MembroGene_Youngblood

Coleções
Etiquetas
Gene Youngblood Collection (950), Gene's Essays (115), USA Literature (104), Articles (103), Cinema (67), Film History (55), Secession From the Broadcast (55), The Build (54), Los Angeles Free Press (51), Classics (49), Essays (48), Short Stories (42), Video Art (41), Poetry (38), French Literature (36), 20th Century (36), Biography (35), The Future of Desire (34), Anthologies (33), Novel into Film (30), Fiction (30), "Expanded Cinema" (1970) (28), British Literature (27), Memoir (27), Experimental Cinema (26), R. Buckminster Fuller (1895-1983) (26), Aesthetics (24), Intermedia (column) (23), USA (22), Interviews (22), Media Studies (21), Anthologized Articles (21), Art (20), Film Reviews (20), Italian Cinema (19), Philosophy (18), Theory and Criticism (18), Perceptual Imperialism (18), Erotica (17), Feminism (17), Autobiography (17), Politics (16), Media Democracy (16), Mass Media (15), Manners and Customs (15), Media and Culture (15), Screenplays (15), USA Cinema (14), Criticism and Interpretation (14), Irish Literature (14), Media Literacy (13), Journalism (13), The Videosphere (13), K&S Book (13), Michelangelo Antonioni (1912-2007) (13), Corporate Media (13), Novels (12), Avant-Garde Film (12), Drama (12), Cybernetics (12), Argentine Literature (12), Sociology (12), Film Theory and Criticism (12), Ernest Hemingway (1899-1961) (11), Film Theory (11), Literary Criticism (11), Gene Youngblood (1942-2021) (11), Video Artists (11), Digital Media (11), Photography (11), Media Politics (11), Hollywood (10), Critical Theory (10), Sexuality (10), Cultural Studies (10), Exhibition Catalogs (10), New Media (9), Philosophy of Science (9), Novel (9), Sherrie Rabinowitz (1950-2013) (9), Jean-Luc Godard (1930-2022) (9), Propaganda (9), Kit Galloway (1948- ) (9), Literary Biography (9), Related to Gene's memoir (9), Gene's Reviews (9), Historical Fiction (8), Physics (8), Social Life and Customs (8), Epistemology (8), Anthropology (8), Creative Conversation (8), Jazz Age (8), Reviews (8), Coming of Age (8), Lectures (8), Psychology (8), World Game (8), Directors (8), Art History (8), Cognitive Science (8), Electronic Café (1984) (8), Control of Cultural Context (7), Artificial Intelligence (7), France (7), Image as Place (7), Stan Brakhage (1933-2003) (7), Psychoanalysis (7), Postmodernism (7), French Cinema (7), Mobile Image (7), Satellite Arts Project (1977) (7), Holography (7), Economics (7), Social Media - History (7), Technology and Society (7), Andy Warhol (1928-1987) (7), Marxism (7), Reference (7), Independent Filmmakers (7), Signed book (7), Capelli Film Series (7), Gene's lectures (6), Metadesign (6), Flamingo Hours (Take One column) (6), Computer-generated Film (6), Context vs. Content (6), Bill Viola (1951- ) (6), Computer Graphics (6), Transcribed lectures (6), Computer Science (6), 19th Century (6), Cinematography (6), Architecture (6), Performance Art (6), Culture (6), Art Criticism (6), Conversations (6), Modernism (6), Film Studies (5), Experimental Films (5), Russian Literature (5), Texts and Scripts (5), Documentaries (5), Avant-Garde (Aesthetics) (5), Communications Revolution (5), Buddhism (5), Cultural Commentary (5), Experimental Film (5), Media Criticism (5), Non-fiction (5), History of Experimental Cinema (5), USA History (5), Phenomenology (5), Noam Chomsky (1928- ) (5), Cosmic Cinema (5), Artist as Ecologist (5), German Literature (5), Steina Vasulka (1940- ) (5), Autobiographical Fiction (5), Hole In Space (1980) (5), New Media Artists (5), Science Fiction (5), Translations into English (5), Electronic Café International (5), Experimental Filmmakers (5), History of Video Art (5), Communication (5), Ethics (5), Metaphysics (5), Film Criticism (5), New Wave (5), Cognition (5), Activism (5), Autopoiesis (5), Capitalism (5), Gay Men (5), Feminist Theory (5), Systems Theory (5), Video (5), Cultural Criticism (5), Filmmaking (5), Social Criticism (5), Magical Realism (5), Expanded Cinema (USA 50th Anniversary edition) (4), History and Criticism (4), Poststructuralism (4), Jordan Belson (1926-2011) (4), Political and social views (4), Authors (4), Artists (4), Art Theory (4), Computer Art (4), Periodicals (4), Spanish Civil War (4), Drama into Film (4), USA Artists (4), Technology and Civilization (4), Spain (4), Woody Vasulka (1937-2019) (4), Videographic Cinema (4), Articles based on transcribed lectures (4), Existentialism (4), "L'eclisse" (Antonioni 1962) (4), USA Linguists (4), 1960s (4), Autonomous Reality-Communities (4), Intermedia Theatre (4), Cybernetic Cinema (4), Synaesthetic Cinema (4), Oceanic Consciousness (4), Gene's Interviews (4), Teledynamic Environments (4), Multi-projection Environments (4), Political Theory (4), Synaesthetics (4), The Technosphere (4), Artist as Design Scientist (4), Paleocybernetic Age (4), 3D Scene Simulation (4), BDSM (4), Art and Technology (4), Gene's Last Readings (4), Jonas Mekas (1922-2019) (4), Journals (4), 21st Century (4), USA Poetry (4), Biology (4), Neuroscience (4), Poverty (4), Memoir into Film (4), Underground Cinema (4), Antoine de Saint-Exupéry (1900-1944) (4), Kinaesthetics (4), Nonfiction Essays (4), Friends and Associates (4), Biography-Memoir (4), Intermedia (4), Stream of Consciousness (4), Media Theory (4), Media History (4), Language (4), Diaries (4), French Philosophy (4), Feminist Film Theory (4), Consciousness (4), Bloomsbury Group (4), Globalization (4), History (4), Not Gene's? (4), Film Directors (4), Women's Studies (4), Samuel Beckett (1906-1989) (4), Filmography (3), Middle East (3), Adultery (3), Stanley Kubrick (1928-1999) (3), Incest (3), Love Stories (3), New York City (3), David Barsamian (1945- ) (3), Advertising (3), Experimental Fiction (3), Feminist Films (3), Michael Snow (1928-2023) (3), Tonino Guerra (1920-2012) (3), Civilization (3), "L'avventura" (Antonioni 1960) (3), Ed Emshwiller (1925-1990) (3), John Whitney Sr. (1917-1995) (3), Paris (France) (3), German Cinema (3), British Fiction (3), Education (3), Married People (3), Imperialism (3), Creative Commons (3), Constructivism (3), Information Theory (3), USA Authors (3), Utopia (3), Evolution (3), Marriage (3), Italian Literature (3), USA Fiction (3), Conference Papers and Proceedings (3), Short Stories into Film (3), Information Technology (3), Lost Generation (3), Ingmar Bergman (1918-2007) (3), Federico Fellini (1920-1993) (3), Narrative Film (3), Modern Art (3), Surrealism (3), Film (3), Painting (3), Jacques Lacan (1901-1981) (3), Brain and Mind (3), Media Arts (3), Computer Animation (3)
Nuvens
Nuvem de Etiquetas, Nuvem de Autores, Espelho de etiquetas
Média
Aderiu
Aug 27, 2022
Nome Real
Jane Youngblood
Acerca da Minha Biblioteca

The Gene Youngblood Collection on LibraryThing is a record of Youngblood's home library. The collection represents Youngblood's intellectual life and personal interests as a film reviewer and critic, interviewer of artists and technologists, theorist of new media and politics, champion of media democracy, cultural critic, and utopian radical.

Mirroring Youngblood's library on LibraryThing is a work-in-progress. Gene's widow, Jane Youngblood, is entering the bibliographic data. Approximately 1/3 of Gene's library has been entered, as of this writing, Nov. 18, 2022. Gene Youngblood's complete library will be on LibraryThing in mid-2023.

Each work listed on LibraryThing that Youngblood used as a source is cross-referenced (tagged) to Youngblood's published works: Los Angeles Free Press articles (1967-1970), Expanded Cinema (1970), Secession From the Broadcast (2012), The Build (2016-2020), and Expanded Cinema: 50th Anniversary edition (2020).  

Gene Youngblood's projects that are also cross-referenced by tags are The Videosphere (1970, incompleted), The Future of Desire (1971-1992, incompleted), "The Kit & Sherrie Book" (in progress), Tarnished Angel: the Diaries of George Kuchar (in progress), and Italian Cityscapes in the films of Michelangelo Antonioni and Roberto Rosselini (incompleted).

Acerca de Mim

Gene Youngblood (1942-2021) was a highly respected figure in the fields of media arts, politics, and alternative cinema theory on a global scale. His influential work, Expanded Cinema, published in 1970, was the first book to consider video, multimedia performance, and computer-generated imagery as art forms, helping establish media arts as a recognized and respected artistic and scholarly discipline. The term ‘expanded cinema’ has since become widely used, and Youngblood’s book is considered a classic, having even been translated into Spanish as Cine expandido (Universidad Nacional de Tres de Febrero, ©2012) and Italian as Expanded Cinema (Cooperativa Libraria Universitaria Editrice Bologna (CLUEB), ©2013). The 50th Anniversary edition of Expanded Cinema, with a new introduction by Youngblood and a comprehensive index, was published in April 2020 by Fordham University Press.

Youngblood was also widely known as an original and visionary voice in the media democracy movement and had been teaching, writing, curating, and lecturing on media democracy and alternative cinemas since 1970. His best-known lectures on media democracy were “Videosphere: Television for Tomorrow,” for the Future Worlds Lecture Series 1974 at U. Michigan/Ann Arbor, “Secession from the Broadcast,” presented at the Bienal de la Imagen en Movimiento (BIM) in Buenos Aires, Argentina (2012), and “The Build: Gray Area Festival 2016” closing keynote (2016).

Youngblood lectured at more than four hundred colleges and universities throughout North America, Europe, Japan, and Australia, and his writing was published extensively around the world. He received research grants from the Rockefeller Foundation, the Rockefeller Brothers Fund, the Andy Warhol Foundation, the U.S. National Endowment for the Arts, The New Mexico Arts Division, and the New Mexico Endowment for the Humanities.

He curated numerous film and video exhibitions in the U.S. and abroad, organized an international conference, “The Future of Television,” at the Annenberg School of Communication at USC, served on twenty juries and selection panels for film and video festivals and foundations, and served on advisory boards of arts organizations, foundations, and publications, including Leonardo, the journal of the International Society for Art, Science, and Technology.

Youngblood was a consultant to academic, philanthropic, governmental, and business organizations, including the U.S. Library of Congress, the Council of Europe, the J. Paul Getty Trust, the Metropolitan Museum, the Rockefeller Foundation, and the U.S. National Endowment for the Arts.


In the 1960s, he worked as a journalist in Los Angeles, covering a wide range of media outlets. He served as a crime reporter and film critic for the Los Angeles Herald Examiner, worked as a reporter for KHJ-TV, and acted as an arts commentator for KPFK Pacifica Radio. Between 1967 and 1970, he held the position of associate editor and columnist for the Los Angeles Free Press, which was the first and largest of the underground newspapers during that era. Throughout his lifetime, Youngblood maintained a prolific career as an essayist.

Youngblood was a founding member in 1970 of the Faculty of Film and Video at the California Institute of the Arts (Calarts), where he taught for nineteen years. He also taught at the California Institute of Technology, Columbia University, the School of the Art Institute of Chicago, and in the film departments at UCLA and USC. In 1988, he joined the founding faculty of the Department of Moving Image Arts at the College of Santa Fe in New Mexico, where he taught for nineteen years until retiring in 2007.

Although Youngblood retired from teaching, he continued writing and lecturing until 2020, a year before his death.



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Tags:


Gene Youngblood • Media Arts • Alternative Cinemas • Expanded Cinema • Media Democracy • Scholar • Lecturer • Writer • Curator • Communication Revolution • Research Grants • Film and Video Exhibitions • International Conference • Advisory Boards • Consultant • Journalism • California Institute of the Arts (Calarts) • Teaching Career • Retired Professor • Media Art Critic


Localização
Santa Fe, New Mexico
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