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A carregar... Emperor of the Dalekspor Paul Cornell, Dan Abnett (Autor), Scott Gray (Autor), John Ridgway (Ilustrador), Lee Sullivan (Ilustrador)
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Pertence a SérieDoctor Who {non-TV} (Comic Strips) DWM Comic Strips - Original Publication Order (issues 193-211)
The Doctor, Ace and Bernice Summerfield continue their adventures in time and space in these collected comics from the pages of Doctor Who Magazine. Featuring eight astonishing tales. The Doctor and Bernice are caught in a power struggle between Davros and the Daleks, and face the crazed killer called Abslom Daak! The war between the Sontarans and the Rutans is finally about to end--unless the Doctor can save one of his deadliest enemies! The Doctor takes Ace and Bernice to a parallel Earth where humans and Silurians live in peace--but death is coming for both species! Also, an illuminating commentary section where the comics creators reveal the secrets behind the stories! Não foram encontradas descrições de bibliotecas. |
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Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)741.5941The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, Comics Collections European British IslesAvaliaçãoMédia:
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Now we're knee-deep in the Virgin New Adventures: this volume weaves in and out of them, with companions coming and going and changing, with little explanation. The strips in Evening's Empire at least had some explanatory footnotes, but if you don't know why Ace is suddenly wearing sunglasses and leather... too bad for you! This volume also embraces the style of the NAs a bit, with lots of seventh Doctor masterplans that the companions moan about. On the other hand, every story here bar one features an old villain from the tv show, which does not feel very NAish to me—nor, actually, very DWMish.
We also see a new regular writing stable emerge: Paul Cornell and Dan Abnett continue on, but Andrew Cartmel is gone, seemingly replaced by Warwick Gray. Lee Sullivan, Colin Andrew, and (thankfully) John Ridgway dominate art.
Pureblood
The Doctor and Benny come up against a Rutan plot to use a group of pre-cloning Sontarans (isolated from the rest of the species) to destroy the Sontaran species. I found it interesting to see Sontarans as a group to be defended, something the tv show rarely does with its alien monsters, but they really are the victims here. It's decent stuff, undermined by a pretty contrived scene where Benny gets the Rutan to spill its entire plan and admit that the "pureblood" Sontarans are going to die as soon as the Rutan have finished using them, which felt a bit kids' tv to me.
This is, of course, the comic strip debut of Professor Bernice Surprise Summerfield, who had recently become the Doctor's companion in Love and War. I was going to comment that the companion appearing out of nowhere is a thing DWM strip readers should be used to... but then I realized that's not actually true. New Doctors might appear without explanation, but in the previous decade of the strip, K9 is the only companion to appear without an introductory story. Obviously strip-original companions Sharon, Frobisher, and Olla all got introductions, but when Peri and Ace made their DWM debuts, in both cases, the strip maintained its own continuity by doing a story that brought them aboard the TARDIS, even if in both cases, it was back aboard. So Pureblood is actually the first time in DWM history a companion appears without explanation... which is a bit odd, as DWM readers were much more likely to have seen Planet of Fire and Dragonfire than read Love and War. I am not sure why this books-centric approach was taken, given the extent to which the strip had previously been determined to carve its own way, sometimes acting as if even the tv programme didn't exist! I don't know if it bothers me per se—I know well who Benny is by this point, so it's not like I was thrown—but it does kind of ruin the conceit of the DWM strip as a standalone narrative. Not even a helpful footnote to explain who she is!
Flashback
Not even John Ridgway can save this rather uninteresting plod into the supposed history of the Doctor and the Master.
Emperor of the Daleks! / ...Up Above the Gods...
Cornell, Freeman, and Sullivan provide a six-part Dalek epic that brings back Abslom Daak and the Star Tigers, and also plugs in between Revelation and Remembrance of the Daleks on screen, establishing how Davros went from prisoner of the Daleks to emperor of his own Dalek faction. It's fun, but it's not really about anything: this doesn't tell us anything about the characters involved, it doesn't really have any interesting themes. Daak's love dies for good finally, but it's not like it's a story about dealing with loss (I think Cornell could write a good one, but he's not trying to); it's more interested in plugging a continuity gap, but one never feels like the Doctor's manipulations might go awry. Still, it has its moments: I liked the sixth Doctor's role in the story, and Daak himself is always fun of course, and Lee Sullivan is the man you want if you want armies of battling Daleks. His reveal of Davros on top of the ice pyramid is excellent stuff.
I violated my usual rules (reading the strips in publication order within each volume) by reading the interquel story written two years later, ...Up Above the Gods..., between parts 2 and 3, where it would fit for the sixth Doctor and Davros. This had the effect of reducing the mystery somewhat, but it was kind of interesting. The story itself is fine; I think it would be fun to listen to Colin Baker and Terry Molloy perform this.
Final Genesis
The Doctor, Benny, and Ace cross over to a parallel universe where ...and the Silurians went much better, and the Doctor forged peaceful coexistence between humans and Silurians. I like that basic idea, but the story doesn't do much with it: swap all the Silurians here for humans, and it would pretty much be the same story; the villain is a very generic mad scientist.
Ace is suddenly back, again without explanation, and she's a bad-ass space solider. I think the awkwardness of this is less forgivable than Benny's non-introduction.
Time & Time Again
DWM's 35th-anniversary story is a fun one, probably my favorite story in this volume. It's pretty simple: the Doctor has to find the Key to Time again, only each segment is hidden in the Doctor's own history. So we get a series of quick one-page encounters: Benny in the Land of Fiction, Ace sword-fighting the third Doctor, the seventh Doctor fishing with the sixth, Ace watching the cricket game from Black Orchid, and so on. It's nostalgic, but also a bit cheeky, which is a good balance to hit. I particularly liked the development of the relationship between the sixth and seventh Doctors from Emperor of the Daleks!; I can't think of another time Doctor Who has done something like this.
I will say that though I do love John Ridgway, he's not great with likenesses, so I don't think this plays to his strengths.
Cuckoo
I think there's a good idea here that doesn't come off. The Doctor takes Benny and Ace to see a famous nineteenth-century woman paleontologist, clearly a fictionalized Mary Anning, only he wants to stop her from discovering something. But she's barely in the story, and her main contribution is to run off crying when a man is mean to her. I like the idea that Ace and Benny are disappointed with the Doctor's treatment of her... but she hasn't even been in the story yet when they get mad. This would work better if we met her and saw her discovery, and then the Doctor revealed his plan to undermine it.
I don't think Ridgway does a very good Benny, and his Ace has been better, too. On the other hand, I feel like this was the first Benny story where I could imagine Lisa Bowerman reading the lines. The scratchy lettering for the alien requires way too much work to read.
Uninvited Guest
I think that after the Sontarans, the Master, the Daleks, the Silurians, and the Black Guardian, we probably didn't also need the Eternals, but this is the best returning-villain story in the book: a neat, creepy tale, which really plays to Ridgway's strengths. The Doctor at his most dangerous and most potent, using time itself as a weapon. I liked it.
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