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Virginia Woolf por Hermione Lee
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Virginia Woolf (original 1997; edição 1999)

por Hermione Lee

MembrosCríticasPopularidadeAvaliação médiaMenções
953821,990 (4.24)62
Hermione Lee sees Virginia Woolf afresh, in her historical setting and as a vital figure for our times. Her book moves freely between a richly detailed life-story and new attempts to understand crucial questions - the impact of her childhood, the cause and nature of her madness and suicide, the truth about her marriage, her feelings for women, her prejudies and obsessions. This is a vivid, close-up portrait, returning to primary sources, and showing Woolf as occupying a distinct, even uneasy position with 'Bloomsbury'. It is a writer's life, illustrating how the concerns of her work arise and develop, and a political life, which establishes Woolf as a radically sceptical, subversive, courageous feminist. Incorporating newly discovered sources and illustrated with photos and drawings never used before, this biography is a revelation -informed, intelligent and moving.… (mais)
Membro:Terrybatslast
Título:Virginia Woolf
Autores:Hermione Lee
Informação:Vintage (1999), Paperback, 944 pages
Coleções:A sua biblioteca
Avaliação:
Etiquetas:Biography

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Virginia Woolf por Hermione Lee (1997)

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Mostrando 1-5 de 8 (seguinte | mostrar todos)
Finally done!

This book is a masterpiece of research and insight and evocation of character and I’m so glad I read it. But for the last three hundred pages or so, I felt like it would never be over. It needed to be as long as it is, but it was a labor to finish it! ( )
  the_lirazel | Apr 6, 2020 |
https://nwhyte.livejournal.com/2920196.html

Lee's biography of Woolf was published in 1996, and I see there have been a couple more since; but this is pretty comprehensive, covering 59 years in 770 pages. Woolf bitterly regretted not having had a formal education, but maybe her more chaotic intellectual upbringing was a necessary precursor for her genius to take the shape that it did. Certainly being brought up with and mixing with writers gave her a keen understanding for the writer's life. Lee does a really good job of mapping the literary interactions between Woolf and her family, friends and lovers, from the day she was born to the day she died. I learned a lot about the micro-geography of Bloomsbury and its satellite territories, and it was all very interesting.

Lee devotes appropriate but not obsessional attention to Virginia's half-brother's sexual abuse of her and her sister; she rightly puts more time into elucidating Woolf's experience of mental illness, which hit her repeatedly as an adult and prompted her suicide at the fear of yet another debilitating breakdown. I feel a lot of Woolf's work is translucently teetering on the edge of experience, and this was a good explanation of how that came to be. Though of course, a lot of other people have similar experiences and do not achieve the same fame; it doesn't explain how she became a great writer, but it does I think help explain why she became the great writer that she did.

My one minor disappointment with Lee's book is that I didn't feel Woolf's feminism was really put into context, apart from her fleeting engagement with the suffragettes and her later entanglement with Dame Ethel Smyth. Did she interact with or influence other feminist writings of the day? Were her friends and lovers (other than Ethel Smyth) also feminists? She is portrayed here as rather a lone voice in the wilderness.

However, otherwise this was a very satisfying read about someone I had wished I knew more about, and whose books I will now read with greater understanding and even more enthusiasm. ( )
  nwhyte | Dec 14, 2017 |
I gave up on this book about 300 pages in... This is well-written and full of information -- maybe too much information! It is more of an analysis of how Woolf's life affected her writing than a biography. Or perhaps it would be more accurate to say it felt like reading an academic treatise on Woolf's life, full of references to her novels and letters (both hers and those of friends and family). Although I found it mildly interesting, it was very slow reading and never absorbed me, so when it was due back to the library I returned it even though not finished. ( )
  leslie.98 | Jun 26, 2013 |
Stevige biografie van Virginia Woolf. Bijna 800 bladzijden voor een leven waarin, oppervlakkig gezien, niet veel gebeurde.

Lee beschrijft niet alleen het leven van Virginia, maar ook haar entourage: de familie komt uitgebreid in beeld, net zoals haar belangrijkste vrienden. De literatuur vloeit voort uit het leven. Het leven wordt niet verteld vanuit de literatuur, zoals wel eens gebeurt bij schrijversbiografieën.

Een verhaal dat heel wat controversiële thema's genuanceerd behandelt: misbruik, sexualiteit, 'waanzin'. Lee gaat na wat de bronnen zeggen, maar construeert zelf nauwelijks hypothesen. Aan het einde van de rit is dat misschien zo slecht nog niet. Alleen: dat de 'waanzin' (na lectuur van het boek is dat een geladen term, maar welke andere kan ik hier gebruiken?), dat de 'waanzin' dus buiten zoveel buiten beeld blijft, maakt dat de finale beslissing van Virginia Woolf toch in grote mate onbegrijpbaar blijft. Maar misschien is dat altijd wel zo.

In elk geval een boek dat aanzet om meer van Woolf (en haar entourage) te lezen. ( )
  brver | Jul 28, 2011 |
This was an interesting and fascinating read and one that that attempts to rescue Woolf from the literary mythology that has grown around her. I really felt that I understood more about Woolf the woman and the writer and the demons that chased her. ( )
1 vote riverwillow | Jun 9, 2009 |
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'I meant to write about death, only life came breaking in as usual'.
Diary, 17 February 1922
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'My God, how does one write a Biography?' Virginia Woolf's question haunts her own biographers. How do they begin?
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Hermione Lee sees Virginia Woolf afresh, in her historical setting and as a vital figure for our times. Her book moves freely between a richly detailed life-story and new attempts to understand crucial questions - the impact of her childhood, the cause and nature of her madness and suicide, the truth about her marriage, her feelings for women, her prejudies and obsessions. This is a vivid, close-up portrait, returning to primary sources, and showing Woolf as occupying a distinct, even uneasy position with 'Bloomsbury'. It is a writer's life, illustrating how the concerns of her work arise and develop, and a political life, which establishes Woolf as a radically sceptical, subversive, courageous feminist. Incorporating newly discovered sources and illustrated with photos and drawings never used before, this biography is a revelation -informed, intelligent and moving.

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