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A carregar... Normal People: A Novel (edição 2019)por Sally Rooney (Autor)
Informação Sobre a ObraNormal People por Sally Rooney
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Adira ao LibraryThing para descobrir se irá gostar deste livro. Ainda não há conversas na Discussão sobre este livro. As a smart anxious depressive social oddball in high school/college myself this book was sorta right up my alley, though I read Zola alone at my locker instead of Proust, and approved of Marx rather than actually read him. The stuttering on-again-off-again fumbling relationship between Connell and Marianne also rang a few bells. So it worked for me and was a great book to read after Nabokov's Ada, which also features two intelligent young people and their kinky messy relationship, but where Nabokov was soulless and generally style over substance, Rooney is substance and genuine humanity over style, which edges close to YA territory but doesn't quite seem to fit there. 3.5/5- author thoughtfully conveys emotional nuances of love and relationships between young people in an eileen chang kind of way. she captures the emotional realities of the 2 characters in these little vignettes that are quite lovely and i suspect they will resonate with me for some time. that said, these same ideas are revisited over and over again. so by the end of the book, these characters largely remain unchanged. they exhibit very little emotional growth (marianne especially) and there are no repercussions to their lack of change. there are moments of profound emotional depth scattered throughout but the characters remain undercooked and the story suffers because of it.
[T]he idealized reading experience Rooney casts for her young writer is a magnetic mingling of literary minds that sharpens an intelligence capable not merely of imagining others but of imagining how to be close to them, even how to live with the responsibility of their happiness and dreams. [U]pon critical reflection, the novel’s territory comes to seem like more fog than not. Which is to say: it’s a novel about university life, but without collegiate descriptions or interactions with professors or references to intellectual histories or texts; about growing up, but without any adults [. . .]; about Ireland, but without any sense of place, national history, or even physical description (if Joyce wrote Ulysses in order that Dublin might be reconstructed brick by brick, you’d be hard pressed to even break ground using Normal People); about Connell becoming a writer, but without any meaningful access to his interior development, or any sense conveyed of how his creative “passion” inflects his life; and, finally, about Marianne and Connell’s intertwined fate where we are only intermittently given access to sustained moments of intimacy. Rooney's slivers of insight into how Marianne and Connell wrestle with their emotions and question their identity in the process made it one of the most realistic portrayals of young love I've read. Their relationship is rife with mistakes, misunderstandings, and missed chances that could be simplified if only they communicated and didn't subconsciously suppress their feelings, as millennials are wont to do. Here, youth, love and cowardice are unavoidably intertwined, distilled into a novel that demands to be read compulsively, in one sitting. [W]hile Rooney may write about apparent aimlessness and all the distractions of our age, her novels are laser-focused and word-perfect. They build power by a steady accretion of often simple declarative sentences that track minuscule shifts in feelings. Pertence à Série da EditoraAntípoda (40) Está contido emTem a prequela (não de série)Tem a adaptaçãoPrémiosDistinctionsNotable Lists
"At school Connell and Marianne pretend not to know each other. He's popular and well-adjusted, star of the school football team, while she is lonely, proud, and intensely private. But when Connell comes to pick his mother up from her job at Marianne's house, a strange and indelible connection grows between the two teenagers--one they are determined to conceal. A year later, they're both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another, straying toward other people and possibilities but always magnetically, irresistibly drawn back together. And as she veers into self-destruction and he begins to search for meaning elsewhere, each must confront how far they are willing to go to save the other" -- Não foram encontradas descrições de bibliotecas. |
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Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-Classificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
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This was a well-written book. The audio-narration by Aoife McMahon was excellent with a beautiful soothing Irish voice. I confess I lost some engagement about the ⅔ mark and felt somewhat ripped off by the ambivalent ending. ( )