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Amnesia: A novel por Peter Carey
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Amnesia: A novel (original 2014; edição 2015)

por Peter Carey

MembrosCríticasPopularidadeAvaliação médiaMenções
3612671,249 (2.88)16
"From the two-time Booker Prize winner: a masterful, exceedingly timely new novel--at once dark, suspenseful, and seriously funny--that takes us on a journey to the place where the cyber underworld of radicals and hackers collides with international power politics. When an internet virus throws open the gates at thousands of American prisons, the hacker turns out to be an unlikely young Australian woman. Has she declared cyber war on the United States or was her "Angel Worm" intended only to free the victims of Australia's immigration policies? Is she innocent? Can she be saved? The answers are up to law-suit-magnet journalist Felix Moore, a.k.a. Felix Moore-or-less-correct. His career is tanking when he gets this chance to write a biography that will vindicate the young woman. Funding is to be provided by an old friend--an outrageous millionaire property developer--and further impetus by an old flame: the young woman's actress mother whom Felix worshiped when they were at university together. And it will be our great good fortune to see the world through Felix's comic, cowardly, angry, yet fundamentally humane eyes as he attempts to save the young woman--and redeem himself in the bargain"--… (mais)
Membro:PaulaCheg
Título:Amnesia: A novel
Autores:Peter Carey
Informação:Knopf (2015), Hardcover, 320 pages
Coleções:ebook
Avaliação:***
Etiquetas:Nenhum(a)

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Amnesia por Peter Carey (2014)

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After losing his umpteenth libel suit at the hands of the people who own Australia's mines, newspapers, politicians, and — it seems at that moment at least — judges, veteran journalist Felix also manages to estrange his wife and daughters and finds himself out on the street. He then gets shanghaied by his old college friend and party comrade Cecile into writing an apologia for her daughter Gaby, an environmentalist who has been arrested for computer hacking and seems to be at risk of extradition to the USA.

This somehow takes Felix back into the history of the "Battle of Brisbane" — rioting caused by the presence of large numbers of US servicemen in Queensland in November 1942 — and the Constitutional Crisis of 1975, which Felix sees as a coup instigated by the CIA and Rupert Murdoch to frustrate Whitlam's policy of closing down US bases in Australia. He contrasts the committed direct action of Gaby and her friends with the ineffectual posturings of the left back then, divided as it was between middle-class hippies (like Felix and Cecile), socially-conservative trade unionists and pragmatic politicians.

There's a lot of good stuff here about the evolution of Melbourne society in the 80s and 90s, and the running joke about the writer's ineffectiveness as an agent of political change is handled cleverly (and with a nice final twist), but Carey gets a bit too fascinated by the story of Gaby and her progress as a hacker, where he lets himself — or Felix on his behalf — be seduced by the jargon without really seeming to know what he's talking about. ( )
1 vote thorold | Jun 6, 2022 |
Enjoyed all the interactions between Felix and Woody, but for everything else, I got lost. For me, a bit too much noise. ( )
  tandah | Jan 8, 2022 |
One of the most spectacularly mis-marketed novels of recent memory. Amnesia is supposedly about "the cyber underworld" and "international power politics." Yes. In much the same way that Pride and Prejudice is about the cyber underworld and international power politics.

Carey actually wrote a book that's metafictional in a tedious way (journalist is ordered to write a portrait of a cyber-terrorist type... said portrait is the second half of the novel... can we trust him oh no author is unreliable who would have thought it). He combines ultra-realistic characters with funny caricatures (always fatal for a certain kind of reader; the kind who once read E. M. Forster's bit about round and flat characters, and just assumes that all characters must be "round"). And then (here tolls the death-knell for my interest in the book), instead of taking those perfectly bearable ingredients and whipping up a good spy thriller, he (or perhaps that ever unreliable author) serves us... a teenage love story. I don't give any shits.

As I say, it's just possible that this is all meant to be metafictional, which makes it artistically and intellectually reputable: the journalist is separated from his wife, so of course he'll focus on the love story instead of the actually interesting parts of the story he's meant to be telling. And since Carey is just telling the story of the journalist, he has to tell that story, rather than the story that his readers want.

None of which makes actually reading the second half of the book anything other than tedious. Quite a shame. On the upside, it's very readable, and at least he's trying to do something interesting.

Oh, one small thing: Carey throws in a lot of Oz slang and geography and so on, and a lot of it felt pretty thin. Particularly thin was his reference to an Italian restaurant thirty kilometres East of Monash University. Carey went to Monash, briefly, but I went there for rather too long, and I assure you, if you are thirty kays east of Monash, you are in Port Phillip Bay, and nowhere near land, let alone any restaurants. ( )
  stillatim | Oct 23, 2020 |
I don't understand why people are down on this, I thought it was a cracker. First Carey I've wholeheartedly enjoyed for many years. I am only uneasy because it reads like a movie. When you can see the movie reeling along as you turn the page - it makes me wonder whenever I read a novel which seems like it's waiting to become a movie. If the author wrote the novel aiming for the screen is this okay? Are we reading a movie pitch or a novel?

If you want a book to read on a plane which is well-written, a nicely evoked picture of Australia starting at WWII and ending when children are computer hackers, stereotypical characters whom we all know - really well done, I thought - this is it. I won't read it again, but I'm glad I've read it once. ( )
  bringbackbooks | Jun 16, 2020 |
I don't understand why people are down on this, I thought it was a cracker. First Carey I've wholeheartedly enjoyed for many years. I am only uneasy because it reads like a movie. When you can see the movie reeling along as you turn the page - it makes me wonder whenever I read a novel which seems like it's waiting to become a movie. If the author wrote the novel aiming for the screen is this okay? Are we reading a movie pitch or a novel?

If you want a book to read on a plane which is well-written, a nicely evoked picture of Australia starting at WWII and ending when children are computer hackers, stereotypical characters whom we all know - really well done, I thought - this is it. I won't read it again, but I'm glad I've read it once. ( )
  bringbackbooks | Jun 16, 2020 |
Mostrando 1-5 de 26 (seguinte | mostrar todos)
The link between past and present is Gabrielle (Gaby) Baillieux, born in Melbourne hospital on 11 November 1975 at the precise moment the governor general is announcing on the radio the overthrow of Australia’s legally elected government.
adicionada por bergs47 | editarThe Guardian, Andrew Motion (Oct 30, 2014)
 

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It was a spring evening in Washington DC; a chilly autumn morning in Melbourne; it was exactly 22.00 Greenwich Mean Time when a worm entered the computerised control systems of countless Australian prisons and released the locks in many other places of incarceration, some of which the hacker would not have known existed.
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"From the two-time Booker Prize winner: a masterful, exceedingly timely new novel--at once dark, suspenseful, and seriously funny--that takes us on a journey to the place where the cyber underworld of radicals and hackers collides with international power politics. When an internet virus throws open the gates at thousands of American prisons, the hacker turns out to be an unlikely young Australian woman. Has she declared cyber war on the United States or was her "Angel Worm" intended only to free the victims of Australia's immigration policies? Is she innocent? Can she be saved? The answers are up to law-suit-magnet journalist Felix Moore, a.k.a. Felix Moore-or-less-correct. His career is tanking when he gets this chance to write a biography that will vindicate the young woman. Funding is to be provided by an old friend--an outrageous millionaire property developer--and further impetus by an old flame: the young woman's actress mother whom Felix worshiped when they were at university together. And it will be our great good fortune to see the world through Felix's comic, cowardly, angry, yet fundamentally humane eyes as he attempts to save the young woman--and redeem himself in the bargain"--

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