — Editor, algumas edições196 exemplares
Derrida (1987) — Editor — 184 exemplares
Russell (1972) — Editor — 182 exemplares
Freud (1971) — Editor — 179 exemplares
Harmonium (1923) — Editor, algumas edições171 exemplares
Jung (1973) — Editor — 169 exemplares
McLuhan, Hot & Cool (1967) — Contribuidor — 159 exemplares
Berlin (1995) — Editor — 153 exemplares
Marcuse (1970) — Editor — 153 exemplares
Einstein (1973) — Editor — 144 exemplares
Adorno (1984) — Editor — 121 exemplares
Schoenberg (1975) — Editor — 119 exemplares
Foucault (1985) — Editor — 117 exemplares
Winnicott (1988) — Editor — 116 exemplares
Orwell (1971) — Editor — 116 exemplares
Camus (1970) — Editor, algumas edições115 exemplares
Marcel Proust (1974) — Series editor, algumas edições103 exemplares
McLuhan (1971) — Editor — 102 exemplares
Theory's Empire: An Anthology of Dissent (2005) — Contribuidor — 100 exemplares
Lukács (1970) — Designer — 99 exemplares
The Dylan Companion: A Collection of Essential Writing About Bob Dylan (1990) — Contribuidor, algumas edições96 exemplares
Lacan (1991) — Editor — 95 exemplares
Trotsky (1978) — Editor — 92 exemplares
Eliot (1975) — Editor — 91 exemplares
Beckett (1973) — Editor — 87 exemplares
Barthes (1983) — Editor — 85 exemplares
Joyce (1971) — Editor — 83 exemplares
Sartre (1975) — Editor — 82 exemplares
Guevara (1970) — Editor — 80 exemplares
Kafka (1974) — Editor — 79 exemplares
Gramsci (1977) — Editor — 76 exemplares
Yeats (1971) — Editor — 76 exemplares
Fanon (1970) — Editor, algumas edições75 exemplares
Reich (1971) — Editor — 67 exemplares
Lenin (1972) — Editor — 64 exemplares
Weber (1974) — Editor — 62 exemplares
Durkheim (1978) — Editor — 55 exemplares
Le Corbusier (1974) — Editor — 53 exemplares
Artaud (1976) — Series editor — 52 exemplares
Piaget (1979) — Editor — 52 exemplares
Engels (1977) — Editor — 51 exemplares
Gandhi (1972) — Editor — 51 exemplares
The Bible and the Narrative Tradition (1986) — Contribuidor — 51 exemplares
Laing (1973) — Editor — 50 exemplares
Evans-Pritchard (1980) — Editor — 38 exemplares
Parable and Story in Judaism and Christianity (1989) — Contribuidor — 38 exemplares
Klein (1979) — Editor — 36 exemplares
Life.After.Theory (2003) — Contribuidor — 34 exemplares
Mailer (1972) — Editor — 26 exemplares
Pound (1975) — Editor — 24 exemplares
Graham Greene: A Collection of Critical Essays (1973) — Contribuidor — 24 exemplares
Darwin (1982) — Editor — 16 exemplares
Arendt (1992) — Editor — 13 exemplares
Pavlov (1979) — Editor — 13 exemplares
Jamie Shovlin : Fontana Modern Masters : 14 April-28 May (2005) — Contribuidor — 3 exemplares

Etiquetado

1001 (224) 1001 books (236) a ler (2,741) Arte e cultura clássicas (1,874) Biografia (565) Britânico (969) classic literature (224) clássico (1,640) Comédia (219) crítica (294) crítica literária (818) Drama (1,739) e-livro (233) Escrita (226) Ficção (6,018) Filosofia (698) Folio Society (279) Inglaterra (817) Inglês (585) Kindle (249) lido (585) Literatura (2,089) literatura britânica (915) Literatura inglesa (1,266) Não ficção (562) own (274) peças (897) Play (668) Poesia (852) por ler (414) Religião (269) Romance (290) Romance (1,251) Século XIX (706) Século XVII (350) Século XVIII (394) Século XX (460) teatro (578) Victorian (379) William Shakespeare (2,029)

Conhecimento Comum

Membros

Críticas

In these essays, Kermode displays his deep knowledge and erudition - to the point sometimes of 'showing off'. The literary jargon on display in the chapter on poets made those essays almost unintelligible. What is it about poetry that seems to bring out the mumbo-jumbo? (I would say the same about painting. See Michel Butor.) Still, I read through the pieces quickly and in the main enjoyed them.
½
 
Assinalado
heggiep | Mar 20, 2023 |
An impressive work on the relations between time, Apocalypse, fiction. Reading this after Ricoeur's Temps et Récit trilogy made me understand that work much better too: Ricoeur has clearly drawn heavily from Kermode's insights.
 
Assinalado
Boreque | 3 outras críticas | Feb 7, 2022 |
This year I have been reading several books by writers from the Romantic Period and some books about this period too, and I thought Romantic image would be a nice edition to that. However, I was very disappointed with this books and even irritated.

First of all, it is not the first time I have heard the suggestion that the Romantic period is not finished, although I think my tutors who brought this idea up got it from this book by Kermode. Frank Kermode was really a big name at that time.

Generally, the Romantic period refers to the writings of the period of the late Eighteenth century till the end of the first quarter of the Nineteenth century, with writers such as Coleridge, Keats, Shelley, Byron and Wordsworth, etc. In Romantic image Kermode suggests that the Romantic period is not finished and that for example Yeats belongs to this epoch.

What I don't like about Romantic image is that it barely pays attention to they traditional poets of what is convetionally considered to be the romantic period, while focussing on outliers and obscure writers. There seems to be a lot of names-dropping and high-brow elitism in this book.
… (mais)
1 vote
Assinalado
edwinbcn | 1 outra crítica | Jan 3, 2022 |
his is a monography on the poet Wallace Stevens by the reknowned scholar Frank Kermode. It is a bit tricky to buy a critical work on a poet with whose work I am unfamiliar, and may likely not be interested in. However, this is a short work of almost essay-like length of just 126 pages.

Kermode makes some poignent observations about the role and nature of reality as seen by Wallace Stevens that struck me and stuck with me.

reality is what you see finely and imagine fully from where you are and as what you are. 'The Gods of China are always Chinese' is one of the fundamental ideas of Wallace Stevens (p.11). "I am what is around me" (p.35).

At least in his poetry, Stevens creates a divide between reality and the world of the imagination, effectively cutting himself off from life. To most people life is an affair of people and not of places. Instead, he says, life is an affair of places, and elsewhere Life is not people and scene but thought and feeling.

This culminates in the horrific observation that reality is in fact unbearable to us, that we cannot truly face it, and that we can only live with it through the overlay of our imagination. In The Snow Man "winter" is a metaphor for a "pure abstracted reality, a bare icy outline purged clean of all the accretions brought by the human mind to make it possible for us to conceive of reality and live our lives." In winter, things are seen as they are. (p. 31).

In the same context, Stevens wrote: "No doubt there is nothing more morbid in itself, more inimical to nature, than to see things as they are.... The real, in its pure state, stops the heart instantaneously .... O, Socrates, the universe cannot for one instant endure to be only what it is ... " (p. 32) from Stevens' introduction to Valéry's Dance and the Soul.

The imagination is described as a power to transform the environment and ensure comfort and survival. " Poets, with this power, once made gods and myths, but these are irrelevant to modern reality. Now the same power must be our defense against the poverty of fact" (p. 36) (Italics are mine).

This bleak view that pits the harsh world of Darwinian biology against culture as a soft blanket to delude ourselves by shying away from harsh reality is incredibly convincing to me.

I did not much care for the poetry of Wallace Stevens, but believe Kermode provides an excellent introduction to Stevens' overall output, mainly poetry, and dedicates one chapter to his prose works. To me, reading the critical sections underlying Stevens ideas was what made reading this book so valuable to me.
… (mais)
½
 
Assinalado
edwinbcn | Dec 26, 2021 |

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Associated Authors

John Hollander Editor, Joint Comp.
Harold Bloom Editor, Joint Comp.
Lionel Trilling Editor, Joint Comp.

Estatísticas

Obras
68
Also by
74
Membros
4,404
Popularidade
#5,689
Avaliação
4.0
Críticas
31
ISBN
183
Línguas
8
Marcado como favorito
3

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