Larry Niven

I'm giving Ringworld a 3, but this is a conditional rating. I think Ringworld is both a book with a terrific story and convincing world-building, but it is unfortunately told through the eyes of flat, uninteresting characters utilizing dated, often chauvinistic dialogue. A lot of "golden age" sci-fi falls into this trap, having been written by middle-aged white men in an era when this sort of behaviour and attitude was left unchecked. I understand that, and can usually appreciate the work as a piece from its place and time. It feels jarring though when the only female character behaves ignorantly, acts clumsy, and is hyper sexualized by the writer - and the male characters around her treat her critically because of these things. However, if you can look past this (and there were a few moments where I really struggled) the concept of the Ringworld itself is good fun, especially when Niven manages to blow your mind with the scale of it. I do feel like I'm kind of done with the saga though and as interesting as the Ringworld is, I don't feel compelled enough to read the other four books in the series.… (mais)

I'd heard this was a classic of the post-apocalyptic genre, so was pleased to finally nab a copy second hand.

The book starts with the discovery of a comet and revolves around the humdrum lives of a bunch of LA locals, tending toward the wealthy socialite class. At first predicted to narrowly miss earth, the comet's odds of hitting escalate steadily the closer it gets to Earth.

The build up to Hammerfall is suitably suspenseful and the impact itself seems to be handled realistically from a scientific point of view. Now our intertwined point-of-view characters must escape the collapse of society, floods and tsunamis to find safety in a world in which the thin veneer of civilisation has been suddenly torn away.

Personally I'm not sure that the immediate reversion of society to violence, rape and cannibalism in the wake of Hammerfall is realistic. When real-life disasters hit people seem to band together for a short time at least. On the other hand, the formation of the cannibal cult coalition seem to parallel the formation of ISIS in a land that has lost all semblance of power structure remarkably well.

My criticisms are similar to other reviewers. The approach to race and gender is ham-fisted. Hammerfall wipes out women's lib (as one character gleefully observes) and women are simply trophies who seek out the strongest male to protect them, and sex appears to be the only tool available to them. Outside the relative civilisation of our protagonists' valley a life of rape or sex-slavery awaits. There's a range of characters who are given point of view in this book but only two are women and neither are the unlucky sort, say for example the girl scouts who have been turned into sex slaves. I guess that while this book is a darker take on the apocalypse, the authors didn't want to go quite that dark.

And that is one point of difference in this book. It's a dark take on the apocalypse that includes that part that most post-apocolyptic works conveniently skip: the End, with all its death and horror and messiness. The characters face some hard moral choices: do they sentence people who do not conform to their new society (teetering on the brink of collapse) to death, do they use horrid chemical weapons against the attacking cannibal army, do they re-introduce slavery?

Unfortunately, all to often they seem to lean on the side of ruthlessness. On one hand, it demonstrates the harshness of the new world, but on the other it feels too much like the authors have an unsavoury agenda to push.

My favourite character was the diabetic scientist who decided in the face of the apocalypse to save books and knowledge for the survivors.

A worthwhile take on the end of the world with its scientific believability and dark themes, but marred by outdated ideas and strange authorial agendas.… (mais)