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Mapping the Interior: A Tor.com Original por…
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Mapping the Interior: A Tor.com Original (edição 2017)

por Stephen Graham Jones (Autor)

MembrosCríticasPopularidadeAvaliação médiaMenções
2661479,198 (3.86)16
Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella.Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, chasing the ghost of his father and the promise of his Native American heritage, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save his family . . . at terrible cost.… (mais)
Membro:Carbon963
Título:Mapping the Interior: A Tor.com Original
Autores:Stephen Graham Jones (Autor)
Informação:Tordotcom (2017), 112 pages
Colecções:A sua biblioteca
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Etiquetas:Nenhum(a)

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Mapping the Interior por Stephen Graham Jones

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» Ver também 16 menções

Mostrando 1-5 de 14 (seguinte | mostrar todos)
Starts out fairly mundane, but as Junior develops his ideas about what is happening you have a couple of choices. A YA reader will likely go along with the horror track, but someone with exposure to psychology may wonder if this kid is developing schizophrenia or some other pathology. It is only the statement that the deputy sheriff recognized that the damage could not have been done by a 12 year old which defines the author's intent as horror. Not really as horrific as some other reviewers portray it, but maybe that's only due to its short length and the fact that I was tired enough when I read it not to take in the full import. ( )
  juniperSun | Nov 18, 2021 |
Ooh, the creepiness is tangible, but you can never quite put your finger on it. And poor Dino. And that ending...guh. ( )
  LibroLindsay | Jun 18, 2021 |
Objectively, I knew this was an amazing novella. It was super compelling, never felt like it was rushing, and truly shocked me a few times. The language and pacing was perfect. I was completely immersed in the story, and I never felt like it was too short or long.

But.

Horror is really not my thing, and whoa boy did this novella make me realize that. I knew it was brilliant. I just could not really like it. It was horrifying, and horrible. And the ending was so awfully horrific to contemplate that I was left reeling and shocked.

Horror fans would love this one, I think. Unfortunately, it wasn't for me. ( )
  wisemetis | Dec 6, 2020 |
Surprising, unique and intriguing. An enjoyable read from start to finish from a perspective I haven't often read in fiction. ( )
  b_coli | Nov 25, 2020 |
Yikes. This was a really good read, but tough. That shift where Junior felt like his father was a benevolent presence to realizing he was a dangerous one was really interesting. I liked that it was being told from the perspective of grown-up Junior, and hearing about the life he ended up having, and Dino not really getting much better...it felt too real, like this horror/magic story should have had a happier ending. But it didn't. It just ended up like life ends up.
This book is about perpetuating your trauma. Real life isn't a story, happy endings aren't easy or inevitable, usually we all just turn into what we feared and hated and can't break the cycle. ( )
  katebrarian | Jul 28, 2020 |
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I was twelve the first time I saw my dead father cross from the kitchen doorway to the hall that led back to the utility room.
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Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella.Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of a few nights, chasing the ghost of his father and the promise of his Native American heritage, the boy tries to map out his house in an effort that puts his little brother in the worst danger, and puts him in the position to save his family . . . at terrible cost.

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