Rosa Mulholland (1841–1921)
Autor(a) de Not to be Taken at Bed-Time & Other Strange Stories
About the Author
Image credit: Book Seven of the McBride Literature and Art Readers (1904), p. 82.
Obras por Rosa Mulholland
Not to be Taken at Bed-time [short story] 3 exemplares
The Haunted Organist Of Hurly Burly 3 exemplares
O'Loghlin of Clare 1 exemplar
The Ghost at Wildwood Chase and Other Stories (Black Heath Gothic, Sensation and Supernatural) (2019) 1 exemplar
Collected Stories 1 exemplar
Gems for the Young From Favourite Poets 1 exemplar
The Walking Trees and Other Tales 1 exemplar
Associated Works
Victorian Tales of Mystery and Detection: An Oxford Anthology (1991) — Contribuidor — 173 exemplares
Delphi Complete Works of Charles Dickens (Illustrated) (2011) — Contribuidor, algumas edições — 77 exemplares
Doctor Marigold's Prescriptions (undetermined contents) (1865) — Contribuidor, algumas edições — 73 exemplares
Duchy Nocy Świętojańskiej — Contribuidor — 1 exemplar
Etiquetado
Conhecimento Comum
- Nome canónico
- Mulholland, Rosa
- Nome legal
- Gilbert, Lady Rosa Mulholland
Mulholland, Rosa (Lady Gilbert) - Outros nomes
- Gilbert, Rosa M.
Murray, Ruth
Lady Gilbert - Data de nascimento
- 1841
1855 (var.) - Data de falecimento
- 1921-04-21
- Sexo
- female
- Nacionalidade
- Ireland
- Local de nascimento
- Belfast, County Antrim, Ireland, UK
- Educação
- privately educated
- Relações
- Dickens, Charles (friend)
Fatal error: Call to undefined function isLitsy() in /var/www/html/inc_magicDB.php on line 425- Lady Gilbert (Rosa Mulholland), Irish Catholic novelist and poet, was born in Belfast in 1855. Her father was Joseph Stevenson Mulholland was a noted doctor in that city. In 1891, Rosa married Sir John T. Gilbert, an archaeologist devoted to Irish history and a player in the modern Gaelic revival. They spent time living in a remote mountainous area in western Ireland. After his death, Rosa penned his biography.
She initially aspired to be an artist, but had more success with poetry. Her friendship with Charles Dickens led to the publication of "Hester's History," originally a serial story. She went on to publish many poems, short stories, and novels. Several of her early works incorporated the struggles the gentrified landlords and peasantry in Ireland at the time. Her later work moved toward young girls as an audience, advocating independence. A number of her works have supernatural themes. She died in Dublin in 1921.
Membros
Críticas
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Associated Authors
Estatísticas
- Obras
- 30
- Also by
- 18
- Membros
- 65
- Popularidade
- #261,994
- Avaliação
- 3.8
- Críticas
- 1
- ISBN
- 8
- Línguas
- 1
Her best-known story is the title one, which has an Irish setting, as in many of her stories. This disturbing work is set in the Connemara mountains and describes the legend of gloomy, isolated Coll Dhu (Black Coll) who frightens the locals and has a grudge against the newly arrived Colonel Blake. Coll Dhu develops an obsession with Blake’s daughter, Evleen, and enlists the witch Pexie na Pishrogie to help him with a rather gruesome charm.
“The Ghost at the Rath” is a good haunted house story; the narrator stays at the Rath, his newly inherited estate, with a friend and sees various scenes from the past at night. He has to investigate the visions and right past wrongs.
“The Haunted Organist of Hurly Burly” has a terrific title, and the build-up to the supernatural events is good, but I was constantly annoyed by the description of Lisa, a young Italian woman who is manipulated by a long-dead man, who was constantly referred to as “little”, “dark” and “wild”. Some of these characteristics lead to the predictable ending, where people act annoyingly stupid.
In “The Mystery of Ora”, the narrator is on a walking tour of the Irish coast and is warned to avoid the reclusive and strange astronomer Collum and his daughter, but when he stumbles on the daughter, Ora, in obvious distress, he tries to learn their secrets. This one had a nicely tense development. I thought I knew where the story was going, but the ending turned out to be completely different. However, the ending and the supernatural events seemed somewhat random.
“A Strange Love Story” is indeed just that, a strange, twisty, sad and involving story. The author spends some time describing the relationship of Max and Hilda, artists who are deeply in love and move from Innsbruck to Rome. Although Hilda is as talented as Max (maybe more talented?), their relationship does not follow the usual pattern. Max encourages Hilda, but she is extremely self-sacrificing, which eventually leads to her death. Max becomes obsessed with the idea that Hilda will come back to him.
“The Ghost at Wildwood Chase” and “The Lady Tantivy” have very different moods from the previous stories: the former is, if possible, a sweet ghost story and the latter is a cheerful ghost story. The narrator of the former is an ill artist who seems resigned to his death and goes down to Wildwood Chase for a client. He has an enjoyable affair in his head with a woman in a portrait but then starts seeing her–is it his illness or a ghost? In the last story, the narrator sees the lady in question come up to the estate she’s watching in too-old clothes and with too much knowledge of past events. This ghost cheerfully sets out to visit her old home and fix some past errors.… (mais)