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A carregar... Oreo (1974)por Fran Ross
A carregar...
Adira ao LibraryThing para descobrir se irá gostar deste livro. Ainda não há conversas na Discussão sobre este livro. "Oreo"'s odd, unsettling characters, style and plot realization made this book less than enjoyable to me. An interesting outcome though is a suspicion I have that this book must have been an influence on David Foster Wallace's [b:Infinite Jest|6759|Infinite Jest|David Foster Wallace|https://d202m5krfqbpi5.cloudfront.net/books/1388242988s/6759.jpg|3271542], which shares much of the same style, though "Oreo" is a significantly better written book.
Fran Ross' Oreo is one of the funniest books I've ever read, but I've never quoted it. To do so, I would have to put quotations before the first page and then again at the last. Instead, I just use the words so many others who have been privileged to encounter Oreo use to describe it: hilarious, uproarious, insane. But these adjectives don't do it justice either. To convey Oreo's humor effectively, I would have to use the comedic graphs, menus and quizzes Ross uses in the novel. So instead, I just settle for, "You have to read this," and from just the first page they see what I mean. Pertence à Série da Editora
A pioneering, dazzling satire about a biracial black girl from Philadelphia searching for her Jewish father in New York City Oreo is raised by her maternal grandparents in Philadelphia. Her black mother tours with a theatrical troupe, and her Jewish deadbeat dad disappeared when she was an infant, leaving behind a mysterious note that triggers her quest to find him. What ensues is a playful, modernized parody of the classical odyssey of Theseus with a feminist twist, immersed in seventies pop culture, and mixing standard English, black vernacular, and Yiddish with wisecracking aplomb. Oreo, our young hero, navigates the labyrinth of sound studios and brothels and subway tunnels in Manhattan, seeking to claim her birthright while unwittingly experiencing and triggering a mythic journey of self-discovery like no other. Não foram encontradas descrições de bibliotecas. |
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Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Classificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
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This is the basic plot of Oreo, Fran Ross’ remarkable novel that is at once a searing social satire, a perceptive commentary on racial and ethnic identities, a brilliant lampoon of the Theseus saga from Greek mythology, and an affecting coming-of-age tale of a young woman seeking her place in the world. Written about a half-century ago, it is hard to understand how a book this creative, insightful, and outright hilarious could have languished in relative obscurity for so many years. The wordplay in the book is nothing short of masterful and it is very, very funny in many places. Of course, I found myself relying on both an online Yiddish dictionary and a reader’s guide to the Theseus myth to understand many of those jokes, barbs, and puns—Oreo’s myriad encounters on her journey do indeed parallel those of Theseus as he worked his way home—but that effort was amply rewarded. While Oreo may have been underappreciated when it was published, since its “rediscovery” a few years ago it has apparently become a cult classic and a work that has clearly influenced a new generation of literature (e.g., Paul Beatty’s equally brilliant The Sellout). That is a fitting end for a book that has been on such a lengthy quest of its own. ( )