Julie Faith Parker

Summary: Feminist readings of biblical texts involving women, mostly from the Hebrew Bible. with one chapter on the New Testament.

I’ve benefited enormously in recent years from scholarship from women re-assessing the ways mostly male interpreters have interpreted passages about women, often allowing those passages to be used to the harm of women. While I haven’t agreed with everything in these works, I’ve also been convinced in numerous instances that I’ve read and and taught these passages wrongly. That was the case for me with this new work by Julie Faith Parker. She takes a number of Old Testament stories and offers feminist interpretive insights arising from close exegetical reading and unpacks this in a highly engaging fashion, combined with stories ranging from work with prisoners in Sing-Sing to encountering sexism in pastoral circles.

The title chapter offers a good example of the kind of insights arising from her work. She observes how Eve is often vilified in scripture in ways she believes unwarranted in the biblical account. She observes that Eve had yet to be created when the man had received the instruction not to eat of the tree (her response to the serpent might have reflected how he passed this along). Adam was with her (Genesis 3:6) accounting for the serpent’s use of the plural for “you” and Eve’s “we” in response. She notes that while the man blames both God and the woman, Eve tells the truth about the serpent and her own culpability, not blaming the man. Intriguingly, she observes that only the man (Genesis 3:23-24) is said to be banished from the garden–something that all the art I’ve seen of the expulsion of the first couple had obscured (she may well have left the garden to have children with Adam but only he is explicitly banished). Plainly, we vilify Eve more than the writer of Genesis does.

At the same time, I think Parker valorizes Eve more than is warranted in the text when she writes:

“She is a pioneering theologian who wrestles with the words of God. She is a thoughtful decision-maker who thinks before she acts. She is a curious seeker of knowledge who yearns to understand ethics so she can make her way in the world. She is the mythical mother of all discerning people” (p.22).

I think this goes too far, and supports a narrative that her and Adam’s partaking of the fruit is a triumph rather than a tragedy, something to be celebrated rather than lamented. I also wonder how “discerning” it is to credit the words of a talking serpent more than what God has said, or Adam, who had apparently passed on God’s instruction, even if he stood mutely by. But Parker makes the case for me that Eve (and other women) should not be singled out as evil. Adam’s part in the story, if anything, is far more problematic. That tragedy is that through this episode, we all learned the evil of breaking trust and disobeying God, and all of us are implicated.

Parker goes on to look at the family line of Abraham, the messed up character of this family, and how God affirms the worth of the women in these stories including Sarah and Hagar, Rebekah, Rachel and Leah. She challenges the ways we valorize Rahab, the sex worker, not unlike we do in Disney’s version of Pocahontas when both are faced with male conquest and slaughter. She notes the many women who function as prophets, although I would take exception to her valorizing the medium at Endor and including them in this company of women who speak for God. She challenges our understanding of Job’s wife and the statement “Curse God and die” when the Hebrew translated as “curse” is barak or “bless.” Could it be that this is a word of support rather than contempt?

She mixes feminist reading of the Psalms (including wondering about all the others sinned against when David claims to have sinned against God alone in Psalm 51) with an account of hitch-hiking in Central America, getting a ride with a truckload of soldiers, and their own interpretation with guns drawn of “I lift my eyes to the hills.” She recounts her love of prisoners as she teaches the Bible in Sing Sing and her restrained approach to teach the Song of Songs in a room full of male prisoners.

Her one chapter on the New Testament focuses on Jesus, her favorite feminist Jew. She notes the company of women who supported Jesus and ‘learned,” a word for disciple. We are reminded of Mary who gave him birth, who followed, and was with him at his death. We often disparage Martha but she is a diekonei or “minister” to Jesus. And, of course, women were the first witnesses to the resurrection. He also questions our portrayals of Mary Magdalene, observing that “Magdala” could mean “great.”

“Curious, Like Eve” is a chapter of “excurses” from previous chapters. A number are fascinating, raising intriguing ideas. I do question the exegesis of Genesis 1 to support non-binary sexuality based on the use of merisms throughout the account (“evening and morning,” for example, include everything in between) to offer warrant for male and female also including everything in between. This seems to be an argument from silence whereas the so-called “clobber verses” do proscribe certain forms of sexual behavior, which include incest and bestiality, although they say nothing about sexual orientation or gender identity. Can we not affirm what scripture affirms without “clobbering”? Might we not tread carefully where scripture remains silent? I would affirm with the author that in all things, we emulate “the love, generosity, courage, compassion” we find in scripture.

The book closes with two appendices. One on Bible Basics is a help to those trying to make sense of the Bible, and evidences the author’s deep love of the Bible. The other is an annotated bibliography for further study. Each chapter also includes reflection/discussion questions for personal or group use.

I loved reading this author for her ability to translate textual study for the lay reader. I bet she is a great teacher. She continued my education as a white, cisgender male on reading scripture through women’s eyes. Even in the places where I wasn’t convinced or where I took exception, she made me think–always a gift.

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Disclosure of Material Connection: I received a complimentary copy of this book from the publisher for review.… (mais)