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Tropical Fish: Tales from Entebbe (2005)

por Doreen Baingana

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11010247,155 (3.95)69
Tropical Fish is a collection of linked short stories that explore the coming of age of three African sisters. Introspective and personal, the stories reveal the unexpected ambiguities of the young women's lives. The setting is the lush beauty of Uganda and the background is the aftermath of Idi Amin's dictatorship. But even in such trying circumstances, the stories show that people everywhere face the same basic human struggle to understand themselves, their world, and their place in it. Each story develops the theme of exploration and discovery as the sisters mature and their interior and exterior lives expand. The youngest sister, Christine, becomes aware at an early age of the bittersweet dynamics of family love and later grapples with romantic and erotic, if problematic, love. Her explorations lead her across racial lines, when she has an affair with a British expatriate in the title story. What is initially an act of curiosity brings forth questions of racial and gender identity. Eager to stitch together a new pattern for her life, Christina ventures to another continent, North America, where she attempts to create a new home and a new self. In another story, Christina's sister Patti writes in her diary about the vicissitudes of daily experience at a typical Ugandan girls' boarding school and the impact of class and religion on her relationships with fellow students. Other stories are written in the voice of the oldest sister, Rosa, who as a precocious teenager tries to decipher the mysteries of sex. Unfortunately, her promising future is harshly disrupted. In the final story, Christine returns to Uganda and finds her perspective irrevocably altered. She is more acutely aware of her home's natural beauty, but its physical vibrancy is in stark contrast to the social and political conditions she encounters. Her journey of self-discovery comes full circle, but without any tidy resolutions. Ambiguities and uncertainties remain. What is clear, however, is that this book marks the arrival of a remarkably gifted writer.… (mais)
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21/2021. This is a suite of short stories revolving around a Banyankole family of three young women growing up in Entebbe in Uganda in the 1980s. This book has all the usual middle class Middle Africa stories but better written than average: childhood nostalgia for grand/parents' material possessions, boarding school, university, emigration, and return. It also has the inevitable AIDS story but from a young female and very middle class point of view. All the stories are told from an individualist perspective, with only a limited sense of family or community life. Intelligent, interesting, and very much of its time / place / class. ( )
  spiralsheep | Jan 31, 2021 |
Beautiful, loosely related stories of three sisters coming of age in the violence of post-independence Uganda and making different choices.

Doreen Baingana was herself born and raised in Uganda in the years after independence. The horrors of those years provide the background for the stories she tells. In the introduction to her book, she explains that her stories are “possibilities, instances and imagings.” She does not seek to present representative women of Uganda or Africa or tell her own autobiographical story.

Rather, I used some of my experiences and observations as clay, added all kinds of water and paint, shaped and molded this into various pots: these stories. . . . The stories are linked, like sisters, forming a family that is stronger than its individual parts.

Read more: http://wp.me/p24OK2-1ag
  mdbrady | Jun 20, 2014 |
i enjoyed this collection of linked short stories and for whatever reason i don't feel like i need to hang onto this book.

if you want it, email me & i'll mail it to you. ( )
  anderlawlor | Apr 9, 2013 |
Uganda

This short story collection is comprised of stories about and narrated by three Ugandan sisters. It focuses on the youngest (and presumably most autobiographical), Christine, and various aspects of her coming of age. Themes of family strife, beliefs, and place in the world are set against the lightly sketched but very present backdrop of Idi Amin's regime. Most affecting is "A Thank-You Note," in which the harsh realities of AIDS are juxtaposed with the joy and freedom of sexuality, neither negating the other. "Questions of Home," like many other narratives of travel and culture, nicely illustrates both culture shock and the reverse culture shock of return. ( )
  OshoOsho | Mar 30, 2013 |
This is an interesting collection of connected short stories which manage to convey the lives of three Ugandan sisters from youth to adulthood. The stories are written in a direct style, in the distinctive voices of the three sisters. The plots range widely, from the joy and mystery of being alone in her parent's bedroom playing with her mother's jewelry, to the hunger and hardship at boarding school, to the firestorm spread of HIV/AIDS across the country, to studying in the USA, to coming home to Uganda after eight years in the States. The emotional tenor ranges from childlike wonder to fury to disillusionment to self-discovery. All in all, a series of vignettes which give the reader some glimpses into daily life in post-Amin Uganda, and to the challenges faced by anyone growing up in one culture and trying to blend into a new one. Baingana does a wonderful job of balancing aspects of general humanity with facets of live specific to Uganda. Very nice collection! ( )
  hemlokgang | Jan 31, 2013 |
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Tropical Fish is a collection of linked short stories that explore the coming of age of three African sisters. Introspective and personal, the stories reveal the unexpected ambiguities of the young women's lives. The setting is the lush beauty of Uganda and the background is the aftermath of Idi Amin's dictatorship. But even in such trying circumstances, the stories show that people everywhere face the same basic human struggle to understand themselves, their world, and their place in it. Each story develops the theme of exploration and discovery as the sisters mature and their interior and exterior lives expand. The youngest sister, Christine, becomes aware at an early age of the bittersweet dynamics of family love and later grapples with romantic and erotic, if problematic, love. Her explorations lead her across racial lines, when she has an affair with a British expatriate in the title story. What is initially an act of curiosity brings forth questions of racial and gender identity. Eager to stitch together a new pattern for her life, Christina ventures to another continent, North America, where she attempts to create a new home and a new self. In another story, Christina's sister Patti writes in her diary about the vicissitudes of daily experience at a typical Ugandan girls' boarding school and the impact of class and religion on her relationships with fellow students. Other stories are written in the voice of the oldest sister, Rosa, who as a precocious teenager tries to decipher the mysteries of sex. Unfortunately, her promising future is harshly disrupted. In the final story, Christine returns to Uganda and finds her perspective irrevocably altered. She is more acutely aware of her home's natural beauty, but its physical vibrancy is in stark contrast to the social and political conditions she encounters. Her journey of self-discovery comes full circle, but without any tidy resolutions. Ambiguities and uncertainties remain. What is clear, however, is that this book marks the arrival of a remarkably gifted writer.

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