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A carregar... Northanger Abbey: An Annotated Edition (2014)por Jane Austen, Susan J. Wolfson (Editor)
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Adira ao LibraryThing para descobrir se irá gostar deste livro. Ainda não há conversas na Discussão sobre este livro. The annotations on the critical discussions on Northanger Abbey at the back are great. The annotations of the text are less fascinating - although I had no idea of the important differences between gigs and curricles, phaetons and carriages. The main thing I learned is that you have to read a 'gothic novel' - such as the interminable Udolpho (but any other would do) - to get a lot of the jokes and satire. I had not read this book for years, but found it so much more impressive after reading the aweful Udolpho. Northanger Abbey may not be Austen's most polished novel, but it has a youthful exuberance and charm that I really enjoy. Catherine Morland is the main character; she is young, only 17, and on her own for the first time in Bath. She meets two families, the Thorpe brother and sister, John and Isabella, and the Tilney brother and sister, Eleanor and Henry. These two sets couldn't be more different - the Thorpes are all show and poor behavior, and the Tilneys have class, wit, and proper etiquette. Austen strongly inserts herself into this novel, something which she does in all her novels but in this one I feel her sarcasm and wit most strongly. I think it's the main reason I like this novel so much; I feel like she is unable to hide her own voice in writing this and I love that. This annotated edition is published by Harvard/Belknap press. It's a beautiful, enormous, hard cover book with beautiful pictures and interesting annotations. Susan Wolfson does a good job with the annotations - lots of info about the references to other authors and pointing out authorial techniques. sem críticas | adicionar uma crítica
The star of Northanger Abbey is seventeen-year-old Catherine Morland, Jane Austen's youngest and most impressionable heroine. Away from home for the first time, on a visit to Bath with family friends, Catherine, a passionate consumer of novels (especially of the gothic variety), encounters a world in which everything beckons as a readable text: not only books, but also conversations and behaviors, clothes, carriages, estates, and vistas. In her lively introduction to this newest volume in Harvard's celebrated annotated Austen series, Susan Wolfson proposes that Austen's most underappreciated, most playful novel is about fiction itself and how it can take possession of everyday understandings. The first of Austen's major works to be completed (it was revised in 1803 and again in 1816-17), Northanger Abbey was published months after Austen's death in July 1817, together with Persuasion. The 1818 text, whose singularly frustrating course to publication Wolfson recounts, is the basis for this freshly edited and annotated edition. Wolfson's running commentary will engage new readers while offering delights for scholars and devoted Janeites. A wealth of color images bring to life Bath society in Austen's era--the parade of female fashions, the carriages running over open roads and through the city's streets, circulating libraries, and nouveau-riche country estates--as well as the larger cultural milieu of Northanger Abbey. This unique edition holds appeal not just for "Friends of Jane" but for all readers looking for a fuller engagement with Austen's extraordinary first novel. Não foram encontradas descrições de bibliotecas. |
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Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)823.7Literature English & Old English literatures English fiction Early 19th century 1800-37Classificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
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"Mrs. Allen immediately recognized the features of a former schoolfellow and intimate, whom she had seen only once since their respective marriages, and that many years ago. Their joy on this meeting was very great, as well it might, since they had been contented to know nothing of each other for the last fifteen years."
"It would be mortifying to the feelings of many ladies, could they be made to understand how little the heart of man is affected by what is costly or new in their attire; how little it is biased by the texture of their muslin, and how unsusceptible of peculiar tenderness towards the spotted, the sprigged, the mull or the jackonet."
"The expectations of his friend Morland, from the first over-rated, had ever since his introduction to Isabella, been gradually increasing; and by merely adding twice as much for the grandeur of the moment, by doubling what he chose to think the amount of Mr. Morland's preferment, trebling his private fortune, bestowing a rich aunt, and sinking half the children, he was able to represent the whole family to the General in a most respectable light."
The annotations are mostly excellent. Quibble, after a while it felt like they became downright harping on the lack of feminine power in Austen's society, constantly conjecturing whether in this passage or that she was commenting on it, insinuating on it, etc. ( )