Página InicialGruposDiscussãoMaisZeitgeist
Pesquisar O Sítio Web
Este sítio web usa «cookies» para fornecer os seus serviços, para melhorar o desempenho, para analítica e (se não estiver autenticado) para publicidade. Ao usar o LibraryThing está a reconhecer que leu e compreende os nossos Termos de Serviço e Política de Privacidade. A sua utilização deste sítio e serviços está sujeita a essas políticas e termos.

Resultados dos Livros Google

Carregue numa fotografia para ir para os Livros Google.

A carregar...

With heart & hand : art pottery in Queensland 1900-1950

por Dianne Byrne

MembrosCríticasPopularidadeAvaliação médiaDiscussões
1Nenhum(a)7,738,644Nenhum(a)Nenhum(a)
"'With heart & hand : art pottery in Queensland 1900–1950' is the most comprehensive survey of the art pottery produced in an Australian state. It includes over one hundred potters from Brisbane and regional areas, whose practices during the early twentieth century significantly influenced art and craft movements throughout Australia.The exhibition takes as its nucleus the work of pioneering artist Lewis Jarvis (L.J.) Harvey, his students, and the distinctive style that became a hallmark of what is now known as the Harvey School. Harvey’s teaching method was firmly grounded in the British Arts and Crafts Movement, which advocated the revival of hand-production methods. His pottery classes, initiated in 1916 at the Central Technical College in Brisbane, operated for over thirty years and encouraged students to work local clays by hand, a distinct and purposeful alternative to factory-made household items during a period of burgeoning mass manufacture. Harvey’s method was unique globally, and attracted the attention of Vi Eyre, Nell McCredie, and Annie Mitchell, who became prominent practitioners and who transferred his influence interstate.This project has uncovered the significant number of women who were practising during the period, many of whom were overlooked by past research or credited as hobbyists or “unknown” creators. Though at the time they were rarely regarded as professional artists, these women were vitally important to the development and appreciation of the pottery medium in the early twentieth century. Harvey encouraged the women in his school beyond amateur status: he collected pieces by his leading students, found opportunities for them to exhibit and sell their works professionally, and encouraged them to exhibit nationally." -- Griffith Art Museum website, viewed 31 October 2018.… (mais)
Adicionado recentemente porAnneLeapidge
Nenhum(a)
A carregar...

Adira ao LibraryThing para descobrir se irá gostar deste livro.

Ainda não há conversas na Discussão sobre este livro.

Sem comentários
sem críticas | adicionar uma crítica
Tem de autenticar-se para poder editar dados do Conhecimento Comum.
Para mais ajuda veja a página de ajuda do Conhecimento Comum.
Título canónico
Título original
Títulos alternativos
Data da publicação original
Pessoas/Personagens
Locais importantes
Acontecimentos importantes
Filmes relacionados
Epígrafe
Dedicatória
Primeiras palavras
Citações
Últimas palavras
Nota de desambiguação
Editores da Editora
Autores de citações elogiosas (normalmente na contracapa do livro)
Língua original
DDC/MDS canónico
LCC Canónico

Referências a esta obra em recursos externos.

Wikipédia em inglês

Nenhum(a)

"'With heart & hand : art pottery in Queensland 1900–1950' is the most comprehensive survey of the art pottery produced in an Australian state. It includes over one hundred potters from Brisbane and regional areas, whose practices during the early twentieth century significantly influenced art and craft movements throughout Australia.The exhibition takes as its nucleus the work of pioneering artist Lewis Jarvis (L.J.) Harvey, his students, and the distinctive style that became a hallmark of what is now known as the Harvey School. Harvey’s teaching method was firmly grounded in the British Arts and Crafts Movement, which advocated the revival of hand-production methods. His pottery classes, initiated in 1916 at the Central Technical College in Brisbane, operated for over thirty years and encouraged students to work local clays by hand, a distinct and purposeful alternative to factory-made household items during a period of burgeoning mass manufacture. Harvey’s method was unique globally, and attracted the attention of Vi Eyre, Nell McCredie, and Annie Mitchell, who became prominent practitioners and who transferred his influence interstate.This project has uncovered the significant number of women who were practising during the period, many of whom were overlooked by past research or credited as hobbyists or “unknown” creators. Though at the time they were rarely regarded as professional artists, these women were vitally important to the development and appreciation of the pottery medium in the early twentieth century. Harvey encouraged the women in his school beyond amateur status: he collected pieces by his leading students, found opportunities for them to exhibit and sell their works professionally, and encouraged them to exhibit nationally." -- Griffith Art Museum website, viewed 31 October 2018.

Não foram encontradas descrições de bibliotecas.

Descrição do livro
Resumo Haiku

Current Discussions

Nenhum(a)

Capas populares

Ligações Rápidas

Avaliação

Média: Sem avaliações.

É você?

Torne-se num Autor LibraryThing.

 

Acerca | Contacto | LibraryThing.com | Privacidade/Termos | Ajuda/Perguntas Frequentes | Blogue | Loja | APIs | TinyCat | Bibliotecas Legadas | Primeiros Críticos | Conhecimento Comum | 204,909,352 livros! | Barra de topo: Sempre visível