Amazon: Clurman's writing is supremely informative and rarely didactic. He is refreshingly honest about his own stylistic shortcomings, questioning, for example, whether his analytic methods are of any use whatsoever directing the plays of Shakespeare or other non-naturalistic playwrights. His most useful contribution to a director's toolbox is his designation of a "spine" to a play and all its characters, a short phrase always stated as an action. The third part of the book is devoted to Clurman's own notes, from first impression to detailed character analysis, of 10 scripts that he brought to the stage, including plays by Clifford Odets, Lillian Hellman, Arthur Miller, Eugene O'Neill, and Carson McCullers's own adaptation of The Member of the Wedding. On Directing reveals not only the author's breadth of knowledge and literary intelligence but also his common sense and warm sense of humor. --John Longenbaugh
Clurman's On Directing has the simplicity of an introductory text, and the virtue of a career's worth of wisdom. Highly readable, conversational, and amiable, the handbook explores the issues faced daily by a theatre director. What is the spine, or main through-line, or the play? How do the characters' objectives relate? How does one deal with a truculent actor? What is the role of the audience, and how much should the director consider them anyway? Should one direct with the eye or the ear? And what exactly is Method?