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Sontag: Her Life and Work
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Sontag: Her Life and Work (2019)

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247585,884 (4.16)15
"Benjamin Moser's Sontag, a biography of Susan Sontag, is a portrait of the iconoclastic and prolific essayist, novelist, and critic and her role in the history of American intellectualism" --
Título:Sontag: Her Life and Work
Informação:Publisher Unknown
Colecções:A sua biblioteca

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Sontag: Her Life and Work por Benjamin Moser (2019)

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Mostrando 5 de 5
An exhaustive award winning study of one of the most complex women who ever lived. A darling of the New York literary society who for decades was a Jekyll and Hyde with the people who knew and loved her. She was driven in life by feelings of abandonment by her beautiful mother who was often absent. Sontag treated her son in the same way. She was a lovely woman who was never alone but felt lonely. After a short marriage producing her son all of her other meaningful personal relationships were with women. She would never admit to being bisexual. A really interesting read. ( )
  muddyboy | Aug 14, 2021 |
Darren Mathews is a black Texas Ranger, on desk duty from the events in the first book (Bluebird, Bluebird), when he is sent to east Texas. A nine-year-old boy (Levi King), son of a white supremacist, Bill “Big Kill” King, an imprisoned leader of the Aryan Brotherhood of Texas, has disappeared. The last person to see him and main suspect is Leroy Page, an elderly black resident, with ties to the local native American community. Mathews is there to gather intelligence on the ABT, with the pretense of finding Levi. There is a lot of politics in this book: pressure to indict the black man for kidnapping or harming an "innocent" child. Mathews' character is very complicated, especially with his father and existing beliefs about the human decency of blacks as he is sure that Page is innocent. Not as good as the first book. ( )
  skipstern | Jul 11, 2021 |
Intelectual pública, renovadora de la crítica, figura totémica: Susan Sontag retratada como nunca, en una biografía merecedora del Premio Pulitzer 2020. Esta es, sí, una biografía de Sontag: el paradigma de la intelectual pública en la segunda mitad del siglo veinte americano; la renovadora de la crítica, que abarcó y valoró (sin necesariamente nivelarlos) lo supuestamente «alto» y «bajo»; la figura totémica, tan intimidante como magnética, presente en todas las conferencias, y también en todas las portadas de las revistas: casi una marca registrada.Pero esta biografía empieza siendo la de Sue Rosenblatt, que comenzó a transformarse cuando a los once años, y tras adoptar el apellido de su padrastro, decidió dejar de ser una outsider. «Solo me interesa la gente que se ha embarcado en un proyecto de transformación personal», escribió Susan Sontag en sus diarios, y en Sontag Benjamin Moser resigue su metamorfosis sin dejar de atender a las grietas por las que aún puede entreverse a Sue: «mi “verdadero yo”, ese ser inerte. Ese yo del que huyo, en parte, cuando estoy con otras personas». Sus primeros textos en Chicago Review; su matrimonio con el profesor y ensayista Philip Rieff, y la verdadera autoría del primer libro de este; el nacimiento de su hijo David, al que lo unió una problemática dependencia; sus temporadas en Inglaterra y París; el redescubrimiento de su sexualidad y sus relaciones más duraderas, con la dramaturga María Irene Fornés y la fotógrafa Annie Leibovitz; y, por encima de todo, la construcción de una carrera cultivada en The New York Review of Books y en la editorial Farrar, Straus and Giroux, en la que sus ensayos señalaron a generaciones enteras qué valía la pena mirar, dónde había que mirarlo y qué implicaba hacerlo en realidad.Y, recorriendo todos los sitios donde Sontag puso la mirada, Moser dibuja también un mapa de los principales debates intelectuales de su época: la oposición a la Guerra del Vietnam, Cuba como promesa, el comunismo, el compromiso feminista o la crisis del sida, pero también el sitio de Sarajevo o la fetua decretada contra Salman Rushdie.Personal, penetrante, abarcadora y guiada por un respeto que no cae nunca en lo hagiográfico, Sontag, que ha sido merecedora del Premio Pulitzer 2020 a la Mejor Biografía, recurre a un despliegue de voces y documentos inéditos hasta ahora para constituir el retrato definitivo de Sue Rosenblatt, Susan Sontag y todas las transformaciones que mediaron entre ellas.
  biblilumberri | Dec 30, 2020 |
Sontag: Her Life and Work
by Benjamin Moser

I received an ARC of this book through the Goodreads giveaway program.

I am not impressed with the level of detail in this book. Moser extends great effort to supply details that are irrelevant to Sontag's life and work. Moser does not make the case that they are relevant in any way. While it's important for a researcher to be meticulous and thorough, including all this detail bogs down the narrative and makes the material impenetrable. It's taken me ages to get through the first half of the book, and I am not a slow reader!

Here are examples of Moser's indulgence: he carries on for two pages about Robert Maynard Hutchins and his vision for a rigorous, merit-based liberal arts education at the University of Chicago (where Sontag studied as an undergrad), when a succinct paragraph would have sufficed. He contrasts this with more pages detailing the cutthroat, competitive atmosphere at Harvard (where Sontag pursued her graduate degree), and relates an example of how some Harvard scholars conspired to make a fool out of Jacob Taubes, a visiting professor. Why is this relevant? There's no indication that Sontag was involved in the practical joke, that she was even present when it happened, that Taubes ever discussed the incident with her, or that she even knew about it. Moser goes on for pages about Taubes' wife, Susan Taubes: her background, and the nature of her marriage to Taubes (characterized by disastrous "unorthodox sexual arrangements").

The mark of a good biographer is to do extensive research and then sift through these details to convey the relevant points to the reader. Moser fails miserably in this injunction to self-edit. It is as if Moser just wants to prove to the reader that he did extensive research. He tries to analyze Sontag's character / her motivations / her psyche, but his conclusions are strained. The entire first chapter is a headache to muddle through because it is such a hot mess of gumball machine psychoanalysis. His strong disdain for his subject underlines ever sentence; I am sure many readers interested in this biography are people who revere Sontag , so it's possible Moser is showing disdain to combat that reverence. He also is extremely prudish about anything touching on the subject of sex or sexuality, whether Sontag's or someone else's.

I have no doubt that I will finish this book someday, but for now I've lost interest so I'll put it aside for a while.

~bint ( )
  bintarab | Oct 23, 2019 |
Sontag: Her Life and Work from Benjamin Moser is both a disappointment and a book I would still recommend. Such is the nature of an authorized biography by a mediocre writer whose reputation was built off of a biography that was largely borrowed, all the way down to chapter titles and narrative structure.

As he did with Lispector, Moser tries to inject himself into the biography through questionable interpretations (of both the psychological nature toward Sontag and the literary nature toward her work). Moser prefers hyperbole and less than verifiable conjecture to writing facts, but at least he didn't claim a rape as fact with no definitive proof as he did in his biography of Lispector. If you read this for the wealth of facts and ideas (from others) he presents, which is quite a lot, and just discount his poor attempts at interpreting and trying to create a frame when one is not necessary, this book offers a lot for any fan of Sontag. I do look forward to a biography by a trustworthy biographer at some point, though since this was essentially commissioned by the family there won't be as much new information but perhaps some genuine insight from the writer, which is why we like good biographers.

Because Moser had to do the research here rather than crib a previous biography, he presents a lot of new information. I think the best parts are when we get a perspective from someone about a work or period in Sontag's life that had not been public knowledge previously. The sections based on what people willing (encouraged by the family?) to speak with Moser had to say are by far the most interesting ones.

Sontag was a notoriously difficult person, probably more so than most, but she also offered and gave of herself as well. To those closest to her? Not always. But to those of us who read her and had our own little ongoing debates with her published persona she gave quite a bit. She is one of those writers who you don't have to agree with entirely in order to get something from her work. She insists that you actively engage with her thoughts, that you defend your own if you're going to disagree with hers. That was not common then and is downright rare now. She likely influenced as many people who disagreed with her as those who agreed with her.

I recommend this book to anyone who wants to start filling in gaps in what you know about Sontag. If you aren't very familiar with her work or her life, I still recommend it but not as strongly because of the way Moser wrote it. Susan Sontag deserved much better than him, and I'm sure at some point she will get it. Until then, this is the most comprehensive we have.

Reviewed from a copy made available by the publisher via NetGalley. ( )
  pomo58 | Sep 15, 2019 |
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"Benjamin Moser's Sontag, a biography of Susan Sontag, is a portrait of the iconoclastic and prolific essayist, novelist, and critic and her role in the history of American intellectualism" --

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