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A carregar... Nightwing: Year Onepor Chuck Dixon, Scott Beatty (Autor), Scott McDaniel (Ilustrador), Andy Owens (Ilustrador)
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Adira ao LibraryThing para descobrir se irá gostar deste livro. Ainda não há conversas na Discussão sobre este livro. Dick Grayson, torn by conflicting duties with the Teen Titans, is fired by Batman. Cast adrift, he calls upon Clark Kent for career advice, returns for a while to his roots at the circus, and eventually adopts a new guise, Nightwing. In the meantime, a new Robin, Jason Todd, is in training. I especially like the interplay between Nightwing and the new Robin, and it's a nostalgic pleasure to see Barbara Gordon in action as Batgirl. Nice artwork, too. My only quibble is that here Batman is in his intolerant "toughest son-of-a-bitch-in-the-valley" mode, and I don't especially care for it when it's directed at a loyal ally like Robin. sem críticas | adicionar uma crítica
Since being cut loose by Batman, Dick Grayson is Robin no more. Unsure of what to do and where to turn, he seeks solace from familiar sources-including Superman, Batgirl, and Deadman. Unable to avoid fighting crime, Grayson begins a new odyssey, donning a new uniform and gaining a new heroic identity. Não foram encontradas descrições de bibliotecas. |
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Nightwing: Year One is the last of the Beatty/Dixon-written "Year One" collaborations, both in my reading order and in terms of publication. This one expands on events only briefly chronicled in Batman: Second Chances to show how Dick Grayson decided to become Nightwing. It opens with Dick coming to Batman's aid in a battle with Clayface, but later than Batman would like, owing to Dick's duties with the Teen Titans.
They argue, and Batman ends up firing Dick-- this doesn't replace the firing depicted in Second Chances, though, as Dick declares he's been fired before, and the timeline of Dick's life in the front of the book includes the Second Chances firing in its events. So apparently much of Nightwing: Year One takes place during the single issue in Second Chances where Dick is fired and Batman first meets Jason Todd; the book as a whole overlaps with Second Chances a lot, as we don't see how Batman meets Jason or selects him as the new Robin, but we do see some of his training. In the meantime, Dick goes back to his old circus and gets a job there and meets Deadman, but the call of crimefighting pulls him, and building on a conversation he had with Superman, he decides to go into action again as his own man: Nightwing.
This book isn't terrible by any means, but it didn't really work for me. There are three main reasons, I think. The first is that Bruce Wayne is just an absolute asshole here. In Second Chances, he "fired" Dick because he was worried for Dick's safety. Here, he does it because Dick can't live up to the impossible standards he imposes on him, refusing to allow Dick defeating criminals with the Teen Titans to excuse him from working with Batman. I feel like you could write these two men drifting apart as they both grow older without making one of them as an arbitrary jerk, but I suppose no one ever hired Chuck Dixon to write a comic book with subtlety in its characterization.
The second issue I have is the book's last few chapters, which do retcon some of Second Chances out of existence specifically, the "ONE YEAR AGO" issue where Dick first meets Jason. Here, Bruce manipulates Dick into participating in Jason's "Gauntlet," his final test to be a full-time Robin, where the two of them are meant to team up to save Alfred from Two-Face (although Two-Face is actually Alfred in disguise). Things go awry, but the two succeed in saving the day without the help of a sedated Batman. It's a fun adventure on its own merits, but it's a weirdly Batman-centric choice for the climax of a volume about Dick Grayson becoming his own man. I'd rather have seen him fighting his own villain(s), far away from the whole Batman clan.
Lastly, there's the art. I've never liked the team of Scott McDaniel and Andy Owens, not since they were Judd Winick's artists on Green Arrow, and I don't like them here. I think it's their way with faces, which just look weird and indistinct to me.
This is a likable book. Dixon is always good at writing action. The appearance of Deadman is fun (if a little pointless), and I liked Dick's talk with Superman. Alfred's final gift to Dick is pretty nice, and makes perfect sense. I wanted to like the flirting between Dick and Barbara more, but I don't think McDaniel and Owens made their body language work, and Barbara felt weirdly subordinate to Batman in his secret plans-- she's usually much more off on her own in my experience. Overall, Nightwing: Year One is fun, but kind of misjudged.
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