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House of Rougeaux: A Novel por Jenny Jaeckel
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House of Rougeaux: A Novel (original 2018; edição 2018)

por Jenny Jaeckel (Autor)

Séries: House of Rougeaux (1)

MembrosCríticasPopularidadeAvaliação médiaMenções
14170193,819 (3.49)9
Fiction. African American Fiction. Literature. Historical Fiction. HTML:

Following echoes between generations which defy normal time and space, a multilayered narrative celebrates the Rougeaux family triumphs while exposing the injustices of their trials. It begins with Iya, born in Africa in the 1700s, and brought to the Caribbean island of Martinique as a slave, and her two children, Adunbi and Abeje, who grow up on a sugar estate. The siblings endure because of the kindness of fellow bondsmen and their uncommon abilities. A grandchild becomes emancipated in Quebec City, great-grandchildren find their way in Montreal, a great-great-grandchild runs off to Philadelphia, and another risks everything in New York City. As each new member of the family takes the spotlight, a fresh piece of the puzzle is illuminated until at last, a homecoming uplifts them all. In skillful prose, award-winning author Jenny Jaeckel masterfully blends genres of coming-of-age, folklore, magical realism, and historical fiction with explorations of gender, race, and sexuality, creating a wondrous and harrowing tale of hope and healing.

.… (mais)
Membro:BrittanyLyn
Título:House of Rougeaux: A Novel
Autores:Jenny Jaeckel (Autor)
Informação:Raincloud Press (2018), 308 pages
Coleções:A sua biblioteca
Avaliação:***
Etiquetas:Nenhum(a)

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House of Rougeaux: A Novel por Jenny Jaeckel (2018)

  1. 00
    An American Marriage por Tayari Jones (Utilizador anónimo)
    Utilizador anónimo: Both are stories of family and love involving people of color and their experiences
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Mostrando 1-5 de 73 (seguinte | mostrar todos)
Esta crítica foi escrita no âmbito dos Primeiros Críticos do LibraryThing.
Tale of one family’s Journey from slavery on a sugar plantation in 1785 on the remote French island of Martinique, to freedom in Philadelphia in 1964. Starting with the book of Abeje, a young child of six, who is orphaned, and must take care of her four-year-old brother, Adunbi. Their mother was murdered by an overseer. This story tells how, over the span of two centuries. Abeje soon shows an affinity for becoming a healer. Each chapter of the second book is told from the third person perspective of a different member of the Rougeaux family.

The chapters each take place in a different time period. The writing descriptive, even though some of the old-fashioned words were hard to understand. I just could not connect to this book I found myself plodding through the book to the end. ( )
  Pat_Bunk_Malecki | Mar 20, 2022 |
This was an absolutely brilliant blending of historical and literary fiction. A captivating family saga that spans generations, this story will transport you. I found this was more about feeling than seeing what you were reading, if that makes sense. Instead of watching a movie unfold, I felt the story wrapping around me, tugging and pulling me in. I have to applaud how masterfully this was written. Highly recommend, would rate higher than a five if I could. ( )
1 vote LilyRoseShadowlyn | Jul 21, 2021 |
Esta crítica foi escrita no âmbito dos Primeiros Críticos do LibraryThing.
Disclaimer: An electronic copy of this book was provided in exchange for review by publishers Black Rose Writing, via Library Thing.

~ ~ ~ ~ ~

This beautifully-written family memoir traces portions of the lives of enslaved siblings on a Martinique sugar plantation and their descendants, spanning multiple countries and nearly two centuries.

We meet Adunbi and Abeje when they are little more than babes, losing their mother to an act of violence that throws them together to essentially rear themselves, though the community of slaves sees to it that they have food and shelter. As they grow, Adunbi, the older brother, discovers an affinity for working with animals, while younger sister Abeje discovers a strong mystical connection to the plants of the islands and to the interconnectedness of all things. She develops into a self-taught healer as she matures, eventually becoming renowned within the slave community as a powerful obeah, using both native plants and a spirituality the European community considered “black magic” to physically and spiritually heal her patients.

Through the years, we follow the siblings and Adunbi’s descendants as they emigrate first to Canada and some, eventually, to Philadelphia.

And here’s where the story runs into problems. The writing itself is insightful and beautifully crafted, but Jaeckel for some reason has chosen to ping-pong from Martinique in the 1800s to Philadelphia in 1949, then ahead in Philadelphia to 1964, only to backtrack to Montreal in 1925, leap backward again to Montreal in the mid 1800s, then forward to the late 1800s, winding up in New York, Europe, Martinique, and Montreal once again as the 20th century dawns, along with the first glimmerings of the Harlem Renaissance.

It’s a timeline that is confusing to follow and which will send the reader frequently back to the introductory material to look at the family tree, just to satisfy their own mind as to who is carrying the plot at any given moment. (A side note here that in the e-reader version, the tree is not enlargeable and very difficult to read; one hopes that this will be corrected in future editions.) In addition, most of the contemporary sections do little to expand upon the story being told, which is of an enduring Black family whose strength lies in their unbreakable love for one another.

If one can survive the time jumps and follow the thread, the story that emerges is that of change and adaptation and learning to survive and even thrive in a changing culture. The heritage of Adunbi and Abeje follows all of them, in greater or lesser degree, though many are unaware of where their empathy and flashes of insight have come from. Hetty, Adunbi’s daughter, emigrates to Canada as the slave and personal maid of two of the plantation-owner’s daughters, has her freedom purchased by the man she marries, and ultimately becomes active in abolitionist society, aiding escaped slaves who have fled across the border. Eleanor, Hetty’s granddaughter, goes to New York to study music and ultimately joins an all-Black orchestra touring Europe – an event which eventually brings her back to Martinique and creates a satisfying conclusion to the story’s arc.

This is a rewarding read, and misses a 5-star rating only because of the problematic timeline. ( )
  LyndaInOregon | Jun 22, 2021 |
Esta crítica foi escrita no âmbito dos Primeiros Críticos do LibraryThing.
A great historical fiction that immerses the reader in a multi-generational saga. Great, well-developed characters. The author does an excellent job of bringing all the story lines together for a satisfying ending. ( )
  Bookwormshawn | Jun 28, 2020 |
Esta crítica foi escrita no âmbito dos Primeiros Críticos do LibraryThing.
I read this book, enjoyed the characters, and felt immersed in the situations. Unfortunately I failed to write a review when the book was fresh in my mind, so I can't elaborate a lot. ( )
  Suusan | Feb 20, 2020 |
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Fiction. African American Fiction. Literature. Historical Fiction. HTML:

Following echoes between generations which defy normal time and space, a multilayered narrative celebrates the Rougeaux family triumphs while exposing the injustices of their trials. It begins with Iya, born in Africa in the 1700s, and brought to the Caribbean island of Martinique as a slave, and her two children, Adunbi and Abeje, who grow up on a sugar estate. The siblings endure because of the kindness of fellow bondsmen and their uncommon abilities. A grandchild becomes emancipated in Quebec City, great-grandchildren find their way in Montreal, a great-great-grandchild runs off to Philadelphia, and another risks everything in New York City. As each new member of the family takes the spotlight, a fresh piece of the puzzle is illuminated until at last, a homecoming uplifts them all. In skillful prose, award-winning author Jenny Jaeckel masterfully blends genres of coming-of-age, folklore, magical realism, and historical fiction with explorations of gender, race, and sexuality, creating a wondrous and harrowing tale of hope and healing.

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