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The Girl on the Train por Paula Hawkins
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The Girl on the Train (edição 2015)

por Paula Hawkins (Autor)

MembrosCríticasPopularidadeAvaliação médiaMenções
17,7561112281 (3.62)527
Rachel takes the same commuter train every morning, flashing past a stretch of cozy suburban homes, and stopping at the signal that allows her to daily watch the same couple breakfasting on their deck. Their life, as she sees it, is perfect ... until she sees something shocking. It's only a minute until the train moves on, but now everything is changed. Rachel goes to the police, and becomes inextricably entwined in the lives of everyone involved. Has she done more harm than good?… (mais)
Membro:frtyfour
Título:The Girl on the Train
Autores:Paula Hawkins (Autor)
Informação:Riverhead Books (2015), Edition: First Edition, 336 pages
Coleções:A sua biblioteca
Avaliação:**
Etiquetas:Nenhum(a)

Informação Sobre a Obra

The Girl on the Train por Paula Hawkins

  1. 191
    Before I Go to Sleep por S. J. Watson (fannyprice)
    fannyprice: Similarly unreliable, damaged women trying to reconstruct their lives.
  2. 172
    Gone Girl por Gillian Flynn (Utilizador anónimo)
  3. 40
    The Woman in the Window por Daniel Mallory (TAir)
  4. 30
    Into the Darkest Corner por Elizabeth Haynes (melissarochelle)
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    The Girl with the Dragon Tattoo por Stieg Larsson (James_Mourgos)
    James_Mourgos: Great murder mystery suspense from this famous Swedish author.
  6. 20
    The Widow por Fiona Barton (vancouverdeb)
    vancouverdeb: psychological suspense,various points of view, both feature a woman as the main character.
  7. 10
    No Night is Too Long por Barbara Vine (vwinsloe)
  8. 00
    Losing You por Nicci French (BookshelfMonstrosity)
    BookshelfMonstrosity: A beloved teenage daughter goes missing in Losing You, a stranger (of sorts) in The Girl on the Train. Despite this difference, these compelling psychological suspense novels, each set in England, offer a gripping, twisty story.
  9. 00
    In Fidelity por M. J. Rose (BookshelfMonstrosity)
    BookshelfMonstrosity: In these fast-paced, compelling psychological suspense novels, love, obsession, infidelity, and violence are all closely linked. Both centering around one woman, In Fidelity has a larger cast of characters (a family), while The Girl on the Train suffers alone.… (mais)
  10. 00
    The Missing World por Margot Livesey (vwinsloe)
  11. 00
    The Earthquake Bird por Susanna Jones (SonjaA)
  12. 00
    The Perfect Nanny por Leïla Slimani (MissBrangwen)
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» Ver também 527 menções

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Mostrando 1-5 de 1116 (seguinte | mostrar todos)
I resisted reading this book because of the hype surrounding it. But now I have. Am I glad I did? Hmm. Not sure. I raced through the first 300 pages, narrated by unreliable alcoholic Rachel, beautiful but unreliable Megan, and the nervy successor to Rachel as Tom's wife, Anna. I became interested in the way that their lives became involved with each other, these women who normally would have had no reason to know one other. But after that, my interest steadily waned as the plot became ever more unlikely, ever less credible. By the end, I really didn't believe in them at all, nor care what happened to them. But I suspect that you too will turn the pages if you read it, and will reach the end. A holiday read. ( )
  Margaret09 | Apr 15, 2024 |
This was a real page-turner for me. Everybody in this book is kind of awful, and the way the story spun out, some of it was predictable, but really well told, and I kept on wanting to know what the next twist was going to be. ( )
  ledonnelly | Mar 11, 2024 |
Meh. It was a quick read in a ostepop kind of way. I figured out the killer *waaay* too early into the story which made it a little boring. Very much a beach read. Pity I wasn’t on a beach whilst reading it. ( )
  73pctGeek | Mar 5, 2024 |
Rachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.

I find myself going through books like I go through clean underwear. This book was no exception. It was a fast paced novel that kept me swiping (iPad) through the pages until the very end. However, I found this book to be predictable. although I played the guessing game throughout the novel, somewhere in the middle I figured out the killer. I've only seen the movie adaptation of Gone Girl, so I have nothing to compare The Girl on the Train to in regards of writing style. I didn't like any of the characters, but sympathized with their situations at different times throughout the story. All in all I felt that the women in the story were very weak, always seeking some sort of validation or approval from men. This book definitely isn't the next Gone Girl, but the story is very familiar and fans of Gone Girl will either love this one, or... well you know. ( )
  junjibby | Feb 25, 2024 |
This one makes you anxious and worried and scared all at the same time, until the end when you realize what is going on. Then it becomes a matter of "I should have seen that." What makes you anxious is that the protagonist is not the best of people, yet she wants to be, and that causes more problems than if she just left things alone. Except, it doesn't.

Read it. Do it in one setting. ( )
  BrandyWinn | Feb 2, 2024 |
Mostrando 1-5 de 1116 (seguinte | mostrar todos)
"...a building, inescapable tension that Hawkins handles superbly, nibbling away at Rachel’s memories until we, like our sardonic, bitterly honest narrator, aren’t really sure we want to know what happened at all."
adicionada por fannyprice | editarThe Guardian, Alison Flood (Jan 19, 2015)
 
“The Girl on the Train” has more fun with unreliable narration than any chiller since “Gone Girl,” the book still entrenched on best-seller lists two and a half years after publication because nothing better has come along. “The Girl on the Train” has “Gone Girl”-type fun with unreliable spouses, too. Its author, Paula Hawkins, isn’t as clever or swift as Gillian Flynn, the author of “Gone Girl,” but she’s no slouch when it comes to trickery or malice. So “The Girl on the Train” is liable to draw a large, bedazzled readership too
adicionada por rybie2 | editarNew York Times, Janet Maslin (Jan 4, 2015)
 
Readers sometimes conflate the “likability” of characters with a compulsion to care about their fate, but with a protagonist so determined to behave illogically, self-destructively and frankly narcissistically (someone even refers to her as “Nancy Drew”), it’s tough to root for Rachel. She’s like the clueless heroine of a slasher film who opts to enter the decrepit, boarded-up house where all her friends have been murdered because she hears a mysterious sound through an upstairs window
adicionada por rybie2 | editarNew York Times, Jean Hanff Korelitz (Jan 1, 2015)
 

» Adicionar outros autores (25 possíveis)

Nome do autorPapelTipo de autorObra?Estado
Hawkins, Paulaautor principaltodas as ediçõesconfirmado
Brealey, LouiseNarradorautor secundárioalgumas ediçõesconfirmado
Corbett, ClareNarradorautor secundárioalgumas ediçõesconfirmado
Crescentini, CarolinaLettoreautor secundárioalgumas ediçõesconfirmado
Fisher, IndiaNarradorautor secundárioalgumas ediçõesconfirmado
Göhler, ChristophÜbersetzerautor secundárioalgumas ediçõesconfirmado
Lawrence, Vera Brodskyautor secundárioalgumas ediçõesconfirmado
Manhood, SilasFotógrafoautor secundárioalgumas ediçõesconfirmado
Porteri, BarbaraTradutorautor secundárioalgumas ediçõesconfirmado
Ward, ClaireDesigner da capaautor secundárioalgumas ediçõesconfirmado

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The holes in your life are permanent. You have to grow around them, like tree roots around concrete; you mould yourself through the gaps.
All those plans I had—photography courses and cookery classes—when it comes down to it, they feel a bit pointless, as if I'm playing at real life instead of actually living it. I can't do this, I can't just be a wife. I don't understand how anyone does it—there is literally nothing to do but wait. Wait for a man to come home and love you. Either that or look around for something to distract you.
...let's be honest: women are still only valued for two things—their looks, and their role as mothers.
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Rachel takes the same commuter train every morning, flashing past a stretch of cozy suburban homes, and stopping at the signal that allows her to daily watch the same couple breakfasting on their deck. Their life, as she sees it, is perfect ... until she sees something shocking. It's only a minute until the train moves on, but now everything is changed. Rachel goes to the police, and becomes inextricably entwined in the lives of everyone involved. Has she done more harm than good?

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