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Wilderness and Razor Wire

por Ken Lamberton

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341712,155 (2.83)1
From Mark Slouka, San Francisco Chronicle: Ken Lamberton would like you to believe his book, Wilderness and Razor Wire, '' is about the smell of creosote and rain on the wind, about hawkmoths dipping from the wells of cactus. Don't believe him. Don't be misled by the drawings of brittlebush and silverleaf oak (all done by Lamberton himself), or the well-intentioned, avuncular foreword by Richard Shelton, who taught Lamberton writing in prison workshops and at the University of Arizona. Though the nature writing here may be some of the best to come our way in a generation, this is not first and foremost a book about poppies and peppergrass. It is about the soul in pain. Reading it is like chatting with someone on the street and suddenly noticing there is blood running down his side. All of which is to say that Lamberton (for the past 12 years an inmate of Tucson's Santa Rita Prison) has written something entirely original: an edgy, ferocious, subtly complex collection of essays on the nature of freedom and the freedom of nature, whose true subject, and greatest accomplishment, may be its own narrative voice.… (mais)
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Written by a former teacher who received a twelve-year sentence for having an affair with an underage student. During his time in prison, he kept his spirits up by observing what he could of the natural world around him- desert wildlife, birds and plants- and began writing essays on the subject. Ended up publishing numerous articles and essays about wildlife and nature in journals; I'd actually like to read a collection of those. This book is a kind of mesh describing his thoughts and emotional states while imprisoned, some of the details of prison life, how the system worked, the sadism of the guards, his observations of other inmates, etc. Mostly it is about what bits of nature he could connect to: naming birds, watching insects, observing patterns of weather and changing seasons. His grief when trees are cut down and flowerbeds paved over because they pose a "security risk". I found most touching to read about the interactions of others with the wildlife: lots of inmates were curious to watch tarantulas hunt other bugs. Some kept birds or ground squirrels as illicit pets. When the author's family visits he engages his daughters in hunts for flowers, insects and toads.

Most of this was an interesting read. But it was hard to ignore the unpleasant facts. One is the nature of his crime. He never goes into unnecessary details, but describes his guilt and remorse at betraying his family. I would rather have not known what he'd done at all. It was hard sometimes to look past it and enjoy the nature bits.

It's a kind of harshness, a raw edge butted up against sensitive feeling and passion for nature that kept me intent on the pages as an uneasy and enthralled reader.

more at the Dogear Diary ( )
  jeane | Dec 17, 2011 |
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From Mark Slouka, San Francisco Chronicle: Ken Lamberton would like you to believe his book, Wilderness and Razor Wire, '' is about the smell of creosote and rain on the wind, about hawkmoths dipping from the wells of cactus. Don't believe him. Don't be misled by the drawings of brittlebush and silverleaf oak (all done by Lamberton himself), or the well-intentioned, avuncular foreword by Richard Shelton, who taught Lamberton writing in prison workshops and at the University of Arizona. Though the nature writing here may be some of the best to come our way in a generation, this is not first and foremost a book about poppies and peppergrass. It is about the soul in pain. Reading it is like chatting with someone on the street and suddenly noticing there is blood running down his side. All of which is to say that Lamberton (for the past 12 years an inmate of Tucson's Santa Rita Prison) has written something entirely original: an edgy, ferocious, subtly complex collection of essays on the nature of freedom and the freedom of nature, whose true subject, and greatest accomplishment, may be its own narrative voice.

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