Página InicialGruposDiscussãoMaisZeitgeist
Pesquisar O Sítio Web
Este sítio web usa «cookies» para fornecer os seus serviços, para melhorar o desempenho, para analítica e (se não estiver autenticado) para publicidade. Ao usar o LibraryThing está a reconhecer que leu e compreende os nossos Termos de Serviço e Política de Privacidade. A sua utilização deste sítio e serviços está sujeita a essas políticas e termos.

Resultados dos Livros Google

Carregue numa fotografia para ir para os Livros Google.

A carregar...

Women in Love (1920)

por D. H. Lawrence

Outros autores: Ver a secção outros autores.

Séries: Brangwen Family (2)

MembrosCríticasPopularidadeAvaliação médiaMenções
7,013541,308 (3.55)287
Classic Literature. Fiction. HTML:

Dive into a provocative coming-of-age story that challenged the vestiges of England's Edwardian-era sexual mores. A continuation of a fictional arc that D.H. Lawrence began in a previous novel, The Rainbow, Women in Love explores the romantic entanglements and love affairs of the sisters Ursula and Gudrun Brangwen.

.… (mais)
A carregar...

Adira ao LibraryThing para descobrir se irá gostar deste livro.

Ainda não há conversas na Discussão sobre este livro.

» Ver também 287 menções

Inglês (49)  Espanhol (1)  Dinamarquês (1)  Piratês (1)  Alemão (1)  Holandês (1)  Todas as línguas (54)
Mostrando 1-5 de 54 (seguinte | mostrar todos)
Phew. Finally finished.
It's a tough one to get through. A lot of profound, accurate theses throughout, but what the book is about and how it is strung together is a bit above my head. ( )
  LDVoorberg | Dec 24, 2023 |
D.H. Lawrence's novel about the hopelessness of attaining ideal love. I imagine him inspired by arguments with Frieda Weekley that match the scene of the twenty-third chapter, 'Excurse' - in which Ursula and Birkin have their petty fight that is brilliant for its verisimilitude - and feeling that love is really only a hopeless joyride of emotional pinnacles alternating with illogical battles, so let's write a novel about that.

Unfortunately that chapter features all the verisimilitude I could find, and the only part I felt he got right. I can't relate to Lawrence's way of thinking, or his characters' way of thinking, whichever it may be. These thoughts and conversations do not seem realistic to me. The characters are oppressed by everything that matters - beauty, love, knowledge, family, society, each other. The only thing they let stand is their questing after an undefined "truth" and wrestling with whatever that means. I'd only read "Sons and Lovers" prior, many years ago, and came here to give Lawrence a second chance. This is supposed to be his best work. Why then, the amateur mistake of diving headfirst into philosophical arguments among characters I haven't yet gotten to know well enough to bother my head about what they're arguing about? Yet it is only through their (tedious) arguing that I was able to compose their respective characters. It took me a hundred pages just to begin understanding the five leads and their differences.

Birkin is unsure what he believes in, he only knows he doesn't like the world as it presents itself. He wants ultimate truth and purity, something that lies beyond everyday emotions, but he can't define it to his or anyone else's satisfaction. His love match Ursula is more traditional, believing in the power of love that conquers all and as an end in itself. Her competitor Hermione is the most self-centered, viewing the world as a structure built around herself to which all must align or be brought into alignment by her will. Ursula's sister Gudrun is sensitive to the drawbacks of being a woman, desirous of freedom, jealous of men's power. Her love interest Gerald views the world as an industrialist might, to be used at his pleasure, but having accomplished that he finds himself at a loss. He also appears to be wrestling with his homosexuality, which he is unable to recognize or assert. None of these characters succeed at finding full satisfaction in love, or are able to fully equate the word 'love' with the concept their hearts yearn for.

All well and good. But then, as they act this out, some absurd emotional twist happens, like Ursula's sudden descent into ruminations on death and inexplicable hatred for Birkin out of nowhere, and I think I just don't understand what Lawrence is doing at all. He wants to splash a dose of realism over the picture of romantic love, fine; but does realism have to mean irrationalism? Or is he saying women are just plain irrational and that's the whole problem? Because only a couple of chapters later, for no reason (again) Ursula has done another flip: "he had lost his significance, he scarcely mattered in her world." No hate, no nothing. Another chapter: now he's off to France without her, so now she's going to die without him. Oh, please. Is this the best and most convincing way to demonstrate the flaws of 'ideal love' through narrative? And it isn't just the women. The men don't exhibit these sudden twists but get caught up in their determined desires for something beyond the immediacy of what love has to offer, and obsess over it. I might buy Lawrence's hypothesis, but these 'proofs' are useless. There's no realism in this realism.

Then there's the irritating language he uses. He's reluctant to portray the act of falling in love, preferring to it the idea of placing others under one's power. I've never known an author to so generously use the word "loins". Everything between your waist and your knees is your loins, according to Lawrence. Perhaps that's as daring as he could manage prior to Lady Chatterley? And the dialogue tags that grate on my nerves, with people crying out, jeering and retorting all over the place. Nope, can't do Lawrence anymore. ( )
  Cecrow | Sep 17, 2023 |
Stupid book. There's a scene near the end where Lawrence essentially circle-jerks his own writing (by proxy of Birkin's letter).

Lawrence tends to express his philosophies and thoughts on obscure topics through the dialog with the characters. I suppose he thought this was going to make the reader ponder on the concept of death and love but personally all I saw was the ramblings of a wannabe philosopher... ( )
  ubgle | Aug 6, 2023 |
This novel explores the lives and loves of the Brangwen sisters as introduced in the previous work The Rainbow. (You don't have to read The Rainbow first.) This is an exquisitely written story that questions and examines the roles men and women play in their lives and with each other. The wider societal expectations are also addressed. Scholars say Lawrence was trying to show the ill effects of industrialization on the psyche, but for my early 20's mind it was simply a drama-filled story about complicated people and relationships. It totally turned me on to Modernist literature. ( )
  Andy5185 | Jul 9, 2023 |
This is the sort of book where nobody talks about the weather, or the headlines, or the latest scandal. Instead, all conversations have deep and portentous Symbolic Intent. This is the sort of book where characters will frequently lapse into silence as they look to the horizon and feel oppressed by the subtle machinations of society.

Judging from this book, Lawrence's three favorite words are "abstract," "voluptuous," and "loins." ( )
  proustbot | Jun 19, 2023 |
Mostrando 1-5 de 54 (seguinte | mostrar todos)
sem críticas | adicionar uma crítica

» Adicionar outros autores (80 possíveis)

Nome do autorPapelTipo de autorObra?Estado
Lawrence, D. H.autor principaltodas as ediçõesconfirmado
Aldington, RichardIntroduçãoautor secundárioalgumas ediçõesconfirmado
Farmer, DavidEditorautor secundárioalgumas ediçõesconfirmado
Kinkead-Weekes, MarkEditorautor secundárioalgumas ediçõesconfirmado
Loftis, NormanIntroduçãoautor secundárioalgumas ediçõesconfirmado
McCaddon, WandaNarradorautor secundárioalgumas ediçõesconfirmado
Peccinotti, HarriCover photographautor secundárioalgumas ediçõesconfirmado
Räbel, Petra-SusanneTradutorautor secundárioalgumas ediçõesconfirmado
Slack, PaulNarradorautor secundárioalgumas ediçõesconfirmado
Storoni Mazzolani, LidiaTradutorautor secundárioalgumas ediçõesconfirmado
Vasey, LindethEditorautor secundárioalgumas ediçõesconfirmado
West, LyndaArtista da capaautor secundárioalgumas ediçõesconfirmado
Worthen, JohnEditorautor secundárioalgumas ediçõesconfirmado
Tem de autenticar-se para poder editar dados do Conhecimento Comum.
Para mais ajuda veja a página de ajuda do Conhecimento Comum.
Título canónico
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
Título original
Títulos alternativos
Data da publicação original
Pessoas/Personagens
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
Locais importantes
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
Acontecimentos importantes
Filmes relacionados
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
Epígrafe
Dedicatória
Primeiras palavras
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
Ursula and Gudrun Brangwen sat one morning in the window-bay of their father’s house in Beldover, working and talking. Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee. They were mostly silent, talking as their thoughts strayed through their minds.
Citações
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
"No man," said Birkin, "cuts another man's throat unless he wants to cut it, and unless the other man wants it cutting. This is a complete truth. It takes two people to make a murder: a murderer and a murderee. And a murderee is a man who is murderable. And a man who is murderable is a man who in a profound in hidden lust desires to be murdered."
Últimas palavras
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
(Carregue para mostrar. Atenção: Pode conter revelações sobre o enredo.)
Nota de desambiguação
Editores da Editora
Autores de citações elogiosas (normalmente na contracapa do livro)
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
Língua original
Informação do Conhecimento Comum em inglês. Edite para a localizar na sua língua.
DDC/MDS canónico
LCC Canónico
Classic Literature. Fiction. HTML:

Dive into a provocative coming-of-age story that challenged the vestiges of England's Edwardian-era sexual mores. A continuation of a fictional arc that D.H. Lawrence began in a previous novel, The Rainbow, Women in Love explores the romantic entanglements and love affairs of the sisters Ursula and Gudrun Brangwen.

.

Não foram encontradas descrições de bibliotecas.

Descrição do livro
Resumo Haiku

Current Discussions

Nenhum(a)

Capas populares

Ligações Rápidas

Avaliação

Média: (3.55)
0.5 1
1 30
1.5 4
2 75
2.5 19
3 211
3.5 38
4 236
4.5 20
5 147

É você?

Torne-se num Autor LibraryThing.

 

Acerca | Contacto | LibraryThing.com | Privacidade/Termos | Ajuda/Perguntas Frequentes | Blogue | Loja | APIs | TinyCat | Bibliotecas Legadas | Primeiros Críticos | Conhecimento Comum | 204,414,674 livros! | Barra de topo: Sempre visível