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Spectrum 18: The Best in Contemporary Fantastic Art

por Cathy Fenner (Editor), Arnie Fenner (Editor)

Séries: Spectrum (18)

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1002271,161 (4.36)1
Challenging, controversial, educational, and irreverent, the award-winning Spectrum series reinforces both the importance and prevalence of fantastic art in today's culture. With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital. The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the onlyannual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year's highly most anticipated books. Featured inSPECTRUM 18 are 300 diverse visionaries, many of them world-renowned, including Michael Whelan, Sam Weber, Donato Giancola, Leo & Diane Dillon, Kinuko Craft, James Gurney, Peter de Sève. With art from books, graphic novels, video games, films, galleries, and advertising, Spectrum is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else Year In Review. Contact information for each artist is included in a handy index. Often imitated, never equaled, SPECTRUM 18 continues the freshness and excellence that was established seventeen years ago.… (mais)
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The artwork contained in this book was absolutely stunning, but I wish that it had been a bit more organized and consistent. They organized things by loose genres, some of which absolutely made sense, but some of which I thought were kind of the same thing. And then within these categories there was no internal organization that I could decipher based on logical grouping (themes, subjects, artists, locales, colours even) which made the book seem rather disjointed. That being said, I was pleased to see pieces by most of my favourite fantasy artists, plenty of recognizable sources/commissioning groups, and a whole host of unexpected newcomers. ( )
  JaimieRiella | Feb 25, 2021 |
I have several of these volumes; they are wonderful, and they seem to keep getting bigger and bigger. I am continually impressed not only by the works themselves, but by the breadth of selection, from fine arts, to comics, to commercial art, to sculpture. There is apparently a near-infinite amount of 2-D and 3-D fantastic art being produced at any given time and much of it would largely go unseen if it were not for these annual collections. ( )
  chaosfox | Feb 22, 2019 |
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Fenner, CathyEditorautor principaltodas as ediçõesconfirmado
Fenner, ArnieEditorautor principaltodas as ediçõesconfirmado

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Challenging, controversial, educational, and irreverent, the award-winning Spectrum series reinforces both the importance and prevalence of fantastic art in today's culture. With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital. The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the onlyannual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year's highly most anticipated books. Featured inSPECTRUM 18 are 300 diverse visionaries, many of them world-renowned, including Michael Whelan, Sam Weber, Donato Giancola, Leo & Diane Dillon, Kinuko Craft, James Gurney, Peter de Sève. With art from books, graphic novels, video games, films, galleries, and advertising, Spectrum is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else Year In Review. Contact information for each artist is included in a handy index. Often imitated, never equaled, SPECTRUM 18 continues the freshness and excellence that was established seventeen years ago.

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