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"'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Uglydolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--… (mais)
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
Philosophers and philologists should be concerned in the first place with poetic metaphysics; that is, the science that looks for proof not in the external world, but in the very modification of the mind that meditates on it. - Giambattista Vico (1759)
What's the ugliest / Part of your body? / What's the ugliest / Part of your body? / Some say your nose / Some say your toes / But I think it's your mind... - Frank Zappa (1968)
Dedicatória
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
Kai Su ("the same to you") inscription to ward off the evil eye, Antioch, 2nd century AD
Primeiras palavras
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
Uglydolls, Ugly America, Uglies, the Pretty Ugly Club: from contemporary television to toys to literature to music, recent years have witnessed rising interest in ugliness.
Citações
Últimas palavras
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
To this end, which seems more of a beginning, I do not know to what extent ugliness is a cultural quest but believe its questions leave ample room for exploration, as ugliness changes us and we change ugliness.
Autores de citações elogiosas (normalmente na contracapa do livro)
Língua original
DDC/MDS canónico
LCC Canónico
▾Referências
Referências a esta obra em recursos externos.
Wikipédia em inglês
Nenhum(a)
▾Descrições do livro
"'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Uglydolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--