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Espiazione (Einaudi - Tascabili) por Ian…
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Espiazione (Einaudi - Tascabili) (original 2001; edição 2004)

por Ian McEwan

MembrosCríticasPopularidadeAvaliação médiaDiscussões / Menções
24,016589107 (3.93)1 / 1151
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.… (mais)
Membro:Wordcrasher
Título:Espiazione (Einaudi - Tascabili)
Autores:Ian McEwan
Informação:
Colecções:A sua biblioteca
Avaliação:****
Etiquetas:Finished: February, 2004

Pormenores da obra

Atonement por Ian McEwan (2001)

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» Ver também 1151 menções

Inglês (551)  Holandês (9)  Espanhol (7)  Alemão (5)  Francês (4)  Italiano (4)  Catalão (2)  Sueco (1)  Dinamarquês (1)  Finlandês (1)  Polaco (1)  Português (1)  Todas as línguas (587)
Mostrando 1-5 de 587 (seguinte | mostrar todos)
Ever since I saw the 2008 movie adaptation of this novel, I knew I had to read it. And I'm glad I did because both the movie and the book are exceptional. I don't know why I love this book so much.
Atonement is a story about misunderstandings and lies that lead to a catastrophe in the lives of Robbie, Cecilia and Briony, the main characters. If it weren't for the great imagination of Briony their lives would have been very different.
Essentially, this is a book about forgiveness and how it consumed Briony's life.
"Joined by love, separated by fear, redeemed by hope." ( )
  _Marcia_94_ | Sep 21, 2021 |
This book was rather like a boulder rolling down a hill. It was large and cumbersome and difficult to move at first. But once it got going, it built up such speed and momentum that I was swept right along to the overwhelming conclusion.

I read The New Republic review by James Wood at Powell's (http://www.powells.com/review/2002_03_21.htm). It used the dreaded word "postmodern." And it was indeed postmodern in its self-awareness and analysis of itself as fiction.

Nevertheless, it has a very old-fashioned, almost Victorian style. I couldn't help but think of Alice in Wonderland in the beginning, when the point of view was that of thirteen-year-old Briony. It tells a good old-fashioned story as well, and the description of the retreat to Dunkirk during World War II was both edifying and harrowing.

But the ending I found quite stunning, calling into question as it did what came before. We are made to reexamine and question that very description of Dunkirk and particularly what would, in a "premodern" novel, have been the end of the narrative.

But this is no dry exercise in literary theory. It tells a compelling and emotional human story, and it makes us see that those postmodern deconstructionist techniques can serve a good purpose other than the merely intellectual.

( )
  Charon07 | Jul 16, 2021 |
I had a hard time with this book - it just didn't grab me. I wanted to root for the characters but they just didn't do it for me. I especially felt the middle section dragged. Just not my type of story I guess. ( )
  tinkerbellkk | May 24, 2021 |
Movie was better. ( )
  Rachel_Cucinella | Apr 24, 2021 |
I had read one novel by Ian McEwen before which I really did not enjoy. However a friend convinced me that this was very different and how right she was. The quality of the writing struck a chord immediately but I quickly became totally absorbed by the beautifully drawn characters right up to the desperately sad ending. One of the best books I have read in some time. ( )
  Patsmith139 | Mar 15, 2021 |
Mostrando 1-5 de 587 (seguinte | mostrar todos)
McEwan is technically at the height of his powers, and can do more or less anything he likes with the novel form. He shows this fact off in the first section of Atonement, in which he does one of the hardest things a good writer can do: engrossingly, sustainedly, and convincingly impersonate a bad one.
adicionada por jburlinson | editarNew York Review of Books, John Lanchester (sítio Web pago) (Apr 11, 2002)
 
McEwan is crafty. Even as he shows us the damages of story-telling, he demonstrates its beguilements on every page. Atonement is full of timeworn literary contrivances--an English country house, lovers from different classes, an intercepted letter--rendered with the delicately crafted understanding of E.M. Forster.
adicionada por Shortride | editarTime, Richard Lacayo (Mar 25, 2002)
 
If it's plot, suspense and a Bergsonian sensitivity to the intricacies of individual consciousnesses you want, then McEwan is your man and ''Atonement'' your novel. It is his most complete and compassionate work to date.
 
Ian McEwan's remarkable new novel ''Atonement'' is a love story, a war story and a story about the destructive powers of the imagination. It is also a novel that takes all of the author's perennial themes -- dealing with the hazards of innocence, the hold of time past over time present and the intrusion of evil into ordinary lives -- and orchestrates them into a symphonic work that is every bit as affecting as it is gripping. It is, in short, a tour de force.
 
Ian McEwan’s new novel, which strikes me as easily his finest, has a frame that is properly hinged and jointed and apt for the conduct of the ‘march of action’, which James described as ‘the only thing that really, for me at least, will produire L’OEUVRE’.
 

» Adicionar outros autores (43 possíveis)

Nome do autorPapelTipo de autorObra?Estado
Ian McEwanautor principaltodas as ediçõescalculated
Bailey, JosephineNarradorautor secundárioalgumas ediçõesconfirmado
Basso, SusannaTradutorautor secundárioalgumas ediçõesconfirmado
Blair, IslaNarradorautor secundárioalgumas ediçõesconfirmado
Boyd, CaroleNarratorautor secundárioalgumas ediçõesconfirmado
Britto, Paulo HenriquesTradutorautor secundárioalgumas ediçõesconfirmado
Ekman, MariaTradutorautor secundárioalgumas ediçõesconfirmado
Lukács, LauraTradutorautor secundárioalgumas ediçõesconfirmado
Messud, ClaireIntroduçãoautor secundárioalgumas ediçõesconfirmado
Metsch, FritzDesignerautor secundárioalgumas ediçõesconfirmado
Robben, BernhardTradutorautor secundárioalgumas ediçõesconfirmado
Rooney, AnneContribuidorautor secundárioalgumas ediçõesconfirmado
Tanner, JillNarradorautor secundárioalgumas ediçõesconfirmado
Válková, MarieTradutorautor secundárioalgumas ediçõesconfirmado
Verhoef, RienTradutorautor secundárioalgumas ediçõesconfirmado
Zulaika, JaimeTradutorautor secundárioalgumas ediçõesconfirmado

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"Dear Miss Morland, consider the dreadful nature of the suspicions you have entertained. What have you been judging from? Remember the country and the age in which we live. Remember that we are English: that we are Christians. Consult your own understanding, your own sense of the probable, your own observation of what is passing around you. Does our education prepare us for such atrocities? Do our laws connive at them? Could they be perpetrated without being known in a country like this, where social and literary intercourse is on such a footing, where every man is surrounded by a neighbourhood of voluntary spies, and where roads and newspapers lay everything open? Dearest Miss Morland, what ideas have you been admitting?"
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The play – for which Briony had designed posters, programs and tickets, constructed the sales booth out of a folding screen tipped on its side, and lined the collection box in red crepe paper – was written by her in a two-day tempest of composition, causing her to miss a breakfast and a lunch.
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Novels and movies, being relentlessly modern, propel you forwards or backwards through time, through days, years or even generations. But to do its noticing and judging, poetry balances itself on the pinprick of the moment. Slowing down, stopping yourself completely, to read and understand a poem is like trying to acquire an old-fashioned skill like drystone walling or trout tickling.
How much growing up do you need to do?
It wasn’t only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.
A person is, among all else, a material thing, easily torn and not easily mended.
Find you, love you, marry you, and live without shame.
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Wikipédia em inglês (1)

On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.

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