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Le Corbusier: Ideas and Forms

por William J. R. Curtis

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Le Corbusier (1887-1965) has been one of the dominant forces in twentieth-century architecture and a legendary pioneering figure. Many of the forms he created have become archetypes of modernism. Yet he was also a social visionary and a writer of powerful polemics whose ideas have generated intense and partisan controversy. Now available for the first time in paperback, Le Corbusier: Ideas and Formsprovides a comprehensive and objective survey that exposes Le Corbusier through a more balanced perspective than ever before. Making full use of the 'Le Corbusier Archive', the author documents individual projects in detail, while linking the imaginative activities of the artist to his philosophy of life, his urban visions, his art and the cultural predicaments of his times. He analyses Le Corbusier's phenomenal powers of abstraction and synthesis, to illustrate how he created a potent architectural vocabulary based on a limited range of types and elements, and how he used it to generate architectural forms of compelling force. This intimate and meticulous study of all Le Corbusier's major buildings - from first sketches to final achievement - reveals the artist's struggle to reconcile the ideal and the practical and to give institutions and ideologies a suitable symbolic form. It shows, in turn, how this most 'modern' of architects constantly found profound inspiration in both nature and architectural tradition.… (mais)
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shelved at: 93 LEC : Architects - Le Corbusier / price : £19.95
  PeterKent2015 | Feb 14, 2016 |
shelved at: 93 LEC : Architects - Le Corbusier
  mwbooks | Jan 22, 2016 |
An expanded edition on the master of Modernism, Le Corbusier, by award‐winning architectural historian William J. R. Curtis.

Originally published in 1996 to critical fanfair, scholar William J.R. Curtis has re‐issued his classic text with extensive new scholarship and contemporary research that continues the high standard of the original. Presented chronologically with a clear narrative, Curtis has worked tirelessly not only to document Le Corbusier’s key projects in detail but to contextualize them within the architect’s overarching philosophy of urbanism and art and the pervading culture of Le Corbusier’s time. With full access to the renowned Le Corbusier archive, Curtis’ text is lavishly illustrated with new photographs, plans and original sketches and a fresh new design.

Praise for the first edition:

"This is not only the best single work on Le Corbusier – a model of scholarship, erudite yet eminently readable – it is also an invaluable analysis of the creative architectural process. It should be read and re‐read by every student of architecture." – Building Design

"William J. R. Curtis is the best architectural historian writing in the English language." – Chicago Tribune
  LeCorbusier | Jun 28, 2015 |
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Le Corbusier (1887-1965) has been one of the dominant forces in twentieth-century architecture and a legendary pioneering figure. Many of the forms he created have become archetypes of modernism. Yet he was also a social visionary and a writer of powerful polemics whose ideas have generated intense and partisan controversy. Now available for the first time in paperback, Le Corbusier: Ideas and Formsprovides a comprehensive and objective survey that exposes Le Corbusier through a more balanced perspective than ever before. Making full use of the 'Le Corbusier Archive', the author documents individual projects in detail, while linking the imaginative activities of the artist to his philosophy of life, his urban visions, his art and the cultural predicaments of his times. He analyses Le Corbusier's phenomenal powers of abstraction and synthesis, to illustrate how he created a potent architectural vocabulary based on a limited range of types and elements, and how he used it to generate architectural forms of compelling force. This intimate and meticulous study of all Le Corbusier's major buildings - from first sketches to final achievement - reveals the artist's struggle to reconcile the ideal and the practical and to give institutions and ideologies a suitable symbolic form. It shows, in turn, how this most 'modern' of architects constantly found profound inspiration in both nature and architectural tradition.

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