When Jesse's family moves to Roanoke, Virginia, in the summer of 1972, she's 12 years old and already mindful of the schism between innocence and femininity, the gap between childhood and the adult world. Her father, a former pastor, cycles through spiritual disciplines as quickly as he cycles through jobs. Her mother is dissatisfied, glumly fetishizing the Kennedys and anyone else that symbolizes status and wealth. The residents of the Bent Tree housing development may not hold what Jesse is looking for, but they're all she's got. Her neighbor speaks of her married lover; her classmate playacts being a Bunny at Hugh Hefner's Playboy Club; the boy she's interested in fantasizes about moving to Hollywood and befriending David Soul. In the midst of it all, Jesse finds space to set up her room with her secret treasures: busts of Emily Dickinson and Shakespeare, a Venus flytrap, her Cher 45s, and "The Big Book of Burial Rites," which she reads obsessively. But outside awaits all the misleading sexual mores, muddled social customs, and confused spirituality. Girlhood has never been more fraught than in Jesse's telling, its expectations threatening to turn at any point into delicious risk, or real danger.
Darcey Steinke is the author of four novels, two of which were New York Times Notable Books of the Year. Her novel Suicide Blonde has been translated into eight languages, and her novel Milk has been translated into four. Her nonfiction has been featured in Vogue, the Washington Post, the Chicago Tribune, the Village Voice, Spin, the Boston Review, and the New York Times Magazine, She currently teaches at both Columbia University and New School University in New York City. She lives with her daughter in Brooklyn.
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