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Plays Unpleasant (1898)

por George Bernard Shaw

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587340,324 (3.64)11
With Plays Unpleasant, Shaw issued a radical challenge to his audiences' complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, Widowers' Houses, depicts Harry Trench's dilemma on learning that the inheritance of his fiancée comes from her father's income as a slum landlord. In The Philanderer, charismatic Leonard Charteris proposes marriage to Grace, while he is still involved with the beautiful Julia Craven - who is not inclined to give him up so easily. And in Mrs Warren's Profession, Vivie Warren is forced to reconsider her own future when she discovers that her mother's immoral earnings funded her genteel upbringing.… (mais)
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    Plays Pleasant por George Bernard Shaw (Porua)
    Porua: After reading Plays Unpleasant, reading Plays Pleasant is a must. Although dissimilar in tone and mood from Plays Unpleasant, Plays Pleasant will surely be a pleasant surprise for those who love reading.
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With Plays Unpleasant, Shaw issued a radical challenge to his audiences' complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, Widowers' Houses, depicts Harry Trench's dilemma on learning that the inheritance of his fiancée comes from her father's income as a slum landlord. In The Philanderer, charismatic Leonard Charteris proposes marriage to Grace, while he is still involved with the beautiful Julia Craven--who is not inclined to give him up so easily. And in Mrs. Warren's Profession, Vivie Warren is forced to reconsider her own future when she discovers that her mother's immoral earnings funded her genteel upbringing.
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In the garden restaurant of a hotel at Remagen on the Rhine, on a fine afternoon in august in the eighteen-eighties. (Widowers' Houses)
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COKANE [looking compassionately at him] Ah, my dear fellow, the love of money is the root of all evil.

LICKCHEESE. Yes, sir; and we’d all like to have the tree growing in our garden. (Widowers' Houses)
CHARTERIS [unfolding his arms in terror] No, please. Dont. As a philosopher, it’s my business to tell other people the truth; but it’s not their business to tell it to me. I dont like it: it hurts. (The Philanderer)
MRS WARREN. ...But I cant stand saying one thing when everyone knows I mean another. Whats the use in such hypocrisy? If people arrange the world that way for women, theres no good pretending it’s arranged the other way... (Mrs. Warren's Profession)
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With Plays Unpleasant, Shaw issued a radical challenge to his audiences' complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, Widowers' Houses, depicts Harry Trench's dilemma on learning that the inheritance of his fiancée comes from her father's income as a slum landlord. In The Philanderer, charismatic Leonard Charteris proposes marriage to Grace, while he is still involved with the beautiful Julia Craven - who is not inclined to give him up so easily. And in Mrs Warren's Profession, Vivie Warren is forced to reconsider her own future when she discovers that her mother's immoral earnings funded her genteel upbringing.

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