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Atonement (2001)

por Ian McEwan

Outros autores: Ver a secção outros autores.

MembrosCríticasPopularidadeAvaliação médiaDiscussões / Menções
25,503610115 (3.93)1 / 1178
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.… (mais)
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    browner56: Two superbly crafted explorations of the cathartic power that comes from the act of writing.
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    The Secret Keeper por Kate Morton (jordantaylor)
    jordantaylor: Both books begin with a young girl witnessing a crime of sorts that will powerfully affect her own life and the lives of her family members. Both books also are set in England during World War II.
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    Fifth Business por Robertson Davies (librorumamans)
    librorumamans: Also a look at the consequences of a childhood crime. For me, though, Fifth Business is better crafted and a more complex examination.
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    BookshelfMonstrosity: Atonement, like Rules of Civility, paints a picture of events that instantly turn characters' worlds upside down. Also set in the 1930s, it highlights the lingering opulence of the age and how that can disappear amid tragedy.
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Grupo TópicoMessagensÚltima Mensagem 
 Someone explain it to me...: Ian McEwan11 não lido / 11PossMan, Julho 2014

» Ver também 1178 menções

Inglês (572)  Holandês (9)  Espanhol (8)  Alemão (5)  Italiano (4)  Francês (4)  Catalão (2)  Finlandês (1)  Polaco (1)  Português (1)  Dinamarquês (1)  Sueco (1)  Todas as línguas (609)
Mostrando 1-5 de 609 (seguinte | mostrar todos)
Here's what I wrote in 2008 about this read: "Good story of love, amid a child's misunderstanding of truth with far-reaching and long-lasting consequences, including eventually amid war-torn Europe. Glad to have read the book vs. seen the movie (descriptions of movie suggest plot line changed in some significant ways). Recall the vivid description of those hot summer days in the Tallis' home in the English countryside." ( )
  MGADMJK | Jul 28, 2023 |
I can't stop crying.It's just so sad!


Well,Ian McEwan..you just made me sad..why did you do that.Well,I guess life happens.The books is just beautiful.It touched my heart with all its sadness and beauty and was just wonderful.Cecilia and Robbie's love is just exemplary,a stuff of the myths.I don't know how to explain my feelings towards Briony.I hated for doing what she did but later I didn't know how I feel about her.But I have to say,she is a spineless creature and she admitted that too.

She tried repenting but that was not enough.Overall the book was great but there were some parts that I hated.I didn't even read the second part.It was about war and to me,it was pretty boring.I skipped most of those parts but I had to say I loved the third part and read it with all my concentration.Characters like Luc Cornet,even though small,leaves a mark.I loved all the characters but I hated one,Paul Marshall,that man! and Briony should've opposed the wedding.But,I'm not Briony and I can't control what happens in the story.I just went with it.I was happy with the ending of the third part but then I realized it was a lie!
A LIE!

But Briony gave them their happiness or that is what she said.



Overall,the book was awesome and this review is inadequate and filled with adjectives that mean the same thing!I would recommend this to all the crazy romantics out there and anybody who has the book with them,it is a must read.I don't think I'm going to rad it again but I will cherish it forever.

( )
  GouriReads | Mar 21, 2023 |
En la gran casa de campo de la familia Tallis todo parece fluir con apacible elegancia en el dia más caluroso del verano de 1935. Pero si el lector ha agudizado el oído, ya habrá percibido unas sutiles notas disonantes, y comienza a esperar el instante en que el gusano que habita en la deliciosa manzana asome la cabeza. La tensión estallará después de que Cecilia, la hija mayor de los Tallis, salga empapada de una fuente, vestida solamente con su ropa interior, mientras Robbie, el brillante hijo de la criada y protegido de la familia Tallis, la contempla…
  Natt90 | Mar 9, 2023 |
I read a lot of books in my third year of University. The combination of having very long reading lists, plus a real love for the topic, even though I was working towards a deadline, meant that I did a lot of reading for a lot of classes. One particular class, ‘Contemporary British Fiction’ involved a 60-book long reading list. We weren’t required to read every book on the list, but we were required to read at least 10 of them. I’ve written book reviews for most of the books I read on that list, but there are some left.

I had heard of this book before; a lot of my fellow classmates had read it before me, or had watched the movie. I hadn’t done either before this class, but I did already own the book. I dived into it in preparation for this class and was not disappointed.

Atonement is the story of Briony, a young girl with a talent for writing. Her older sister, Cecilia, and the ground keeper’s son, Robbie, have some kind of romance going on that escalates at the beginning of the novel. Briony, seeing their secret rendezvous, assumes that Robbie forced himself on her and gets him arrested and taken away. The story takes place over several years, following Robbie, Briony and Cecilia as they reconvene, reconcile, and try to make amends for everything that happened during the separation. All this, by the way, happens to the backdrop of World War Two.

The novel explores many different themes which is probably why I like it so much as a story. It looks at the idea of rape and compliance, of truth and reality, of memory and relationships, of war, of childhood innocence, and of accepting the past. As the book goes on, you realize that the story, at the end of the day, is all about Briony trying to come to terms with how she innocently, unknowingly, ruined the life of her sister and her sister’s lover.

What I liked about this novel, which is also what some people hate about this novel, is the ending. I won’t spoil anything, but the ending does change a lot about the story as you think of it. I would highly recommend reading this novel because of how the ending basically gives you a good idea of what storytelling – and atoning for your sins – is all about, which is really what the novel is centered around.

Final rating: 4/5. ( )
  viiemzee | Feb 20, 2023 |
Not my favorite McEwan but still good. Not as much edge as his earlier novels ( )
  kjuliff | Jan 13, 2023 |
Mostrando 1-5 de 609 (seguinte | mostrar todos)
McEwan is technically at the height of his powers, and can do more or less anything he likes with the novel form. He shows this fact off in the first section of Atonement, in which he does one of the hardest things a good writer can do: engrossingly, sustainedly, and convincingly impersonate a bad one.
adicionada por jburlinson | editarNew York Review of Books, John Lanchester (sítio Web pago) (Apr 11, 2002)
 
McEwan is crafty. Even as he shows us the damages of story-telling, he demonstrates its beguilements on every page. Atonement is full of timeworn literary contrivances--an English country house, lovers from different classes, an intercepted letter--rendered with the delicately crafted understanding of E.M. Forster.
adicionada por Shortride | editarTime, Richard Lacayo (Mar 25, 2002)
 
If it's plot, suspense and a Bergsonian sensitivity to the intricacies of individual consciousnesses you want, then McEwan is your man and ''Atonement'' your novel. It is his most complete and compassionate work to date.
 
Ian McEwan's remarkable new novel ''Atonement'' is a love story, a war story and a story about the destructive powers of the imagination. It is also a novel that takes all of the author's perennial themes -- dealing with the hazards of innocence, the hold of time past over time present and the intrusion of evil into ordinary lives -- and orchestrates them into a symphonic work that is every bit as affecting as it is gripping. It is, in short, a tour de force.
 
Ian McEwan’s new novel, which strikes me as easily his finest, has a frame that is properly hinged and jointed and apt for the conduct of the ‘march of action’, which James described as ‘the only thing that really, for me at least, will produire L’OEUVRE’.
 

» Adicionar outros autores (43 possíveis)

Nome do autorPapelTipo de autorObra?Estado
Ian McEwanautor principaltodas as ediçõescalculado
Bailey, JosephineNarradorautor secundárioalgumas ediçõesconfirmado
Basso, SusannaTradutorautor secundárioalgumas ediçõesconfirmado
Blair, IslaNarradorautor secundárioalgumas ediçõesconfirmado
Boyd, CaroleNarratorautor secundárioalgumas ediçõesconfirmado
Britto, Paulo HenriquesTradutorautor secundárioalgumas ediçõesconfirmado
Ekman, MariaTradutorautor secundárioalgumas ediçõesconfirmado
Lukács, LauraTradutorautor secundárioalgumas ediçõesconfirmado
Messud, ClaireIntroduçãoautor secundárioalgumas ediçõesconfirmado
Metsch, FritzDesignerautor secundárioalgumas ediçõesconfirmado
Robben, BernhardTradutorautor secundárioalgumas ediçõesconfirmado
Rooney, AnneContribuidorautor secundárioalgumas ediçõesconfirmado
Tanner, JillNarradorautor secundárioalgumas ediçõesconfirmado
Válková, MarieTradutorautor secundárioalgumas ediçõesconfirmado
Verhoef, RienTradutorautor secundárioalgumas ediçõesconfirmado
Zulaika, JaimeTradutorautor secundárioalgumas ediçõesconfirmado

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"Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English: that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?"
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The play – for which Briony had designed posters, programs and tickets, constructed the sales booth out of a folding screen tipped on its side, and lined the collection box in red crepe paper – was written by her in a two-day tempest of composition, causing her to miss a breakfast and a lunch.
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How much growing up do you need to do?
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On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.

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