Picture of author.

Marly Youmans

Autor(a) de Catherwood

26+ Works 426 Membros 10 Críticas

About the Author

Marly Youmans's poems have appeared in Carolina Quarterly, Canto, Black Warrior Review, and Ploughshares, among other publications. A native and longtime resident of the Carolinas, she now lives in Cooperstown, New York. She is also the author of three novels and a book for children
Image credit: Cory Doctorow, January 18, 2006

Séries

Obras por Marly Youmans

Catherwood (1966) 137 exemplares
Charis in the World of Wonders (2020) 68 exemplares
The Curse of the Raven Mocker (2003) 43 exemplares
Ingledove (2005) 39 exemplares
The Wolf Pit (2001) 30 exemplares
Glimmerglass: A Novel (2014) — Autor — 20 exemplares
Little Jordan: A Novel (1995) 16 exemplares
Thaliad (2012) 11 exemplares
Val/Orson (2009) 8 exemplares
Maze of Blood (2015) 5 exemplares
The Foliate Head (2012) 5 exemplares
The Book of the Red King (2019) 3 exemplares
Static (short story) 2 exemplares
The Throne of Psyche (2011) 2 exemplares
Power And Magic 1 exemplar
Claire: Poems (2004) 1 exemplar
The Chinese Room 1 exemplar
The Comb 1 exemplar
Tall Yorinda 1 exemplar
Seren of the Wildwood (2023) 1 exemplar

Associated Works

Extraordinary Engines: The Definitive Steampunk Anthology (2008) — Compositor — 355 exemplares
Firebirds Soaring: An Anthology of Original Speculative Fiction (2009) — Contribuidor — 220 exemplares
Ghosts by Gaslight: Stories of Steampunk and Supernatural Suspense (2011) — Contribuidor — 207 exemplares
The Beastly Bride: Tales of the Animal People (2010) — Contribuidor — 192 exemplares
Salon Fantastique: Fifteen Original Tales of Fantasy (2006) — Contribuidor — 129 exemplares
Logorrhea: Good Words Make Good Stories (2007) — Contribuidor — 120 exemplares
Fantasy: The Best of the Year, 2008 Edition (2008) — Contribuidor — 63 exemplares
We Think, Therefore We Are (2009) — Contribuidor — 57 exemplares
Last Drink Bird Head : A Flash Fiction Anthology for Charity (2009) — Contribuidor — 29 exemplares
Stories from the Blue Moon Café IV (2005) — Contribuidor — 15 exemplares
Lightspeed Magazine, Issue 33 • February 2013 (2013) — Contribuidor — 14 exemplares
Postscripts Magazine, Issue 13 (2007) — Contribuidor — 12 exemplares
Lady Churchill's Rosebud Wristlet No. 20 (2012) — Contribuidor — 8 exemplares
Postscripts Magazine, Issue 19: Enemy of the Good (2009) — Contribuidor — 7 exemplares
Lady Churchill's Rosebud Wristlet No. 17 — Contribuidor — 5 exemplares
Postscripts Magazine, Issue 20/21: Edison's Frankenstein (2009) — Contribuidor — 3 exemplares

Etiquetado

Conhecimento Comum

Membros

Críticas

A point off for very dense reading, due to the author's excellent attempt at making the language authentically 17th century. (To be honest, it doesn't feel like the language is naturally 17th century, more like the author adds in words and phrases that her 17th century dictionary told her were 17th century. I doubt people actually spoke certain phrases in the stilted manner the author presents.)
 
Assinalado
ChayaLovesToRead | 1 outra crítica | Feb 18, 2024 |
It is uncommon that I find historical fiction set in early America very easy to read, probably because I tend to nitpick it more than is healthy. But I'm very pleased to say I had no such problems with this elegant, lyrical novel, which was thoroughly satisfying and very readable.
 
Assinalado
JBD1 | 1 outra crítica | Oct 29, 2022 |
I suspect this is going to be one of those books that will come back to haunt me at later dates. It is hard to describe the emotion it evokes when Catherwood is lost in the wilderness with her child. I have been lost, for only a few hours, in a wood, and I recall how frightening it seemed to me to know that I had lost the trail and might not find it again. In my case, a search party would have been launched within hours, I’m sure, had I not returned; in this case, lost is lost and Catherwood must find her own path out of the true wilderness she has wandered into.

There is, it seems to me, a great symbolic arc to this story, along with the very realistic one of loss and desperation. I did not want the story to end as abruptly as it did, but I realized that the object of the tale had been achieved, and knowing more about what happened beyond that point might diminish, rather than enhance, the impact.

In the end, this book is hard to describe. It has a fairytale quality or an ancient folklore vibe. It has a poetic element that has nothing to do with rhythm, but with flow. The second half of it reads like it could be sung in Homeric ballad style. I seldom read anything that I feel is completely unique, but I would dare say this is.

The other odd thing about this book is that I stumbled upon it while just scanning through a list of books, never heard of it or the author, and picked it out of a list of some 200 titles. It was as if it called to me to read it, and read it now. I had no intention of doing so…my list of planned reads is long and pressing, and the time for reading this year is closing in. Then I came across it again in a friend’s 2022 plans. I felt compelled, so I abandoned the plans and read it today. Right book, right time. Occasionally, the literature gods smile upon us.
… (mais)
 
Assinalado
mattorsara | 2 outras críticas | Aug 11, 2022 |
I love this book with an unreasonable passion. I can't explain it; it's a simple narrative, not terribly likely, a single arc. It's just that every word seems true, despite the unlikeliness of the plot. Youmans has never written anything else like it. It seems to have arrived like a visitation from a parallel reality. News of those is valuable to me.
1 vote
Assinalado
AnnKlefstad | 2 outras críticas | Feb 4, 2022 |

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Estatísticas

Obras
26
Also by
17
Membros
426
Popularidade
#57,313
Avaliação
½ 3.6
Críticas
10
ISBN
33
Línguas
2

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