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Atonement: A Novel por Ian McEwan
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Atonement: A Novel (original 2001; edição 2003)

por Ian McEwan (Autor)

MembrosCríticasPopularidadeAvaliação médiaDiscussões / Menções
23,685588105 (3.93)1 / 1146
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.… (mais)
Membro:AmCornerRadom
Título:Atonement: A Novel
Autores:Ian McEwan (Autor)
Informação:Anchor Books (2003), Edition: 1st, 351 pages
Colecções:A sua biblioteca
Avaliação:
Etiquetas:Nenhum(a)

Pormenores da obra

Atonement por Ian McEwan (2001)

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    browner56: Two superbly crafted explorations of the cathartic power that comes from the act of writing.
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(ver todas as 26 recomendações)

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» Ver também 1146 menções

Inglês (549)  Holandês (9)  Espanhol (7)  Alemão (5)  Francês (4)  Italiano (4)  Catalão (2)  Sueco (1)  Dinamarquês (1)  Finlandês (1)  Polaco (1)  Português (1)  Todas as línguas (585)
Mostrando 1-5 de 585 (seguinte | mostrar todos)
Movie was better. ( )
  Rachel_Cucinella | Apr 24, 2021 |
I had read one novel by Ian McEwen before which I really did not enjoy. However a friend convinced me that this was very different and how right she was. The quality of the writing struck a chord immediately but I quickly became totally absorbed by the beautifully drawn characters right up to the desperately sad ending. One of the best books I have read in some time. ( )
  Patsmith139 | Mar 15, 2021 |
I was looking for a good example of metafiction to read, and McEwan's work satisfied my curiosity. The author's thoughts as writing define metafiction, and I appreciate its value, but I find that the flow of the story is interrupted too much for my reading pleasure. That said, I loved Briony. Her aspirations to be a writer are admirable, and her imagination certainly gets its exercise when she misinterprets her cousin's affair as a sexual assault. I appreciated the letter from an editor included as part of the story, and I truly marveled at the ending where she affirms an author's right to play God. ( )
  LindaLoretz | Mar 15, 2021 |
Fieldnotes:
Surrey, 1935; Dunkirk, 1940
1 13 Year Old Writer on the Cusp of Adolescence
1 Very Bad Play
3 Cousins - Refugees of Divorce

1 Prickly Young Woman Just Back from Cambridge
1 Very Bright Cleaning Woman's Son

1 Sexually Charged Power Play by a Fountain
1 Broken Vase
1 Uncomprehending Observer
1 Accidentally Explicit Note
1 Painfully Overwritten Sex Scene, including a Prolonged Mountaineering Metaphor

1 Unholy Marriage of Adolescent Self-Righteousness and Attention-Seeking, leading to
1 Unfounded Accusation
At least 4 Ruined Lives

Dunkirk
Affection via Censored Correspondence
Nursing as an Act of Atonement
Musings on the Nature of Storytelling and Truth ( )
  Caramellunacy | Mar 10, 2021 |
I have tried on three separate occasions to finish this book, but have not been able to make it past page 66. I also tried to watch the movie, but also quit halfway through. I officially give up an declare this book a lost cause. ( )
  sunshine608 | Feb 2, 2021 |
Mostrando 1-5 de 585 (seguinte | mostrar todos)
McEwan is technically at the height of his powers, and can do more or less anything he likes with the novel form. He shows this fact off in the first section of Atonement, in which he does one of the hardest things a good writer can do: engrossingly, sustainedly, and convincingly impersonate a bad one.
adicionada por jburlinson | editarNew York Review of Books, John Lanchester (sítio Web pago) (Apr 11, 2002)
 
McEwan is crafty. Even as he shows us the damages of story-telling, he demonstrates its beguilements on every page. Atonement is full of timeworn literary contrivances--an English country house, lovers from different classes, an intercepted letter--rendered with the delicately crafted understanding of E.M. Forster.
adicionada por Shortride | editarTime, Richard Lacayo (Mar 25, 2002)
 
If it's plot, suspense and a Bergsonian sensitivity to the intricacies of individual consciousnesses you want, then McEwan is your man and ''Atonement'' your novel. It is his most complete and compassionate work to date.
 
Ian McEwan's remarkable new novel ''Atonement'' is a love story, a war story and a story about the destructive powers of the imagination. It is also a novel that takes all of the author's perennial themes -- dealing with the hazards of innocence, the hold of time past over time present and the intrusion of evil into ordinary lives -- and orchestrates them into a symphonic work that is every bit as affecting as it is gripping. It is, in short, a tour de force.
 
Ian McEwan’s new novel, which strikes me as easily his finest, has a frame that is properly hinged and jointed and apt for the conduct of the ‘march of action’, which James described as ‘the only thing that really, for me at least, will produire L’OEUVRE’.
 

» Adicionar outros autores (44 possíveis)

Nome do autorPapelTipo de autorObra?Estado
Ian McEwanautor principaltodas as ediçõescalculated
Bailey, JosephineNarradorautor secundárioalgumas ediçõesconfirmado
Basso, SusannaTradutorautor secundárioalgumas ediçõesconfirmado
Blair, IslaNarradorautor secundárioalgumas ediçõesconfirmado
Boyd, CaroleNarratorautor secundárioalgumas ediçõesconfirmado
Britto, Paulo HenriquesTradutorautor secundárioalgumas ediçõesconfirmado
Ekman, MariaTradutorautor secundárioalgumas ediçõesconfirmado
Lukács, LauraTradutorautor secundárioalgumas ediçõesconfirmado
Messud, ClaireIntroduçãoautor secundárioalgumas ediçõesconfirmado
Metsch, FritzDesignerautor secundárioalgumas ediçõesconfirmado
Rooney, AnneContribuidorautor secundárioalgumas ediçõesconfirmado
Tanner, JillNarradorautor secundárioalgumas ediçõesconfirmado
Válková, MarieTradutorautor secundárioalgumas ediçõesconfirmado
Verhoef, RienTradutorautor secundárioalgumas ediçõesconfirmado
Zulaika, JaimeTradutorautor secundárioalgumas ediçõesconfirmado

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"Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English: that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?"
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The play – for which Briony had designed posters, programs and tickets, constructed the sales booth out of a folding screen tipped on its side, and lined the collection box in red crepe paper – was written by her in a two-day tempest of composition, causing her to miss a breakfast and a lunch.
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Novels and movies, being relentlessly modern, propel you forwards or backwards through time, through days, years or even generations. But to do its noticing and judging, poetry balances itself on the pinprick of the moment. Slowing down, stopping yourself completely, to read and understand a poem is like trying to acquire an old-fashioned skill like drystone walling or trout tickling.
How much growing up do you need to do?
It wasn’t only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.
A person is, among all else, a material thing, easily torn and not easily mended.
Find you, love you, marry you, and live without shame.
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Wikipédia em inglês (1)

On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.

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