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Lydia Chukovskaya (1907–1996)

Autor(a) de Sofia Petrovna

22 Works 544 Membros 24 Críticas 1 Favorited

About the Author

Daughter of the famous critic Kornei Chukovsky, Lydia Chukovskaya is a fiction writer and memoirist of note. Her two novels, Sofia Petrovna (1965), which was translated as The Deserted House, and Going Under (1972), dealt with the Stalin period. The former work is a portrait of a woman whose psyche mostrar mais gradually dissolves under the impact of the purges. A close friend of Anna Akhmatova, Chukovskaya preserved a detailed account of their encounters, highly important for understanding the poet's biography and views. Chukovskaya became a leading dissident, and was expelled from the Writers' Union in 1974. (Bowker Author Biography) mostrar menos

Obras por Lydia Chukovskaya

Etiquetado

Conhecimento Comum

Nome canónico
Chukovskaya, Lydia
Nome legal
Чуковская, Лидия Корнеевна
Outros nomes
Chukovskaya, Lydia Korneievna
Uglov, A. (pseudonym)
Chukovskaia, Lidiia
Tschukowskaja, Lydia
Data de nascimento
1907-03-24
Data de falecimento
1996-02-08
Sexo
female
Nacionalidade
Russia
Local de nascimento
Helsingfors, Russian Empire
Local de falecimento
Peredelkino, Russia
Locais de residência
St. Petersburg, Russia
Moscow, Russia
Peredelkino, Russia
Ocupações
poet
novelist
memorist
editor
Relações
Chukovsky, Kornei (father)
Marshak, Samuil (mentor)
Bronstein, Matvei (husband)
Akhmatova, Anna (friend)
Organizações
Writer's Union of the USSR
Prémios e menções honrosas
Andrei Sakharov Prize For Writer's Civic Courage (1990)

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Lydia Korneievna Chukovskaya was a daughter of a literary critic and children's writer and grew up in a home in St. Petersburg frequented by prominent literary figures. She was educated at the Institute for the History of the Arts. Her first job, which lasted 10 years, was as an editor at the state children's publishing house. She published her first short story, "Leningrad-Odessa", under the pseudonym A. Uglov. At about the same time she met and married a young Jewish physicist, Mikhail (Matvei) Bronstein. In 1937, he was arrested on a false charge and executed in the Gulag. She was never told of his fate. Lydia befriended others whose loved ones had also disappeared, including the poet Anna Akhmatova. She went on to become an established poet and writer herself and one of the senior editors on a liberal monthly, Literatur Naya Moskva. Her real breakthrough was a short story, "Sofia Petrovna," written in 1939-1940; it was circulated clandestinely in the late 1950s and appeared in Paris in 1965 under the title "Opustely Dom" ("An Abandoned House"). It was banned in the Soviet Union. Her second major book, Spusk pod Vodu ("Descent Into Water"), also never appeared in her own country. In 1974, Lydia was expelled from the Writers' Union for defending Boris Pasternak and Aleksandr Solzhenitsyn. She was monitored closely by the KGB, and only her important literary status in the West saved her from arrest. Her most important work was the two-volume journal, which she kept at great personal risk, of her meetings and conversations with Anna Akhmatova in the days of Stalin's Great Terror, Zapiski Akhmatovoi ("Akhmatova's Notes"). It was published in Paris in 1979-1980 and banned in her own country. Her works finally became legally available for Soviet readers beginning in 1988.

Membros

Críticas

this was really good and really effective, honestly I don't have much to say about it except that I would definitely recommend it and ... yeah it was just really good and really sad
 
Assinalado
ZetaRiemann | 13 outras críticas | Apr 4, 2024 |
The story of a mother and son during Stalin’s Terror of the mid 1930s. Short, well-written, and chilling. And yet, as good as it is, it reminded me of Yevgenia [Eugenia in the US edition] Ginzburg’s memoir Journey Into the Whirlwind which covers the same story and is, I think, absolutely brilliant. Ginsburg’s work is actually two volumes: the first (if my memory is correct) covers the period up through her arrest and trial and the second volume (Within the Whirlwind) covers her nearly two decades of imprisonment (at the infamous Kolyma gulag) and her release. At one time, I read many memoirs of the Kolyma and the gulag more generally and, excellent as many of them were, Ginzburg’s stood out. Both the real Ginzburg and the fictional Sofia Petrovna are faithful and loyal Party members and their devotion and dedication are meaningless. The only observation that I think is even possible is that the word “terrifying” or “chilling” is drastically inadequate to describe that period and that regime. Sofia Petrovna nevertheless gives a good sense of the claustrophobia of those years and the effect of the terror on “ordinary people” and is well worth the time.… (mais)
 
Assinalado
Gypsy_Boy | 13 outras críticas | Aug 23, 2023 |
Terse, flat, drily told - and one of the more harrowing stories I've read. I've read a fair amount of Russian literature, so that's saying a lot. Widow Sofia Petrovna has a son, Kolya. She works as a typist in a large publishing house, and is happy. Her son grows up and thrives, is a loyal and successful Komsomol member, becomes an engineer, is written up in Pravda as an up-and-coming star who invents a new gadget that improves productivity. Sofia Petrovna is so proud of him.

And then one day, he's arrested. A mistake, of course. A misunderstanding. They have the wrong guy. And the nightmare begins.

Hours and days, weeks, months spent in line with hundreds of wives and mothers trying to learn what has happened to their loved ones. What were they charged with? Where are they? Are they even alive? It's a risk even to be asking. And there is no way to find out. Sofia's pleasant and charismatic boss is abruptly arrested; a gifted and skillful typist (and Sofia's closest friend) is fired because she has allegedly typed "Ret Army" for "Red Army" in an article - and then kills herself, unable to find any other work. Then Sofia makes the mistake of publicly saying her friend had been a good worker. Her name is being mentioned around the office; people begin to look at her strangely. And she doesn't know if her son is alive or dead - a state she could not have imagined. The morose and stalwart party official who saw to Sofia's boss's arrest is eventually himself arrested for being insufficiently vigilant not to have caught the boss's "malfeasance" sooner. No one is safe. No one.

Welcome to the Soviet Union under Papa Joe. The novella is largely aut0biographical - it was Chukovskaya's husband who was arrested, and she spent years trying to find out what happened to him (he was executed only a few months after his arrest). The manuscript was secreted with a friend, who passed it along to his sister before he died of starvation in Tashkent. Only years later did it find its way back to Chukovskaya, and it took more years to be published. She went on to become an outspoken supporter of persecuted Russian writers: Pasternak, Solzhenitsyn, et al.

The denial, the worry, the fear, the coping (and not coping) is described simply, in Sofia's limited point of view - which only seems to make the grotesquely opaque darkness more terrifying. All the things you cannot ask, the people you don't dare to speak to and who won't answer you if you do, or who will only frighten you more; the utter blank wall and dread of what could happen next, are overwhelming. The writer knows whereof she speaks, and this little novel should be part of any and every survey of Soviet and/or Russian literature. It gets a rare fifth star from me because I can't stop thinking about it.
… (mais)
 
Assinalado
JulieStielstra | 13 outras críticas | Sep 13, 2022 |
какой кошмар, какой кошмар, какой кошмар
 
Assinalado
alissee | Dec 8, 2021 |

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Estatísticas

Obras
22
Membros
544
Popularidade
#45,827
Avaliação
3.9
Críticas
24
ISBN
50
Línguas
9
Marcado como favorito
1

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